Want to read Slashdot from your mobile device? Point it at m.slashdot.org and keep reading!

 



Forgot your password?
typodupeerror
×
Space

How Spirit Takes Pictures 311

Some Clown writes "MSNBC has a great article on the details of the camera system on the Mars Rover titled How Sprit makes great photos. Apparently the high resolution images are all done with a 1-megapixel camera. All the money is in the CCD and Lens. The hardcore digital photographers in the crowd will probably find the article to be only a teaser on the technical specs, but the rest of us in the unwashed masses should find it interesting."
This discussion has been archived. No new comments can be posted.

How Spirit Takes Pictures

Comments Filter:
  • by funny-jack ( 741994 ) on Thursday January 15, 2004 @06:35PM (#7991647) Homepage
    The hardcore digital photographers in the crowd will probably find the article to be only a teaser on the technical specs, but the rest of us in the unwashed masses should find it interesting.

    What does having a six-digit Slashdot UID [slashdot.org] have to do with digital photography knowledge?
  • Original (Score:5, Informative)

    by Gherald ( 682277 ) on Thursday January 15, 2004 @06:35PM (#7991651) Journal
    Why not link directly to the original [space.com] article?
  • Specs (Score:5, Interesting)

    by nairnr ( 314138 ) on Thursday January 15, 2004 @06:35PM (#7991655)
    I think it is amazing that to see what it can do. It is important to realize that the components we think about aren't always what makes the most difference. I tried out a 3Mpix camera that was utter crap because the lens on it was a small piece of plastic, then I compared it to an SLR digital camera that took stunning photos at every resolution. Quality.

    It is also interesting to see how it produces color photos. Instead of using a 3 color sensor, it uses a B&W camera with 3 colour filters that recombine into a colour image. This is calibrated by a colour wheel on the rover itself.

    Neat stuff

    • Assembled panorama (Score:3, Interesting)

      by SuperBanana ( 662181 )
      t is also interesting to see how it produces color photos. Instead of using a 3 color sensor, it uses a B&W camera with 3 colour filters that recombine into a colour image.

      That's not all- the images are clearly composited, which is why they look so stunning(yes, the huge, low-noise ccd helps, as does a great lens). The very first image released(the 8mpixel one) had a very very obvious stitching error right smack down the middle, which is pretty bad, considering that with a robotic rig and known lens

    • Re:Specs (Score:5, Informative)

      by angst_ridden_hipster ( 23104 ) on Thursday January 15, 2004 @07:09PM (#7992057) Homepage Journal
      It is also interesting to see how it produces color photos.

      This is how virtually all consumer digital cameras work (more or less). They paint a pattern of color filters over the CCD. Then they use interpolation, based on the relative intensities, to figure out the most likely color of each pixel.

      Different vendors use different masks, and there is a lot of debate about the best approach. See DP Review's Glossary section [dpreview.com] for more information.

      • Re:Specs (Score:5, Informative)

        by cgenman ( 325138 ) on Thursday January 15, 2004 @07:28PM (#7992249) Homepage
        It's in the interpolation stage that most consumer cameras turn to junk. The fact that the mars rover takes a picture using an identical array (rather than a very-similar-array) with 3 different filters is what makes the image crisp. It's totally impractical in the consumer arena, however, because people would need to stand exactly still while their camera took 3 pictures.

        Multi-layered sensors are in the works, however, one of which has been slashdotted. This would provide true image color with no interpolation, but failed to materialize in the year promised (last one).

        If anyone has the slashdot link from a few years back, I'm sure it would be relevant to this discussion.

    • Re:Specs (Score:3, Interesting)

      by Dynedain ( 141758 )
      About 100 years ago a Russian photographer used the same technique to generate color photograps.
  • Hmm.. (Score:5, Funny)

    by Savatte ( 111615 ) on Thursday January 15, 2004 @06:36PM (#7991665) Homepage Journal
    Somehow I don't see the phrase "shake it like a 1-megapixel digital camera" being as catchy
  • Interesting, but.. (Score:5, Insightful)

