HughPickens.com writes: Sara Stewart reports at the NY Post that the new sci-fi movie Predestination, opening January 9, is "loopier than Spielberg's [Minority Report]; its plot twists and turns 'like a snake eating its tail,' one character remarks, until you're not sure whether its developments are even plausible in a fictional universe." It's based on Robert A. Heinlein's science fiction classic All You Zombies, first published in 1959. The story involves a number of paradoxes caused by time travel, further developing themes explored by Heinlein in a previous work, By His Bootstraps, published some 18 years earlier. Predestination's plot concerns the intersection of a time-traveling assassin and an androgynous young writer

An anonymous reader writes A Florida couple learned that they are much bigger fans of Doctor Who than their homeowner association, after receiving a notice to remove the TARDIS from their driveway. Leann Moder and her husband David were given 15 days to get rid of the big blue box. From the article: "It was built by Moder's father as a wedding set piece, and she and her husband, David, were married in front of it. 'My husband mentioned, "Do you want to do a Doctor Who themed wedding?"' Moder said. 'That could be fun.' Since then, their TARDIS has been used at sci-fi conventions and parties, and was even the focus of a Halloween haunt the Moders set up on their driveway in October." The HOA had no comment on their stance on sonic screwdrivers, or the Eye of Harmony.

sarahnaomi writes: There could be all manner of alien life forms in the universe, from witless bacteria to superintelligent robots. Still, the notion of a starivore — an organism that literally devours stars — may sound a bit crazy, even to a seasoned sci-fi fan. And yet, if such creatures do exist, they're probably lurking in our astronomical data right now.

That's why philosopher Dr. Clement Vidal, who's a researcher at the Free University of Brussels, along with Library of Congress Chair in Astrobiology Stephen Dick, futurist John Smart, and nanotech entrepreneur Robert Freitas are soliciting scientific proposals to seek out star-eating life.

glowend writes: Sci-fi author Charlie Stross has an article about sub-orbital flight, and why we'll never see it as a common mode of transportation. Quoting: "Yes, we can save some fuel by travelling above the atmosphere and cutting air resistance, but it's not a free lunch: you expend energy getting up to altitude and speed, and the fuel burn for going faster rises nonlinearly with speed. Concorde, flying trans-Atlantic at Mach 2.0, burned about the same amount of fuel as a Boeing 747 of similar vintage flying trans-Atlantic at Mach 0.85 ... while carrying less than a quarter as many passengers. Rockets aren't a magic technology. Neither are hybrid hypersonic air-breathing gadgets like Reaction Engines' Sabre engine. It's going to be a wee bit expensive."

Stross also makes a more general proposition that's particularly interesting to me: "One of the failure modes of extrapolative SF is to assume that just because something is technologically feasible, it will happen. ... Someone has to want it enough to pay for it—and it will be competing with other, possibly more attractive options."

Dave Knott writes Although J.J. Abrams directed the first two films in the popular revamped Star Trek series, his new job masterminding the Star Wars sequels had left Star Trek 3 as one of the most prestigious unfilled directing assignments in Hollywood. No longer. It is now known that Justin Lin will direct the third Star Trek film. Lin is best known for revitalizing the long-running Fast & Furious series, helming the third through sixth films in that franchise. Several top-flight directors were under consideration for Star Trek 3, but Lin was the only one actually offered the job, following the postponement of the Bourne Legacy sequel that he had previously been set to direct.

A reader writes: The original Starship Enterprise was on a 5-year mission, but the original series was canceled after the third year. A continuation of Star Trek:TOS is being created by a dedicated cast and crew intent on keeping true to the spirit of Gene Roddenberry's television show. From recreating the original sets with incredible accuracy and attention to details, staying faithful to original storylines has been a true labor of love for all involved. Here are a series of videos showing the progress being made on recreating the iconic series. (And if you missed it last time, here's the first episode they produced.)

BarbaraHudson (3785311) writes "It's been more than 30 years, but finally the script for Blade Runner 2 is done. Original interview with Ridley Scott on MTV. Links for those who don't want to watch the interview. If you're worried that the upcoming Blade Runner sequel won't measure up to the 1982 sci-fi cult classic, rest assured. Harrison Ford apparently thinks the script is "the best thing (he's) ever read." Although Scott is debating whether or not he'll direct the sequel, it looks like Ford will most certainly be reprising his role as Rick Deckard."

