The "BepiColombo" mission, a joint European-Japanese effort, "has recently completed its third of six planned flybys of Mercury, capturing dozens of images in the process," reports the Byte: At its closest, the spacecraft soared within just 150 miles of Mercury. This occurred on the night side of the planet, however, too dark for optimal imaging. Instead, the first and nearest image was taken 12 minutes after the closest approach, at the still impressive proximity of some 1,100 miles above the surface.
Now the ESA has spliced together 217 images from that flyby into a short video, which culminates with a zoomed-in closeup of Mercury's cratered surface. And the music in that video had a little help from AI, reports Phys.org: Music was composed for the sequence by ILÄ (formerly known as Anil Sebastian), with the assistance of AI tools developed by the Machine Intelligence for Musical Audio group, University of Sheffield.

Music from the previous two flyby movies — composed by Maison Mercury Jones' creative director ILÄ and Ingmar Kamalagharan — was given to the AI tool to suggest seeds for the new composition, which ILÄ then chose from to edit and weave together with other elements into the new piece.

The team at the University of Sheffield has developed an Artificial Musical Intelligence (AMI), a large-scale general-purpose deep neural network that can be personalized to individual musicians and use cases. The project with the University of Sheffield is aimed at exploring the boundaries of the ethics of AI creativity, while also emphasizing the essential contributions of the (human) composer.
From the ESA's announcement: BepiColombo's next Mercury flyby will take place on 5 September 2024, but there is plenty of work to occupy the teams in the meantime... BepiColombo's Mercury Transfer Module will complete over 15 000 hours of solar electric propulsion operations over its lifetime, which together with nine planetary flybys in total — one at Earth, two at Venus, and six at Mercury — will guide the spacecraft towards Mercury orbit.

The ESA-led Mercury Planetary Orbiter and the JAXA-led Mercury Magnetospheric Orbiter modules will separate into complementary orbits around the planet, and their main science mission will begin in early 2026.
One spaceflight blog notes the propulsive energy required for an eventual entry into the orbit of Mercury "is greater than that of a mission to fly by Pluto.

"Only one other spacecraft has orbited Mercury, and that was NASA's MESSENGER probe, which orbited the planet from 2011 to 2015."

Slashdot reader rtfa0987 spotted this on the front page of the San Jose Mercury News. "Silicon Valley is poised once again to cash in on other people's products, making a data grab of unprecedented scale that has already spawned lawsuits and congressional hearings. Chatbots and other forms of generative artificial intelligence that burst onto the technology scene in recent months are fed vast amounts of material scraped from the internet — books, screenplays, research papers, news stories, photos, art, music, code and more — to produce answers, imagery or sound in response to user prompts... But a thorny, contentious and highly consequential issue has arisen: A great deal of the bots' fodder is copyrighted property...

The new AI's intellectual-property problem goes beyond art into movies and television, photography, music, news media and computer coding. Critics worry that major players in tech, by inserting themselves between producers and consumers in commercial marketplaces, will suck out the money and remove financial incentives for producing TV scripts, artworks, books, movies, music, photography, news coverage and innovative software. "It could be catastrophic," said Danielle Coffey, CEO of the News/Media Alliance, which represents nearly 2,000 U.S. news publishers, including this news organization. "It could decimate our industry."

The new technology, as happened with other Silicon Valley innovations, including internet-search, social media and food delivery, is catching on among consumers and businesses so quickly that it may become entrenched — and beloved by users — long before regulators and lawmakers gather the knowledge and political will to impose restraints and mitigate harms. "We may need legislation," said Congresswoman Zoe Lofgren, D-San Jose, who as a member of the House Judiciary Committee heard testimony on copyright and generative AI last month. "Content creators have rights and we need to figure out a way how those rights will be respected...."

Furor over the content grabbing is surging. Photo-sales giant Getty is also suing Stability AI. Striking Hollywood screenwriters last month raised concerns that movie studios will start using chatbot-written scripts fed on writers' earlier work. The record industry has lodged a complaint with federal authorities over copyrighted music being used to train AI.
The article includes some unique perspectives:

• There's a technical solution being proposed by the software engineer-CEO of Dazzle Labs, a startup building a platform for controlling personal data. The Mercury News summarizes it as "content producers could annotate their work with conditions for use that would have to be followed by companies crawling the web for AI fodder."

