What 'Ad Astra' and Brad Pitt Get Wrong About Space Travel, Science and Life In the Cosmos (nbcnews.com) 89
Freshly Exhumed writes: Adam Frank, professor of astrophysics at the University of Rochester and consultant on numerous movie scripts, was excited to watch "Ad Astra," the new Brad Pitt space thriller. The film was promoted with the promise of scientific realism in depicting a solar system well on its way to being settled by humanity. Unfortunately, Professor Frank finds that despite very good intentions, "Ad Astra" strikes the wrong balance between story and fact, art and artifice. While the plot ventures out to the farthest planet Neptune, the demands of the film's theme cramp its science fiction imagination. Instead of letting us explore a vision of our common future in space, "Ad Astra" delivers a solar system stripped down to fit a very particular story.
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Re:Well, Space Nuttery is just fiction (Score:5, Funny)
"It's a modern-day atheist religion "
That's also my religion, and not-playing soccer is my sport, not collecting stamps is my hobby.
Re:Well, Space Nuttery is just fiction (Score:4, Informative)
"It's a modern-day atheist religion "
That's also my religion, and not-playing soccer is my sport, not collecting stamps is my hobby.
I can confirm, we play on the same team and hang out together at the swap meets.
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"I can confirm, we play on the same team and hang out together at the swap meets."
Not me, I only go to non-swap, non-meets.
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Freedom of religion is the freedom to hold any silly system of beliefs that you choose to believe. It is not the license to force your beliefs on somebody else.
There are plenty of protections for atheists that allow them to hold and promulgate their beliefs, and those protections apply to the religious as well: freedom to publish, to own property, to peaceably assemble. Just what is it you think an atheist will be prevented from doing if "freedom of religion" doesn't apply to atheists?
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"...when someone forces their Christian beliefs on you. "
Can't be done. It only works on children, there are no Christian children or Muslim children, there are only children of Christians and Children of Muslims.
Children of Marxists are no Marxists either, nor are children of Republicans republican, at least not for the first 60 years.
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What's wrong with "doshing" out some money to regular folks who want to explore the possibility of universal basic income or a leisure society?
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It's been shown devoting a fraction of the education money spend ensuring every last clown can count change, to advanced courses for the gifted, would pay off many times over.
But that's "elitist", so to hell with them. Your sentiment shows this unfortunate policy remains good politics :(
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Actually, handling at education at the federal level is actually a very unscientific approach to education. It is best to leave this at the state level so that you have a mix of successes and failures between 50 states rather than 1 failed experiment at the federal level. This allows states to learn from the successes and failures of other states and improve education quality using the scientific method. Handling education policy at the federal level also assumes that every state is the same as far as ed
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Well, given that we have a very large number of states with an extremely regressive view of education, it would be nice to at least have SOME nationwide standards... Shouldn't even cost that much.
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I am constantly amazed at how many cashiers can't count out change. It's very simple, requires only 2nd grade arithmetic, and yet it appears to be a big stumbling block. It's also a skill that's been around for a few centuries. I've seen people with Downe's syndrome do this easily. Cashiers sometimes have a baffled look if you point out that they used the machine wrong and gave the wrong change only to have them call over a manager to sort things out. Even if you don't know the basic way to do this, it use
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The Bronze Age was largely tribal-village level economy, not easily compared with modern capitalism.
Working to earn a living has inherent advantages. One is that it is just: you're providing for yourself, not stealing from your neighbor. Another is the concept of incentive , which seems to be foreign to the minds of leftists: if you want more, you have the incentive to create more.
Drug habits are associated with joblessness, although the causality runs in both directions. Degrading your mind with drugs can
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The latest I’m hearing from the social justice sorority is the “priorities” argument against space programs, the one about money being better spent on earthly needs, applied to private space projects.
You can argue that your EBT payment is a higher priority for Washington than Mars Insight, but telling Elon Musk how he may spend his own money is the height of arrogance.
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Private or public shouldn't be what you focus on - focus rather on efficient versus inefficient. Government handing out huge chunks of money for basically nothing will result in disaster for any program - public or private. Look at the military industrial complex. The most expensive weapons systems in the world - which somehow fail to work as advertised. But there are no consequences, so next year the paycheck is still coming. Why should we improve? So long as it works enough to not be completely useless, w
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There have been 7 "space tourists" to date. Mark Shuttleworth, Gregory Olsen, Anousheh Ansari, Charles Simonyi, Dennis Tito, Richard Garriot and Guy Laliberté. The fact that there has been even one person capable of financing their trip to and stay in orbit means you're wrong. If one person can do it, more people start to do it, and eventually it becomes a norm. Crossing the Atlantic and visiting the "New World" started with 3 ships. How many goods and people make the trip every day now?