An anonymous reader writes: Science fiction author Charlie Stross has a thoughtful post about an awkward aspect of the genre: too often, books set in the distant future seem far too familiar to us. Our culture evolves quickly — even going back 100 years would be a difficult transition to get used to. But when we're immersed in a culture 500 years ahead of us, everything's pretty much the same, but with spaceships. He says, "You can make an argument for writing SF in this mode in that it allows the lazy reader to ignore the enculturation issue and dive straight into the adventure yarn for which the SFnal trappings are just a brightly-colored wrapper. But I still find it really weird to read a far-future SF story that doesn't deliver a massive sense of cultural estrangement, because in the context of our own history, we are aliens." Some authors put more effort into this than others, but Stross points out that most just use it as a backdrop to tell a particular story. He concludes, "if you're not doing it to the cultural norms as well as the setting and technology, you're doing it wrong."

A review of Interstellar at Scientific American that was not entirely flattering of the film's scientific aspects caught the eye of Cal Tech physicist Kip Thorne, who served as a consultant on the movie, and has actually written a book on the physics depicted. He and SciAm writer Lee Billings ended up having a conversation about how the film deals with time travel, black holes, and more. A slice: I think the laws of physics very probably forbid warp drives and traversable wormholes. The research that has gone on over the past 25 years trying to determine whether its possible all point in negative directions, but it’s not a firmly closed door. So there are two issues here. One is that the laws of physics probably forbid it, but, gee, if they don’t, it would be great to have! The other is that the technology required to make a warp drive or a traversable wormhole is so far, far, far beyond the technology needed for a laser sail or a nuclear-pulse rocket that I would not be in favor of putting any significant resources into trying to develop it. Now, you may have small amounts of money—tens or hundreds of thousands of dollars—spent on this, but nothing is wrong with that. Peer-review, at least in the United States and in Europe, is too strong for there to be any danger of millions or billions of dollars being spent on these things. The technology required for wormholes is so far removed from our current and plausible near-future capabilities that to throw lots of money at it would almost certainly be a total boondoggle.

Recently you had a chance to ask acclaimed author of comics, novels, and television, Warren Ellis, about his work and sci-fi in general. Below you'll find his answers to your questions.

schwit1 writes Glen A. Larson, the wildly successful television writer-producer whose enviable track record includes 'Six Million Dollar Man', Quincy M.E., Magnum, P.I., Battlestar Galactica, Knight Rider and The Fall Guy, has died. He was 77. From the article: Battlestar Galactica lasted just one season on ABC from 1978-79, yet the show had an astronomical impact. Starring Lorne Greene and Richard Hatch as leaders of a homeless fleet wandering through space, featuring special effects supervised by Star Wars’ John Dykstra and influenced by Larson’s Mormon beliefs, Battlestar premiered as a top 10 show and finished the year in the top 25. But it was axed after 24 episodes because, Larson said, each episode cost “well over” $1 million.

wired_parrot writes: Jonathan Nolan, writer of Interstellar and The Dark Knight, and producer of the TV show "Person of Interest," is teaming up with HBO to bring to screen a new series based on Isaac Asimov's Foundation series of books. This would be the first adaptation of the Hugo-award-winning series of novels to the screen.

If you go to a sci-fi or gaming convention you'll see people in exotic "character" costumes, often holding exotic props, with some of the most popular being futuristic firearm mockups of one sort or another. Who makes all these cool fannish items? A whole bunch of artists and artisans, including Michelle Sleeper (who says she got tired of jokes about her name many years ago). She's not only one of these artisans, but is also a committed 3-D printer user, since 3-D printing is how she forms a high percentage of her props (with the word "props" being used here in the theatrical rather than the nautical sense). To keep up with what Michelle is making, you should check her blog. One of her most interesting posts, titled Atlanta Mini Maker Faire: On missing deadlines, failure, and triage, is about preparing for the event where Timothy Lord met and interviewed Michelle.

Even if gamer gatherings and SF conventions aren't your thing, the interview (along with the links above) gives a nice glimpse into the life of an independent artisan who uses technology to create a lot of her art. (Alternate Video Link)

samzenpus writes "Warren Ellis is an acclaimed British author of comics, novels, and television who is well known for his sociocultural commentary. The movies Red and Iron Man 3 are based on his graphic novels. In addition to numerous other comic titles, he started a personal favorite, Transmetropolitan. Ellis has written for Vice, Wired UK, and Reuters on technological and cultural matters, and is co-writing a video project called Wastelanders with Joss Whedon. Warren has agreed to give us some of his time to answer any questions you may have. As usual, ask as many as you'd like, but please, one per post."