• Santa Clara University law school professor Eric Goldman "believes the law favors use of copyrighted material for training generative AI. 'All works build upon precedent works. We are all free to take pieces of precedent works. What generative AI does is accelerate that process, but it's the same process. It's all part of an evolution of our society's storehouse of knowledge...."

Two men who helped run the once wildly popular pirating website Megaupload were each sentenced by a New Zealand court on Thursday to more than two years in prison. From a report: The sentencing of Mathias Ortmann and Bram van der Kolk ended an 11-year legal battle by the men to avoid extradition to the United States on more serious charges that included racketeering. The men last year struck a deal with prosecutors from New Zealand and the U.S. in which they pleaded guilty to being part of a criminal group and causing artists to lose money by deception. Meanwhile Kim Dotcom, the founder of Megaupload, is continuing to fight the U.S. charges and threat of extradition. He has said he expects his former colleagues to testify against him as part of the deal they struck.

U.S. prosecutors say Megaupload raked in at least $175 million -- mainly from people who used the site to illegally download songs, television shows and movies -- before the FBI shut it down in early 2012 and arrested Dotcom and other company officers. Ortmann was sentenced to 2 years and 7 months while van der Kolk was sentenced to 2 years and 6 months. Each had faced a maximum sentence of 10 years in prison but argued they should be allowed to serve their sentences in home detention.

Long-time Slashdot reader destinyland writes: CBS News interviewed 71-year-old Mark Hamill, who remembers that in his first audition for Star Wars, they didn't give him the whole script. So "I couldn't figure out, is this like a send-up of Flash Gordon or whatever? You couldn't tell. Because nobody talks like this!"

Hamill also does impressions of the other actors he worked with. "I was asking Harrison, because he had been in American Graffiti. I said, 'You know George. Is this like a joke, or — should we send it up, make fun of it?'" And then he mimics Harrison Ford as saying "Yeah, Whatever. Get it done." ("So he was no help.") Later Hamill also describes meeting Alec Guinness, who eventually had to remind Hamill to stop calling him "Sir Alec." ("I want to be known by my name, not my accolade...")

And after playing Mozart in the Broadway production of Amadeus, Hamill remembers the reaction when he'd suggested appearing in the movie adaptation. Director Milos Forman said, "Oh ho ho ho. No, no, no. The Luke Skywalker is not to be being the Mozart." (Hamill's reaction? "At least he's honest.")
There's a clip of Hamill doing voice-over work for the animated Batman series, and (about three minutes in) a quick clip from Mark Hamill's 1976 screen test with Harrison Ford. There's even a photo of Hamill's appearance in a 1971 episode of The Partridge Family. At the end of the interview, Hamill doesn't say whether or not he'll ever reappear in the role of Luke Skywalker again. "You never say never. I just don't see any reason to, let me put it that way. They have so many stories to tell, they don't need Luke any more."

But the interviewer points out that "if you find yourself in Ukraine during an air strike, you might hear Luke Skywalker's voice talking you down" -- since he also provides the voice for a warning app linked to Ukraine's air defense system.

According to research company Antenna, Netflix's password crackdown in the U.S. has resulted in the "four single largest days of U.S. user sign-ups since January 2019, when Antenna first began tracking the metric," reports Variety. "On May 23, Netflix began notifying U.S. customers that users on their accounts who live outside their households would need to be added as an 'extra member' (or get their own subscriptions)." From the report: Based on the most current Antenna data available, Netflix average daily sign-ups reached 73,000 from May 25-28, a 102% increase from the prior 60-day average. That was more than the spikes in subscriber sign-ups Antenna recorded during the initial U.S. COVID-19 lockdowns in March and April 2020. Netflix U.S. cancelations also increased over May 25-28 -- a phenomenon the company told investors it expected -- but those were less than the number of sign-ups, according to Antenna. The ratio of sign-ups to cancelations since May 23 increased 25.6% compared with the previous 60-day period.

In the U.S., Netflix has told customers they must buy an "extra member" at an additional $7.99/month for anyone who doesn't live with them that currently uses their account. The streamer has said it will start blocking devices that attempt to access a Netflix account without having legitimate account access. According to New York-based Antenna, its estimates are based on millions of permission-based, consumer opt-in, raw transaction records, which are sourced "from a variety of data collection partners." The data includes online purchase receipts, credit, debit and banking data, and "bill-scrape data."