Sure, I don't
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Faith-like argument detected. What if there won't be more?
I'd rather say the one using faith is you. You seem to believe that we're at the pinnacle for some reason, and nothing else will follow. When all of human history points otherwise. It used to take almost half a year to cross the Atlantic. The building of a ship capable of doing this and the men to crew it was a major burden on pre-Renaissance Europe. Columbus was turned down several times before finally convincing Isabella, because of the expense.
Now the hurdle is one of engineering. We've no shortage of
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Look at the map on your phone. If you see a blue you-are-here dot on it, thank us space nutters for never being lost again.
Oh wait - no map on your phone, you say? That’s because it’s still black and plugged into the wall.
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"It is easier for a camel to go through the eye of a needle than for a rich man to get into heaven." This biblical admonition has a relation to you: Your mind is so narrow that it could fit through the eye of a needle.
Science Fiction encourages thinking about advanced goals and possible solutions. Don't spit on it.
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Modern trans-Atlantic sailors are just getting thrills at taxpayer's expense, but that's just how things are now in 1492. It is believed that in the future, trans-oceanic sailor will be just another job.
Beliefs about how technology and economy will unfold are not religion. Religion is about making things up, based on nothing. Technological/economic speculation is about real-life cost thresh
And the award goes to ... (Score:5, Interesting)
Ad Astra for best trailer and marketing to make people think they're going to see something they're not.
The film was well made, from a technical and performance standpoint, but -- without giving any spoilers -- contained many sequences, characters and points that had nothing to do with the actual fucking plot, but added momentary excitement and/or interest. Absent those, the story was pretty dull and formulaic. As noted in TFA, the "science" is off and/or simply wrong. The Expanse does the science of space travel much better, and by that I also mean more accurately -- obviously ignoring the Protomolecule stuff -- and The Martian (book over film) had better science and music, even if you hate Disco.
I could easily detail a dozen things that annoyed me in Ad Astra as either wrong, unnecessary, dumb, pointless or impractical, but that would involve spoilers. All that aside, the CGI is well done and the acting is good -- and manly ('cause that was, apparently, important to the filmmakers, for some reason). Still, *my* heartbeat never went above 80 (okay, one spoiler) ...
My advice is wait until it comes out on Amazon/Netflix.
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Ad Astra for best trailer and marketing to make people think they're going to see something they're not.
And one more thing they got wrong... the fucking name.
"Ad Astra" is Latin for "To the Stars". The character(s) traveled from the Earth to the Moon, to Mars, to Neptune and back to Earth -- none of which are fucking stars. The film should have been named, "Ad Planetarum".
Even further nitpicking (Score:5, Funny)
The film should have been named, "Ad Planetarum".
Ad takes accusative, not genetive.
So "ad planetas [wiktionary.org]".
Re:Even further nitpicking (Score:5, Funny)
What does this look like, a web site for nerds?
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DrYak: But that's not when we lost Slashdot. You know when we lost Slashdot?
C.J.: When you learned to speak Latin?
DrYak: Go figure.
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The film should have been named, "Ad Planetarum".
Ad takes accusative, not genetive.
So "ad planetas [wiktionary.org]".
Take it up with Google Translate: English to Latin. :-)
Typing in "to the stars" yields "ad astra" and "to the planets" yields "ad planetarum".
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Now copy that 100x or I'll cut your balls (Score:2)
Romanes eunt domus
"People called Romanes, they go, the house" ?!?
It's "Romani ite domum ! Now copy that 100x times or I'll cut you balls off, [wikipedia.org] if you haren't done so by sunrise next morning. That's ll teach you.
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Splitter!
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To be fair, "ad" is more like "towards" and "astra" means pretty points of light in the sky rather than hot balls of fusing gas.
Many air forces use ad astra as a slogan even though they're not going to any stars (or planets). But they are going up.
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If you paid close attention to the story, the spaceship that got stranded at Neptune was supposed to leave the solar system and go to the stars. It didn't because the crew went mad and the captain killed them all.
If you paid closer attention, you know that's not accurate. The Lima Project was suppose to journey to the outer edge of our solar system, near the heliopause and away from the electromagnetic interference generated by our sun, to search for signs of intelligent life elsewhere. After many years of not finding anything, the crew wanted to return to Earth but Roy's father H. Clifford McBride (Tommy Lee Jones) wanted to stay and the crew mutinied. McBride killed the mutineers on purpose and the rest of the cr
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They tried to make a modern 2001: A Space Odyssey, but forgot that 50 years ago when that movie was made it was groundbreaking. Now it's just boring.