    by xankar ( 710025 ) on Thursday January 15, 2004 @06:37PM (#7991679) Journal
    High quality images are good for PR, but what I really want to know is how it extracts information from the environment, how this information is being used, and whether or not we found anything we didn't expect to find.
    • by jmh_az ( 666904 ) * on Thursday January 15, 2004 @07:38PM (#7992328) Journal
      It extracts data by looking at the return levels at the various wavelenghts of the filters, among other things. With image processing software like IRAF [noao.edu] you can get an amazing amount of information out of an image. Also, conventional comsumer CCD cameras use one CCD device with a RGB patterned color filter literally painted onto the face of the CCD to get red, green and blue. High-end cameras use three CCD's with seperate filters in front of each imaging device and splitter prisms to direct the light. Since things like weight and complexity are issues when building spacecraft, they accomplish the same thing as the high-end cameras here on earth by using one CCD and a filter wheel. This approach also allows them to do other things, such as take images through polarizers, or have magnification if they need it, and all in one camera package. And, last but not least, these cameras are tested and calibrated to within an inch of their lives before they ever leave the ground, so the researchers know exactly what the dark current (electronic noise), flat field (pixal responsiveness across the entire CCD) and defect characteristics for the CCD are. This information is then used to subtract out a lot of the noise and imperfections, leaving as much of the original data for analysis as possible. That analysis is the stuff of research papers like this one [aspsky.org].

      Hope that was useful.

  • $400,000,000? (Score:4, Insightful)

    by poppageek ( 115260 ) on Thursday January 15, 2004 @06:38PM (#7991691)
    I am not trying to be negative, I think what they are doing is great and long overdue. Can't wait till we have Rovers on other planets. But why did it cost $400 million? I've read about what Rover is and how it was built and what it does. I am sure it was expensive to build but $400 million? Does that include the cost of getting it there?
    • Re:$400,000,000? (Score:3, Insightful)

      by pvt_medic ( 715692 )
      its not only the cost of building such an item but the process of getting it certified for such task. You not only have to build it, but then have teams of review committies look over it again and again, so you dont have something stupid like a conversion error [cnn.com].
    • Re:$400,000,000? (Score:3, Insightful)

      by Erwos ( 553607 )
      That's including the R&D costs. Ergo, the next rover will be far cheaper, because they've just got to build another one, not figure out how to make it in the first place.

      -Erwos
    • Re:$400,000,000? (Score:5, Informative)

      by nairnr ( 314138 ) on Thursday January 15, 2004 @06:53PM (#7991860)
      Well, it isn't like you can head down to Radio Shack and pick up a functional interplanetary robot now can you? You are talking about one off ( or two off in this case) The second rover will cost half to make more than likely due to parts being already made for the first one. I mean think about how much R&D has to go into building a craft capable of surviving and thriving after being blasted off from earth, traveling through the radiation of space, hit a spot on a planet after many months of travel. After that you have to go through reentry and hit the ground at 60MPH, with all sorts of high precision instruments functional.

      Quality is expensive, the survival rate of craft going to Mars is less than 1/3. They tried to cut costs, but that leads to failure. Build them with enough attention that you don't throw $3-400MM away after years of effort...

    • Re:$400,000,000? (Score:5, Insightful)

      by ad0gg ( 594412 ) on Thursday January 15, 2004 @06:57PM (#7991928)
      Expensive compare to what? B-1 Bomber is 1.2 billion a piece, F22 is $122 million. Communication sattelites can range from $100 million and up. And the R&D costs can spread accross multiple units, rovers only had two units to spread across.
    • by morcheeba ( 260908 ) on Thursday January 15, 2004 @07:20PM (#7992176) Journal
      $400 million? Does that include the cost of getting it there?

      No, it doesn't. NASA engineers saved up some frequent flyer miles accrued on the space shuttle and the space station, and got a free trip to mars. Next, they'll be saving up for a round-trip and I've heard that they are soliciting milage donations from the public.

      Put another way, $400 million is about a dollar for each american. Have you gotten your dollar's worth of entertainment yet? (Or $2.30 if the price is $810 mil)

      To compare, bush's little iraq war is going to cost 100-200 Billion dollars [peopledaily.com.cn] and over 500 coallition lives so far. Do you expect to get your $1400 worth of oil/entertainment from that?
    • It costs more partially because it has to be more reliable. If the rover fails onsite, you can't exactly exchange it for a new one.