New submitter RobertJ1729 writes The Rhode Island Comic Con (RICC) is in the middle of a complete meltdown as hundreds are turned away at the door or denied reentry due to the event organizers selling far more tickets than the venue can accomodate. The Providence Journal reports that "According to Providence Fire Chief David Soscia, too many people were being let in at a time and the organizers were not correctly counting them. That led to over-congested areas in the building which has a maximum capacity of 17,000 people." Meanwhile the Rhode Island Comic Con Facebook page is being flooded with comments from angry attendees describing chaos both inside and out of the convention center. RICC initially posted, "Hello RICC fans! WE ARE NOT OVERSOLD!," and promised to honor tomorrow tickets sold for today. That post generated several hundred angry comments before eventually being deleted (though it survives in part on RICC's twitter feed). Commenters are alleging that RICC is deleting negative Facebook comments. Users are tweeting at #ricomicconfail2014 to vent their frustration.

An anonymous reader writes Elon Musk, the chief executive of Tesla and founder of SpaceX, said that artificial intelligence is probably the biggest threat to humans. "I think we should be very careful about artificial intelligence. If I had to guess at what our biggest existential threat is, it's probably that. So we need to be very careful with artificial intelligence." he said. "I'm increasingly inclined to think that there should be some regulatory oversight, maybe at the national and international level, just to make sure that we don't do something very foolish. With artificial intelligence we're summoning the demon. You know those stories where there's the guy with the pentagram, and the holy water, and he's like — Yeah, he's sure he can control the demon? Doesn't work out."

An anonymous reader writes: 390,127 Brits declared their religion as Jediism in their last census — many as a joke, but some are quite serious, the BBC reports. Cambridge University Divinity Faculty researcher Beth Singler estimates at least 2,000 of them are "genuine," around the same number as the Church of Scientology. The U.K. Church of Jediism has 200,000 members worldwide. Their belief system has expanded well beyond the Star Wars universe to include tenets from Taoism, Buddhism, Catholicism and Samurai. Former priest, psychotherapist and writer Mark Vernon finds real power in the Jedi story: "The reason it's so powerful and universal is that we have to find ourselves. It's by losing ourselves and identifying with something greater like the Jedi myth that we find a fuller life."

HughPickens.com writes: Arthur Obermayer, a friend of the Isaac Asimov, writes that he recently rediscovered an unpublished essay by Asimov written in 1959 while cleaning out some old files. Obermayer says it is "as broadly relevant today as when he wrote it. It describes not only the creative process and the nature of creative people but also the kind of environment that promotes creativity." Here's an excerpt from Asimov's essay, which is well worth reading in its entirety:

"A person willing to fly in the face of reason, authority, and common sense must be a person of considerable self-assurance. Since he occurs only rarely, he must seem eccentric (in at least that respect) to the rest of us. A person eccentric in one respect is often eccentric in others. Probably more inhibiting than anything else is a feeling of responsibility. The great ideas of the ages have come from people who weren't paid to have great ideas, but were paid to be teachers or patent clerks or petty officials, or were not paid at all. The great ideas came as side issues."

DCFC writes: The BBC is releasing a game to help 8- to 11-year-old kids get into coding. Based on Doctor Who, it alternates between a standard platform game and programming puzzles that introduce the ideas of sequence, loops, if..then, variables and a touch of event-driven programming. Kids will get to program a Dalek to make him more powerful. (Apparently the BBC thinks upgrading psychopathic, racist death machines is a good idea!)

An anonymous reader writes PBS' It's OK to be Smart made this interesting video showing us what is and isn't physically realistic or possible in the space battles we've watched on TV and the movies. From the article: "You're probably aware that most sci-fi space battles aren't realistic. The original Star Wars' Death Star scene was based on a World War II movie, for example. But have you wondered what it would really be like to duke it out in the void? PBS is more than happy to explain in its latest It's Okay To Be Smart video. As you'll see below, Newtonian physics would dictate battles that are more like Asteroids than the latest summer blockbuster. You'd need to thrust every time you wanted to change direction, and projectiles would trump lasers (which can't focus at long distances); you wouldn't hear any sound, either."