The guy beside me fell asleep in the theatre. I would have gotten more entertainment watching paint dry.
Re:And the award goes to ... (Score:4, Informative)
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An excellent demonstration of the shortening attention span epidemic.
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An excellent demonstration of the shortening attention span epidemic.
I wasn't alive at the time, but 2001: A Space Odyssey was not that well received in 1968. Reviews either called it a masterpiece, or boring and dumb. Not that much different to what people think about Ad Astra. Over time 2001: A Space Odyssey became more universally thought of as a movie making masterpiece, but mostly because of its cinematography and special effects although not as a good piece of storytelling. Considering how much the industry has progressed in the last 50 years you need more than good ci
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2001: A Space Odyssey is a boring, meandering, and senseless piece of overrated shit.
Skip the entire fucking ape scene, keep the next hour or so of the movie, then write an actual ending and get back to me. No, it's not that I "don't get it", it's that there's nothing to "get". It's not deep or meaningful, it's just inane bullshit, as is typical when someone tries for a grand story and realizes they can't figure out how to end it.
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There's fucking? Well, I guess that is one good point.
Re: And the award goes to ... (Score:3)
The only fucking will be done by the theater when you buy drinks and snacks.
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I went to the theater recently and paid $11.75 or thereabout for a small popcorn (which was plenty), a medium ICEE, and a pretzel thing.
The tickets were "free", so I didn't feel screwed.
Then I remembered that $11.75 was after an alleged 20% discount and a $3 coupon. The total would have been closer to $18.75 without those. I go rarely, and I typically have "free" tickets, so it's not an issue. But it's fucking insane.
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4X the price, but I think I got a better deal in a restaurant. For $46 I had grilled porkchops with apricot sauce, sauteed mushrooms, and horseradish mashed potatoes. Then I went home and watched a movie on Amazon Prime, it was a movie I've been putting off seeing because I was busy when it was in the theater.
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"My advice is wait until it comes out on Amazon/Netflix."
Is that the current equivalent of "wait until it comes on CityTV" in the wee hours of the morning timeslot? Will it be another one of these movies that is so bad they could no even give away a single advertisement, so the movie runs commercial free?
Not knocking CityTV -- their selection of wee hours spaghetti westerns designed for watching under the influence of mind altering substances was superb!
Re:And the award goes to ... (Score:5, Insightful)
Action scenes that don't move the plot forward seem to be a huge problem for recent Hollywood movies. It's like the director realizes he's making a boring movie and rather than fixing that he decides to distract the audience.
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It really was amazing marketing, and is exactly the type of movie where film critics will lead standard movie goers astray. The rotten tomato score is 83% for this movie, but the audience score is 43%. Sometimes that happens because of some SJW backlash, but in this case it was just a boring movie. This is common for Oscar bait movies and it is usually pretty obvious. But this time I was hoping it was because the movie was too cerebral or hard-core sci-fi for standard audiences, although that certainly wasn
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"As long as it is not a documentary, reality will take a second place. ALWAYS."
It seems you haven't heard of hard science fiction.
There's a reason the best science fiction authors have a hardcore science background.
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It seems you haven't heard of hard science fiction.
In the case of Ad Astra, it seems like it was hard to get the science into the fiction.
The TFA notes:
Making the main character an astronaut simply allows the interplanetary void to become a metaphor for that isolation, and the dark tone of this son-searches-for-father story infects its portrayal of the science.
With that in mind, they could have set the film in Wyoming, but then it would have been "fiction" not "science fiction".
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With that in mind, they could have set the film in Wyoming, but then it would have been "fiction" not "science fiction".
The only real gripe I have about the movie is some marketing and reviews made it appear to be "hard science fiction", but the movie ended up just being a drama set in space. Which is okay, plenty of people like those movies, but I was certainly tricked into seeing it by that false narrative.
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Re:More than 100 years we make movies ... (Score:5, Insightful)
... and people are still surprised they are not documentaries.
Not exactly. But a story should be consistent. For example, the film "Alien" was pretty consistent. You could imagine a species to specialize in surviving and thriving on spaceships, and it would something like the film: an egg stadium to overcome centuries of waiting for a victim, and a quick, violent living phase. The early James Bond movies were pretty consistent as well, but later on they showed a helicopter tilted on its nose to cut its victims. That is so plain rubbish, that the story just stops there.