      It also has to survive both the G-forces of launch and landing and radiation levels far above what is seen on Earth.

    • Re:$400,000,000? (Score:3, Insightful)

      by Bigfishbowl ( 528934 )
      Well, look at it this way . . . if you break down the cost across the entire population of the US, that amounts to about $1.37 each (compared to the $97 billion = $297.95 each for Iraq). So for less then the price of a beer at a bar, I get to see Mars. Works for me.
  • Pictures (Score:5, Funny)

    by schnits0r ( 633893 ) <nathannd@@@sasktel...net> on Thursday January 15, 2004 @06:39PM (#7991707) Homepage Journal
    I dunno, That would suck if all Spirit's pictures had a finger in the bottom corner of them like all mine do.
  • by richard_za ( 236823 ) on Thursday January 15, 2004 @06:42PM (#7991740) Homepage Journal
    Humans to the moon (1969)
    Digital cameras to mars (2004)
    Internet Fridges to pluto (2010)?

    Is this progress?
  • Tang (Score:2, Funny)

    by dreamer98 ( 521021 )
    So, digital camera's and Tang are the practical spin-offs from the space program. cool.
  • by raider_red ( 156642 ) on Thursday January 15, 2004 @06:49PM (#7991824) Journal
    Resolution in cameras (both digital and film) is really determined by optics. By taking pictures of a smaller area and stitching them together, they can probably get better pics than most pros get with their high end Digital SLRs, because they've put more money into the optics than the sensor. Also, the higher density CCDs and CMOS sensors going into digital cameras now tend to be more prone to noise than some of the very high quality, lower density models.

    Also, remember that the cameras in the rover had to go through a lot more testing than a typical consumer camera, so it's probably using three, four, or even five year old components in the imaging systems.
    • A pro using a high end Digital SLR should be using a pro lens.
      They are expensive, but they do have the quality.
      Actually compared to any point and shoot camera, or entry/mid level digital cameras the consumer quality SLR lens is likely much better.
      I was surprised how much more detail and contrast I got from my SLR, it made other pictures appear quite poor in comparison.

      That being said, you only notice the quality when you compare, I love my digital for snapshots.
    • remember how you can build a 1 gigapixel [slashdot.org] shot out of a bunch of lower resolution pictures.
  • Sorry, I'm still confused by the discussion on the last Mars photography story, the crackpot complaining about the color in the images. The explanation here was interesting and explains why there are multiple filters in use but I still don't know the answer to the basic question:

    If I were standing on the surface of Mars, what does it look like? Is the surface red to a human eye the way it looks in the most common pictures?

  • Actually (Score:5, Funny)

    by bluegreenone ( 526698 ) on Thursday January 15, 2004 @06:53PM (#7991863) Homepage
    Actually, it's only 1 megapixel because it's a cameraphone. Sprint donated the phone in exchange for showing off their new Martian-wide network. The lander just waits until 7pm so it can send home pictures using free nights and weekends. Unfortunately the budget killer is the shots from the rover since they incur roaming charges.
  • if (!ie){......} (Score:3, Informative)

    by ExileOnHoth ( 53325 ) on Thursday January 15, 2004 @06:54PM (#7991880)
    "Sorry, your browser is not compatible with this feature!"

    @%**! MSnbc

    Click on the "Interactive feature" if you don't know what I mean,

    then curse microsoft,

    then go straight to http://marsrovers.jpl.nasa.gov [nasa.gov]to see the images without paying the microsoft tax. I vowed a long time ago to stop clicking on msnbc links.... sucker that I am to keep coming back for more...
  • And why couldn't this all just be done with a TurboHopper and a hacked disposable digital camera?
  • by jeffy210 ( 214759 ) on Thursday January 15, 2004 @06:58PM (#7991937)
    Serious question here... the article says "One megapixel is a million pixels set up in an array equal to 1,000 by 1,000."

    Is this like hard drives using one GB = 1,000,000,000 bytes or is 1MP truely 1,000 x 1,000 and not 1,024 x 1,024?
    • 1024x1024 would be 1MiP, not to be confused with 1 mips (millions of instructions per second).