Apple has announced a new operating system for its Vision Pro headset. Called visionOS, the operating system has been designed from the ground up for spatial computing and will have its own App Store where people can download Vision Pro apps and compatible iPhone and iPad apps. The Verge reports: The operating system is focused on displaying digital elements on top of the real world. Apple's video showed new things like icons and windows floating over real-world spaces. The primary ways to use the headset are with your eyes, hands, and your voice. The company described how you can look at a search field and just start talking to input text, for example. Or you can pinch your fingers to select something or flick them up to scroll through a window. The Vision Pro can also display your eyes on the outside of the headset -- a feature Apple calls "EyeSight."

It seems Apple envisions this in part as a productivity device; in one demo, it showed a person looking at things like a Safari window, Messages, and Apple Music window all hovering over a table in the real world. Apple also showed a keyboard hovering in midair, too. And the Vision Pro can also connect to your Mac so you can blow up your Mac's screen within your headset. It will also be a powerful entertainment device, apparently. You can make the screen really big by pinching a corner of a window (Apple demoed this with a clip of Foundation). You can display the screen on other backgrounds, including a cinema-like space or in front of Mt. Hood (Apple's suggestion!), thanks to a feature Apple calls Environments. You'll also be able to watch 3D movies on the device. And Disney is working on content for the headset, which could be a major way for people to get on board with actually using it to watch shows and movies -- Disney Plus will be available on day one, Disney CEO Bob Iger said during the show.

Apple Vision Pro will play games, too, and support game controllers; Apple showed somebody using the device with a PS5 DualSense headset. Over 100 Apple Arcade titles will be available to play on "day one," Apple said during its keynote. The Vision Pro also has a 3D camera, so you can capture "spatial" photos and video and look at those in the headset. And panorama photos can stretch around your vision while you're wearing the device. FaceTime is getting some "spatial" improvements, too; as described in Apple's press release, "Users wearing Vision Pro during a FaceTime call are reflected as a Persona -- a digital representation of themselves created using Apple's most advanced machine learning techniques -- which reflects face and hand movements in real time." You can learn more about Apple's first spatial computer here. A dedicated page for the Vision Pro headset is also now available on Apple.com.

Apple announced the M2 Ultra processor, a new chip for its Mac Studio workstation for professional users. From a report: The chip has 134 transistors and 24 central processing unit (CPU) cores with 20% faster performance. It has up to 76 graphics processing unit (GPU) cores at up to 30% faster performance. Apple made the announcement at its WWDC event today on the Apple campus in Cupertino, California.

The chip will go into the Mac Studio product, which previously used Intel silicon. These are machines like those used by engineers to deliver Saturday Night Live or create blockbuster movies, said Jennifer Munn at Apple. Apple said this completes the transition to Apple silicon. Developers can build new versions of apps at warp speed, with up to 25% faster performance than in the past, Munn said. The 32-core neural engine is 40% faster at AI calculations. It supports 192 gigabytes of unified memory, which is 50% more than M1 Ultra.

MoviePass is back thanks to MoviePass co-founder Stacy Spikes, who was fired from the company in 2018 for questioning the sustainability of its business model. "Under the company's new points-based system, you can pay $10 per month to watch one to three movies at any of the 4,000 participating theaters throughout the US," reports The Verge. From the report: In addition to the $10 / month Basic plan, MoviePass offers three more expensive subscription options: a $20 / month Standard plan for three to seven movies per month, a $30 / month Premium plan for five to 11 movies per month, and a $40 / month Pro for up to 30 movies per month. There's a separate, more expensive subscription for customers in Southern California and the New York metro area. The reason why each tier includes a range of movies you can watch has to do with the way MoviePass' new credits system works. Every tier offers a different number of credits that you can redeem on movies each month, with Basic having the least number of credits and the Pro plan having the most.

According to MoviePass, a film's credit value can fluctuate depending on a number of factors, including the time of day and day of the week you want to watch it. Based on tweets from customers who tested the service, credit costs have changed without warning and can vary significantly across showings. If you don't use up all your credits, MoviePass says it will roll them over to the next month, allowing you to have a maximum of two months' worth of unused credits in your account to use at a later date. Once you sign up for the service, you'll receive a MoviePass card within 10 to 15 business days that you'll need to use at supported theaters. The sustainability of MoviePass started to crumble in 2017 when it began offering customers unlimited movie-watching for just $9.95 per month. The seemingly too-good-to-be-true pricing ultimately resulted in the company's bankruptcy two years later.