We don't want a story to be a documentary, but when you are dragged into the story, you should not be thrown out by utter nonsense. And in science fiction you can do a lot to prevent nonsense.
Story and consistency (Score:3)
from TFA itself:
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Agree fully, and had a hard time to choose either to up-vote or to add a comment.
For me personally a story cannot trump the logic and consistency of the created world (a scenery) - I would even add that this is the essence of the SciFi genre. Not sure if it's a modern trend or just more popular recently to just make a collage of pretty pictures without consistency, that's why I cannot stand J.J.A. m
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The problem is that hundreds of thousands of people have spent hundreds of years hammering out most of the kinks in our scientific knowledge. Nobody has spent hundreds of years hammering out the kinks in their fantasy story or movie script. Tens of thousands of people don't get to preview them and give feedback before the final draft. We're never going to get real-world consistency in our art because we're never going to spend the time and manpower to rake through it over and over until it's totally clean.
W
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A great comment, thanks, just would add that I appreciate when an author tries to make a consistent world play for him and doesn't ignore his own rules just because he/she doesn't care.
Han shot first.
Indeed, he did. ;-)
And I will hand a glove to whomever claims otherwise
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The early James Bond movies were pretty consistent as well
I know. I hate that helicopter scene. Personally I prefer James Bond floating around a space station firing lasers, pew! pew! Back in the 70s. James Bond got soooo unrealistic in late 90s.
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False dichotomy. It's not a choice between "100% accurate" or "accuracy doesn't matter at all".
Nobody is expecting a movie to be 100% accurate, but titles that bill themselves as scientifically accurate or adjacent to that should score closer to 100% accurate than to 0% accurate. In any case, the pointing out of inaccuracies by using critical thought is something to welcome, not to argue against.
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Except that they didn't even do that.
I kept waiting for something to happen to the main character that would make him particularly likable or identifiable, but throughout the entire movie, there was nothing. I found that the movie failed to depict any sort of conclusion that made any of the terrible and practically unforgivable things which preceded it worthwhile. At the end of the movie, all I was left with was a feeling of "why did I watch that? I cou
Settling the solar system? (Score:1)
Some Space Nutter doesn't think a movie depicting SETTLING THE SOLAR SYSTEM isn't realistic??? I guess this guy really wanted the job as consultant on the movie and was turned down.
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And worse, a movie that seems to have given the story priority over appeasing space nutters over what the future likely will never be.
So, basically he doesn't like future fashion? (Score:1)
The "Science" of Ad Adstra (Score:2, Informative)
That is all you need to know about the "science" of Ad Astra.
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Haven't seen the movie, but nuclear explosion-driven rockets were seriously examined in the late 50s early 60s as a way of achieving both high thrust and high specific impulse rocket propulsion.
The idea came from the physicist Stanislaw Ulam, who with Edward Tellar came up with the basic design of thermonuclear weapons, and one of the chief figures in the project was Freeman Dyson. Given the immense quantities of energy involved, the spacecraft could be extremely massive compared to chemical rocket powere
Re: The "Science" of Ad Adstra (Score:1)
There's a big difference in the Orion project ideas and the concept of just taking a normal ship (looks a bit like a capsule that might go to the moon), pointing it towards Earth, detonating a single nuke next to it, and having it fly all the way back to Earth from Neptune. Or from outside of the heliopause. The movie thinks those are the same thing for some reason.
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Project Orion settled on very small bombs -- 0.15kt -- for its orbital rocket. That still the equivalent of 150 tons of TNT per impulse. Don't know the circumstances depicted in the movie, but a purpose-built nuclear propulsion system does appear to be physically possible in a purpose-built spacecraft. We could, for example, launch a probe that reaches Alpha Centauri in as little as 50 years.
Re: The "Science" of Ad Adstra (Score:2)
The circumstances depicted in the movie were explained to you earlier. Project Orion could have worked because it was a gargantuan spacecraft utilizing massive shock absorbers and ablative plates to absorb those series of 15kt explosions and turn them into gradual acceleration. In the movie it's a teeny tiny spacecraft with no protection being propelled by one massive explosion.
I noticed it's on at the fleapit (Score:2)
Ad Astra (Score:1)
If your making a space movie, consider the politics and "space" part
The fathers work, what he found, what he did. The why of the father..
The malfunctioning antimatter power source?
Don't add so much about:
The son doing his day job, getting to the moon, pirates on the moon... that was vital movie time wasted.
A movie that needs a part 2?
the farthest planet Neptune (Score:2)
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