      Yea, those stupid extra i's are annoying.
    • Well ya (Score:3, Informative)

      by Sycraft-fu ( 314770 )
      That would be the correct usage of the mega prefix. If you check the definition of SI prefixes (which mega is one of) you will find they are all defined in terms of base 10, and no other base. Kilo is defined as 10^3, mega as 10^6 and so on. Thus a mega-anything is 1,000,000 of that thing by definition.

      However, computer people hijacked the prefixes and started using them incorrectly. Since computers are base 2, base 10 numbers don't divide down nicely. 1,000,000 isn't remotely near a nice round number in b
  • Techno Zealots... (Score:2, Informative)

    by huckda ( 398277 )
    Many believe buying a better camera with greater megapixels etc will make them a better photographer. Sadly mistaken are they.

    A great photographer can take an old Brownie and develop some GREAT photos...
    Anyone can point and shoot a digital camera...but it really takes someone with talent to get a GOOD image using one.

    The greatness of a digital camera is you can snap those 500 shots to get the 3 good ones and not worry about film and developing costs...

    Professional wedding photographers shoot 300+ pics p
    • Many believe buying a better camera with greater megapixels etc will make them a better photographer.

      I don't know a single person who thinks that.

      On the other hand, since my camera only has about 1/3 of the resolution of my dye-sub printer, I know that I'll get higher-quality prints if I get a camera with more pixels. My photographic skills will, of course, be unchanged.

      steve
    • Professional wedding photographers shoot 300+ pics per event and rarely get better than 25% that come out with any sort of quality

      Well, there are photographers, and there are "photographers".

      I know plenty in the "I'll shoot a bunch, and end up with 10% to 25% that are really good" category. On the other hand, I know a very few who take a few shots, and end up with 75%-90% that are really worth it.

      Making a blanket statement like that about photographers is just silly. Of course, since you're t
  • Lens (Score:5, Insightful)

    by dgerman ( 78602 ) on Thursday January 15, 2004 @07:00PM (#7991958) Homepage
    "NASA's Spirit Rover is providing a lesson to aspiring digital photographers: Spend your money on the lens, not the pixels."

    Every good photographer will tell you the same. It still amazes me that people are willing to drop Can$.5k for a digital camera, but think you are nuts for spending the same money in a lens.

    Too bad the digital cameras all come with Zooms. At the same price, a zoom lens will tend to be worse than a fixed lens. An old camera, the yashica t4 super [photo.net] won a great reputation for its superb fixed lens (35 mm Carl Zeiss).

    I have one, and I love it. It takes the best pics I have ever seen in a P&S.

    • it all boils down to that really. zooms are more convinient, especially if you are unsure of how your composition will be.
      granted the primes are really sweet, but i would only use one under controlled conditions. The only prime i own is a 50mm for portraits (which works out to about 80+mm after the sensor conversion factor.) For everything else, zooms are just more practical.
      Not to mention the big primes are REALLY expensive. My current price limit is about $1000 for a lens. If i can get a Lens that w
    • Yes, I'm sure your old Yashica can take some great pictures, but the versatility you get with a zoom lens is hard to beat in many applications. For instance, this shot of the White House [gotdns.org], as I said on the caption, is pretty much impossible without a telephoto lens. I found that kind of situation comes up very regularly on the trip I took that photo on.
  • but the rest of us in the unwashed masses should find it interesting.

    Indeed. In fact, so interesting that the bulk of sweeping statements and wild generalization we masses will make, will be be made without ever reading the article!

  • Blue skies? (Score:3, Interesting)

    by macdaddy ( 38372 ) on Thursday January 15, 2004 @07:03PM (#7991990) Homepage Journal
    I read somewhere after the lander, um, landed that the pictures it were sending back were flawed. The arguement was that Mars, like Earth, was supposed to have blue skies. I can't say that this is a correct assesment but it seems plausible. I do recall watching C-SPAN last week or the week before when a group was talking about Spirit. One thing they talked about was a simple little 4-color chart that could be used to sync Spirit's camera color settings to once the rover landed. The plate the color chart was on also doubled as a sun dial (low tech at it's best!). Anyhow, I thought the blue sky idea was interesting. Is the red planet really red when you're standing on it's surface?
    • Re:Blue skies? (Score:2, Informative)