Additionally, the Securities and Exchange Commission (SEC) filed a lawsuit against MoviePass, alleging that the company had misled investors about the viability of its business model.

"Formerly fringe beliefs that machines could suddenly surpass human-level intelligence and decide to destroy mankind are gaining traction," acknowledges the Washington Post. "And some of the most well-respected scientists in the field are speeding up their own timelines for when they think computers could learn to outthink humans and become manipulative.

"But many researchers and engineers say concerns about killer AIs that evoke Skynet in the Terminator movies aren't rooted in good science. Instead, it distracts from the very real problems that the tech is already causing..." It is creating copyright chaos, is supercharging concerns around digital privacy and surveillance, could be used to increase the ability of hackers to break cyberdefenses and is allowing governments to deploy deadly weapons that can kill without human control... [I]nside the Big Tech companies, many of the engineers working closely with the technology do not believe an AI takeover is something that people need to be concerned about right now, according to conversations with Big Tech workers who spoke on the condition of anonymity to share internal company discussions. "Out of the actively practicing researchers in this discipline, far more are centered on current risk than on existential risk," said Sara Hooker, director of Cohere for AI, the research lab of AI start-up Cohere, and a former Google researcher...

The ripple effects of the technology are still unclear, and entire industries are bracing for disruption, such as even high-paying jobs like lawyers or physicians being replaced. The existential risks seem more stark, but many would argue they are harder to quantify and less concrete: a future where AI could actively harm humans, or even somehow take control of our institutions and societies. "There are a set of people who view this as, 'Look, these are just algorithms. They're just repeating what it's seen online.' Then there is the view where these algorithms are showing emergent properties, to be creative, to reason, to plan," Google CEO Sundar Pichai said during an interview with "60 Minutes" in April. "We need to approach this with humility...."

There's no question that modern AIs are powerful, but that doesn't mean they are an imminent existential threat, said Hooker, the Cohere for AI director. Much of the conversation around AI freeing itself from human control centers on it quickly overcoming its constraints, like the AI antagonist Skynet does in the Terminator movies. "Most technology and risk in technology is a gradual shift," Hooker said. "Most risk compounds from limitations that are currently present."
The Post also points out that some of the heaviest criticism of the "killer robot" debate "has come from researchers who have been studying the technology's downsides for years."

"It is dangerous to distract ourselves with a fantasized AI-enabled utopia or apocalypse," a four-person team of researchers opined recently. "Instead, we should focus on the very real and very present exploitative practices of the companies claiming to build them, who are rapidly centralizing power and increasing social inequities."

Disney CEO Bob Iger said the company will add Hulu content to its Disney+ streaming app, adding that it will also raise the price of its ad-free streaming service later this year. CNBC reports: CEO Bob Iger said the company would soon begin offering a "one app experience" in the U.S. that incorporates Hulu content into its flagship streaming service, Disney+. Standalone options for all of Disney's platforms, including ESPN+, will remain. "This is a logical progression of our DTC offerings that will provide greater opportunities for advertisers, while giving bundle subscribers access to more robust and streamlined content resulting in greater audience engagement and ultimately leading to a more unified streaming experience," Iger said during Wednesday's earnings call.

Iger attributed the move toward a one-app location for both Disney+ and Hulu content to the "advertising potential for the combined platform." While Hulu has long offered an ad-supported option for subscribers, Disney+ launched the cheaper tier last year. Disney will begin to roll out the one-app offering by the end of the calendar year, and Iger said the company would share further details at a later time. In the company's fiscal second quarter earnings, the company reported $21.82 billion in revenue, up 13% from the same period last year and beating estimates. It did, however, shed 4 million Disney+ subscribers.

Amazon has launched a new unit, Amazon MGM Studios Distribution, that will allow the company to license Amazon Originals and other titles to third-party media companies, including streaming services and cable TV. TechCrunch reports: For the first time, titles such as âoeThe Marvelous Mrs. Maisel," "Borat Subsequent Moviefilm," "Coming 2 America," "Goliath," "Hunters," "The Tender Bar," "The Tomorrow War," "The Voyeurs" and "Without Remorse," among others, will be sold to other media outlets following their initial run on Prime Video. While the company has distributed shows before, this new venture will be on a much larger scale. Plus, Amazon Originals are mainly exclusive to Prime Video, making it an enticing sale for companies looking to have popular titles on their platforms.

The launch of Amazon MGM Studios Distribution will also allow the company to handle sales of MGM-owned franchises James Bond, Rocky and Creed, as well as "The Handmaid's Tale," "Fargo" and "Vikings." Last year, Amazon acquired MGM for $8.5 billion, giving the company access to more than 4,000 films and 17,000 TV series. [...] According to Chris Ottinger, who will lead Amazon MGM Studios Distribution, the unit will offer flexible bundles, reported Deadline, so sellers can create bundled content packages that work for them. This strategy will likely allow the company to stand out from competitors.

An anonymous reader quotes a report from TechCrunch: In an effort to peel back the layers of LLMs, OpenAI is developing a tool to automatically identify which parts of an LLM are responsible for which of its behaviors. The engineers behind it stress that it's in the early stages, but the code to run it is available in open source on GitHub as of this morning. "We're trying to [develop ways to] anticipate what the problems with an AI system will be," William Saunders, the interpretability team manager at OpenAI, told TechCrunch in a phone interview. "We want to really be able to know that we can trust what the model is doing and the answer that it produces."

To that end, OpenAI's tool uses a language model (ironically) to figure out the functions of the components of other, architecturally simpler LLMs -- specifically OpenAI's own GPT-2. How? First, a quick explainer on LLMs for background. Like the brain, they're made up of "neurons," which observe some specific pattern in text to influence what the overall model "says" next. For example, given a prompt about superheros (e.g. "Which superheros have the most useful superpowers?"), a "Marvel superhero neuron" might boost the probability the model names specific superheroes from Marvel movies. OpenAI's tool exploits this setup to break models down into their individual pieces. First, the tool runs text sequences through the model being evaluated and waits for cases where a particular neuron "activates" frequently. Next, it "shows" GPT-4, OpenAI's latest text-generating AI model, these highly active neurons and has GPT-4 generate an explanation. To determine how accurate the explanation is, the tool provides GPT-4 with text sequences and has it predict, or simulate, how the neuron would behave. In then compares the behavior of the simulated neuron with the behavior of the actual neuron.

"Using this methodology, we can basically, for every single neuron, come up with some kind of preliminary natural language explanation for what it's doing and also have a score for how how well that explanation matches the actual behavior," Jeff Wu, who leads the scalable alignment team at OpenAI, said. "We're using GPT-4 as part of the process to produce explanations of what a neuron is looking for and then score how well those explanations match the reality of what it's doing." The researchers were able to generate explanations for all 307,200 neurons in GPT-2, which they compiled in a dataset that's been released alongside the tool code. "Most of the explanations score quite poorly or don't explain that much of the behavior of the actual neuron," Wu said. "A lot of the neurons, for example, are active in a way where it's very hard to tell what's going on -- like they activate on five or six different things, but there's no discernible pattern. Sometimes there is a discernible pattern, but GPT-4 is unable to find it."

"We hope that this will open up a promising avenue to address interpretability in an automated way that others can build on and contribute to," Wu said. "The hope is that we really actually have good explanations of not just what neurons are responding to but overall, the behavior of these models -- what kinds of circuits they're computing and how certain neurons affect other neurons."

All across North America today, over 2,000 comic book stores are celebrating Free Comic Book Day. As it enters its third decade — the event started in 2001, according to Wikipedia — there'll be over two dozen free comic books to choose from this, and enthusiastic stores trying to dial up the fun even more.

16 stores are also giving away Ant-Man and The Wasp: Quantumania in special "ant-sized" boxes — the size of penny — with tiny versions of the cover art from the full-sized Blu-Ray disc boxes (along with a code for a digital version of the movie). The Bleeding Cool site has a running list of stores doing additional special "cool stuff," including cookie giveaways, discounts on paperbacks and comic books, and personal appearances by comic book writers and artists.