      by d3m057h3n35 ( 695460 )
      Apparently, the skies are indeed blue, even though I used to think the Martian atmosphere was to tenuous to filter much light. But when you think about the conception of a muddy colored, reddish sky, that doesn't make much sense (unless a dust storm's happening): once again, the atmoshpere is so thin that it can only filter some colors leaving a bluish tinge for example, but it won't disperse much light (or block out all higher energy light in favor of red).
  • This kind of justifies what i've been telling people about those little high mega pixel digicams all along. Think of it like Mhz for computers. It's all the manufacturer markets, but is hardly the end all.
    The Article emntions the Sony 717, i've seen test shot between the Sony 5MP 717 and their 8MP 828. Their sensor size is the same, so the 828's individual sensors are smaller. After seeing them, i think i'd rather get a 717 then an 828.
    Of course where we can get the quality are DSLRs. Most of these cam
  • Considering that they're using color filters to create composites from B/W images, none of this is very surprising. If you use a 1Mp CCD with A color filters and B offsets, you will get A*B Mp of information.

    >shock
  • And it runs Java (Score:4, Informative)

    by bradyh ( 4324 ) on Thursday January 15, 2004 @07:05PM (#7992009) Homepage
    Here's a story [sun.com] about some of the software involved.

    Brady
  • Sure, the pixels in the CCD are large, giving it better light sensitivity. And sure, it's got a nice lens. Terrific.

    On the other hand, consider that (a) it cost hundreds of thousands of dollars just for the fuel to get the launch craft off of the ground, ignoring all of the personnel costs, cost of the rover, etc., and that (b) this thing was only designed to travel about 600 yards.

    Given the enormous expense and extremely tiny travelling range, I would think that throwing an extra thousand bucks
  • Nonsense... (Score:4, Informative)

    by Anonymous Coward on Thursday January 15, 2004 @07:08PM (#7992054)
    I am not very surprised that no journalist understand that, I am more surprised that /. readers missed the point: it is simply nonsense to say that the camera is 1M pixels.

    Indeed, the CCD has 1 million pixels, but look at the published pictures: they are assembled from a great number of small 1 megapixels squares!! Simply have a look at the raw pictures on marsrovers.jpl.nasa.gov: some of them are not fully transmitted yet, consequently parts of the pictures are black.

    To make a "normal" picture, like one you would naturally do with your 5M pixels camera, the pancam needs to take shots from, say, 20 different angles. And it is even worse than that: each pictures must be taken 4 times with each filters to get colors. Do not even dream of taking photographs of moving subjects!

    There is another drawback: there is two cameras, for stereo. But if you look at the tech specifications on Cornell website, you'll see that each camera has filters that can cover only one half of the color spectrum. Hence, to get color pictures, you have to combine the photographs taken by both the left and right cameras. That's why there is some weird colored patterns on big objects: to put it simply, the left camera sees the red, the right one sees the blue! But both cameras do not see exactly the same thing! /. readers, please, if you are geeks, always read the small lines. Do not expect NASA or a journalist to do that for you. It is not the interest of the former, and the latter is just stupid.

    And nonetheless, there was a hint: do you really expect 1M pixels raw pictures to weight 7MB? Huuh?
  • by skintigh2 ( 456496 ) on Thursday January 15, 2004 @07:09PM (#7992063)
    Yes, the camera is 1 megapixel, but the published images are often made from multiple* shots, sometimes hundreds: for instance the panoramic images.

    *No, I am not refering to 3 shots it takes to get red, green and blue data for each pixel.
  • Thermal Noise (Score:2, Interesting)

    by wildsurf ( 535389 )
    I understand that thermal noise can be a cause of noisiness in CCD images. Do the low temperatures on Mars (or in cold places on Earth, for that matter) have any significant effect on digital photo quality? Could the cold temperatures on Mars be taken advantage of to maximize the quality of images taken there?
  • Or, am I correct to assume that the atmosphere on Mars (or lack of it) does not propogate sound waves, so there would be nothing to listen to???

    • not this mission but in 2007 their will be 4 of them, its a joint project between the Planetary Society and SSL berkley [berkeley.edu][project sites]


      In 2007 the French NetLander mission is scheduled to deploy a network of 4 identical landers to study the atmosphere and interior structure of Mars. Onboard each NetLander craft will be upgraded versions of the Mars Microphone sensors placed on the panoramic camera head, enabling stereo recordings of the Martian sounds from a height of about 1 meter above the surface
  • by mc6809e ( 214243 ) on Thursday January 15, 2004 @07:10PM (#7992082)
    The article implies that the camera is monochrome and that filters are used to capture each color.

    So, adding the images together, 1 megapixel green + 1 mp red + 1 mp blue = 3 megapixels.

    • No, that's not the way digital cameras are sold. My 2 megapixel camera makes images with about 2 million pixels, each of which include a red, blue, and green component.

      • Interpolation (Score:3, Informative)

        by ryusen ( 245792 )
        the sensor advetized as a "2mp" sensor typically has a bayer pattern. since the sensor can only record B&W information, they put a patter of RBG filters in front of each sensor lement like so:
        RGRGRGRG
        GBGBGBGB

        so your 2mp sensor is capturing 500k pixels of red tones, 500k of blue tones, and 1M of green tones.then software will interpolate this pattern into a 2mp image with all three colour elements.
    • You can't add megapixels like that...

      It's really just a 1 MP image with more information per pixel. The top left pixel in each image is really imaging the same thing, just a different aspect (wavelength) of it.
  • by El ( 94934 ) on Thursday January 15, 2004 @07:11PM (#7992096)
    Yeah, that's great for taking pictures of things that aren't moving, but if some fast-moving martian zips past Spirit, all we're going to see is a low-res blur!
  • by sejanus ( 18670 ) on Thursday January 15, 2004 @07:15PM (#7992126) Homepage
    A lot of people see the prints from my digital SLR, a gracefully aging Nikon D1h and are astonished to learn it's from digital. Most then refuse to believe it's only a 2.7mp camera.

    Near all my pictures at www.gavincato.com in the photography section are with the Nikon D1h.

    The Nikon D1h has only a 2.7mp sensor, but the output is fantastic. The pixels are large, and the noise is pretty low. It's pretty much noiseless until you hit 800 ISO, and even at 1600 ISO it's significantly better than 1600 speed film.

    NASA is very correct in saying the lens & sensor are important, for example most of my lenses are ludicrously expensive (often more than the camera body) and the majority of them are fixed length lenses and thus have incredible optics.

    I've previously owned a Nikon D100 which had 6mp, but I found to my surprise that I preferred the output & prints from the D1h. I originally bought the D1h to complement the D100 (the D1h is a crazy fast camera designed for sports), not replace it, but after a while I ended up selling the D100.

    The guys in the Canon camp have said the same thing, they much prefer the output of the 4mp Canon 1D vs the 6mp Canon 10D.

    • by ryusen ( 245792 ) on Thursday January 15, 2004 @07:23PM (#7992202) Homepage
      question. is your 1d full frame? that would easily explain why it's got better iamges than the 100d.
      i'm one of those int he canon camp and i do have to concur with you on those findings. my canon has an APS sized sensor and can take very noise free iamges upto 400 ISO, at 800, it's still useable.. and i've done 1600 ISO shots, but i only use it if i have no other choice.

      one thing people don't understand is the extra MPs only matter if you want to blow up your images. most people rarely print bigger than 4x6" and at the largest 8x10" 3MP resolution is more than good enough for an 8x10" print. after that, you want the best out of those MPs... NOT more MPs.
  • Keep in mind... (Score:3, Insightful)

    by MrScience ( 126570 ) on Thursday January 15, 2004 @07:15PM (#7992130) Homepage
    Most digi-cams say that they are 3MP, but keep in mind that for any given pixel requires four elements (RGGB) to create. I believe the Spirit camera is only sensitive to light, and has interchangable filters (so it must make three passes to get full color) -- effectively tripling the "element count" of the sensor.
  • by porky_pig_jr ( 129948 ) on Thursday January 15, 2004 @07:37PM (#7992325)
    to produce decent digital pictures. In fact, having very large number of pixels introduced lots of noise. The latest Sony camera - 8M pixels - is a good example. The camera simply isn't good. High level of noise, and color abberations. They've crammed too many pixels in CCD with the area too small.