Geek-friendly free comic books this year:

• Dark Horse Comics' Star Wars/ Avatar: The Last Airbender
• D.C. Comics is offering Dawn of DC — Knight Terrors
• Marvel is offering several multi-character books, including Spider-Man/Venom, the Avengers/X-Men, and a sampler of the upcoming graphic novel biography of Stan Lee
• IDW's free comics include the Teenage Mutant Ninja Turtles
• There's also the official prequel to the new Street Fighter 6 video game
• Also available: Runescape: Untold Tales/God Wars
• Fantagraphics even has a preview of its upcoming Fabulous Furry Freak Brothers book.
• Archie Horror Presents: The Cursed Library

Bleeding Cool also has previews the artwork from Star Trek: Prelude to Day of Blood, a teaser for a coming "comic book crossover event between IDW's main Star Trek comic and the Star Trek: Defiant series" (that's also accompanied by a Lower Decks comic book story).

Just remember, in 2017 NPR had this advice for visiting comics fans. "While you're there, buy something... The comics shops still have to pay for the 'free' FCBD books they stock, and they're counting on the increased foot traffic to lift sales."

An anonymous reader quotes a report from ZDNet: When you think of digital entertainment, your mind might turn first to online video-streaming services, such as Sling TV or YouTube TV, and video-on-demand services, including Netflix or Acorn TV. However, consultant Deloitte's 17th annual "Digital Media Trends" survey suggests traditional television shows and movies are no longer the only forms of entertainment. Younger generations, often called Gen Zs and Millennials, are increasingly turning to user-generated content (UGC) -- which relies on unpaid contributors rather than traditional media professionals -- and video games to find personal fulfillment, value, and meaning. These younger users are creating a vibrant, immersive, and social tapestry of experiences with UGC, video games, music, and social media all playing significant roles. And that move towards UGC and gaming could have big implications for everyone.

Deloitte's survey found that about a third (32%) of consumers view online experiences as meaningful substitutes for in-person interactions, with that proportion increasing to 50% among Gen Zs and Millennials. Almost half (48%) of these younger generations engage more with others on social media than in the physical world, and 40% of them socialize more in video games than offline. Of course, it's not only younger people who view online experiences as meaningful substitutes for in-person interactions. [...] Yet those born after 1981, the usual dividing line between Generation X and Millennials, are much more inclined to live their lives online.

Reddit doesn't have to identify eight anonymous users who wrote comments in piracy-related threads, a judge in the US District Court for the Northern District of California ruled on Friday. From a report: US Magistrate Judge Laurel Beeler quashed a subpoena issued by film studios in an order that agrees with Reddit that the First Amendment protects the users' right to speak anonymously online. The First Amendment right to anonymous speech is not absolute, but the precedent followed by US district courts only forces disclosure of anonymous users' identities "in the exceptional case where the compelling need for the discovery sought outweighs the First Amendment rights of the anonymous speaker," Beeler noted. After reviewing the facts and arguments, she found that the Reddit users' comments were irrelevant to the film studios' underlying case and that the studios could obtain relevant information from other sources.

Reddit has no involvement in the underlying case, which is a copyright lawsuit in a different federal court against cable Internet service provider RCN. Bodyguard Productions, Millennium Media, and other film companies sued RCN in the US District Court in New Jersey over RCN customers' alleged downloads of 34 movies such as Hellboy, Rambo: Last Blood, Tesla, and The Hitman's Bodyguard. In an attempt to prove that RCN (now known as Astound Broadband) turned a blind eye to customers illegally downloading copyrighted movies, the studios subpoenaed Reddit seeking identifying information for specific users who commented in piracy-related threads. While some of the comments were posted in 2022, other comments were made in 2009 and 2014.

"The Super Mario Bros. Movie" is officially the first film of the year to cross the coveted $1 billion milestone at the global box office. From a report: As of Sunday, after 26 days of release, the animated video game adaptation, from Universal, Illumination and Nintendo, has grossed $490 million in North America and $532 million internationallly. It's only the fifth movie of pandemic times to join the $1 billion club, following "Spider-Man: No Way Home," "Top Gun: Maverick," "Jurassic World Dominion" and "Avatar: The Way of Water."