    OTOH, the high quality lenses and high quality post-processing of captured image are important factors in getting decent digital pictures. Yet 'unwashed masses' only understand one thing - the magic pixel number.
  • by cshotton ( 46965 ) on Thursday January 15, 2004 @07:58PM (#7992562) Homepage
    Ever since the first Viking lander beamed back an image of a blue sky on Mars which was "adjusted" to show a pink sky in subsequent photos, I've wondered what the real sky color is. I am not a conspiracy theorist by any stretch, but the large, full color image of the Spirit Landing site at http://marsrovers.jpl.nasa.gov/gallery/press/spiri t/20040112a/mspan_2X_final-A10R1.jpg [nasa.gov] has pretty obviously been photoshopped to remove the sky and replace it with a solid peach color. Look at the horizon line in this photo and notice the jagged pixels along the hilltops. This doesn't appear in any of the monochrome images that are composited to produce the color images. So what other explanation is there other than the sky was edited out and replaced with peach?

    What color was it before the picture was edited and if it wasn't "peach", why does NASA think we need to see a pink Martian sky? What happened to the blue sky that Viking showed us? Just wondering if anyone else has noticed this.

  • by dargaud ( 518470 ) <slashdot2@@@gdargaud...net> on Thursday January 15, 2004 @08:12PM (#7992701) Homepage

    For those not familiar with it, the multiple exposure they talk about in the article has been long used in the darkroom and can be done easily with modern scanners with good software. It brings out extreme details in parts of images that are normally burnt out.

    Take a single slide that you scan. With a program like VueScan [hamrick.com], you can set the exposure of the scanner, so you can do a dark scan (thus exposing properly the light part of the image), a normal scan and a light scan (exposing the dark part of the image).

    Import all 3 into a graphic program, superimpose them and cancel the parts that you don't like (which is the creative part and not as easy as it seems).

    Note that you can also do that taking 3 pictures with various exposure with the camera on a tripod, and it's the way the Mars rover does it.

  • by exp(pi*sqrt(163)) ( 613870 ) on Thursday January 15, 2004 @09:03PM (#7993248) Journal
    IMAX quality images out of a 1 megapixel camera? I think not. NASA have high resolution images because they're tiling many low quality images together. 1 megapixel is definitely less than the resolution a prosumer grade lens can project. So sacrificing pixels this much for a lens makes no sense.

    I'm sure there is some reasoning behing NASA's decision but that article doesn't say what it is!

    But the funny thing is that NASA don't even have decent software for tiling those images so they have seams everywhere (and I don't just mean from the color variance).

  • by ajagci ( 737734 ) on Thursday January 15, 2004 @10:08PM (#7993772)
    Using color filters for high quality digital color photography is an old technology (and even older for analog). Its obvious limitation is that the subject has to be still.

    Bigger pixels at lower resolution are not necessarily a good tradeoff: you can do almost as well in terms of noise and sensitivity by using more smaller sensors and performing the averaging in software.

    Compositing lots of low resolution images into a single high resolution image is also completely standard: you can get both free and commercial software to do it.

    Altogether, I suspect that if you take something like the new Sony 8Mpixel camera and take raw pictures with it, and reduce it to 1024x768 using good software, you are going to be pretty close to the measured quality and sensitivity of Spirit's sensor (in practice, you'll see little or no difference under normal circumstances, however). Then, you can use compositing software to composit multiple images for panoramas.

    The Spirit tradeoffs make sense for a Mars rover, also taking into account power and weight requirements, but they do not result in a level of picture quality that you couldn't achieve with the digital cameras you can buy at the local store.
  • by dekashizl ( 663505 ) on Thursday January 15, 2004 @10:25PM (#7993937) Journal
    For lots more info on the Pancam, other instruments on the rovers, and tons more history, news, status updates, video, 3d photos, and more, check out:
    (AXCH) 2004 Mars Exploration Rovers - News, Status, Technical Info, History [axonchisel.net].

A morsel of genuine history is a thing so rare as to be always valuable. -- Thomas Jefferson

Working...