"The Super Mario Bros. Movie" opened in theaters on April 5 and generated a towering $204 million in its first five days of release, notching the biggest opening weekend of the year and the second-biggest debut ever for an animated movie. Since then, it has become the highest grossing movie domestically and globally of 2023, as well as the highest-grosser ever for a film based on a video game. Those records are especially encouraging because the last time that Mario and Luigi graced the big screen, in 1993's disastrous live-action "Super Mario Bros," became a legendary example of Hollywood's inability to adapt video games.

An anonymous reader shares a report: A young Harrison Ford will grace cinema screens for 25 minutes this summer -- aided by some new Industrial Light & Magic (ILM) software. The news that LucasFilm's Indiana Jones and the Dial of Destiny would feature a de-aged Ford came at the end of last year, but an interview with director James Mangold in Total Film just revealed it will be for almost a fifth of the film's running time.

The fifth Indiana Jones iteration starts with an opening scene from 1944 -- about eight years after Indiana Jones and the Raiders of the Lost Ark took place. "My hope is that, although it will be talked about in terms of technology, you just watch it and go, 'Oh my God, they just found footage. This was a thing they shot 40 years ago," Kathleen Kennedy, president of Lucasfilm and a producer, told Empire. The rest of the movie shoots forward to 1969, with Indy on a mission to prevent a comeback of Nazism.

An anonymous reader quotes a report from MIT Technology Review: Joshua Bergen is a very productive person. His secret is the workspace app Notion. Bergen, a product manager living in Vancouver, uses it to plan trips abroad in meticulous detail, with notes and timelines. He uses it to curate lists of the movies and TV shows he's watched, and records what he thought of them. It's also a handy way to keep tabs on his 3D-printing projects, map snowboarding runs, and quickly update his cute list of the funny things his kid has said. It might sound strange, but Bergen is one of a growing number of people using Notion, software intended for work, to organize their personal lives. They're using it in a myriad of different ways, from tracking their meditation habits and weekly schedules to logging their water intake and sharing grocery lists.

So why has a platform built to accommodate "better, faster work" struck such a chord when there are countless other planning apps out there? Part of the reason Notion has such a devoted fan base is its flexibility. At its heart, Notion is designed to combine the various programs a business might use for functions like HR, sales, and product planning in a single hub. It uses simple templates that let users add or remove features, and remote workers can easily collaborate on notes, databases, calendars, and project boards. This high level of customizability sets Notion apart from other work apps. It's also what's made it so popular among people looking to map out their free time. It started to gain traction around 2018 in YouTube's thriving productivity subculture, where videos of fans swapping time management tips and guides to organizing their lives regularly rack up millions of views.

Since then, its following has snowballed. More than 275,000 people have joined a dedicated subreddit, tens of thousands of users share free page templates in private Facebook groups, and TikTok videos advising viewers on how to make their Notion pages look pretty have been watched hundreds of millions of times. "You don't have to change your habits to how rigid software is. The software will change how your mind works," says Akshay Kothari, Notion's cofounder and chief operating officer. "I think that's actually been a big reason why you see so much love in the community: because people feel like the things they build are theirs." While platforms like Notion are great for people who enjoy feeling organized, spending too much time optimizing and organizing our lives can be counterproductive when we prioritize creating to-do lists over completing the actual tasks on them, says Gabriele Oettingen, a psychology professor at New York University. It's a phenomenon known as the planning fallacy.

Using Notion to track whether you're drinking enough water or going jogging, or using it to plan assignments, doesn't necessarily mean you're actually getting those things done. "In a way, Notion might help me to get structure, but it might not work to get me going," she says.

Joe Russo, the co-director of Avengers: Endgame, in an interview on the impact he thinks AI is going to play out in the world of video games, movies and television. He said: This is like a mind-bending question, right? I mean, we've had conversations about how it can be used, and look, Gen Z is very unique because it's a generation that has -- If there were incremental movements in technology over the last, say, 100 years, 150 years, they were the first generation with an exponential movement, right? So there's a real possibility now for technology to become a really important factor in our lives because it's been embraced by Gen Z, and they grew up with it, they understand it, they know how to use it. That's important, right? We're not in a world where, you know, your uncle doesn't know how to send emails anymore. We're in a world where the entire generation has a facile expertise in it, and is also not afraid of it.

So potentially, what you could do with it is obviously use it to engineer storytelling and change storytelling. So you have a constantly evolving story, either in a game or in a movie, or a TV show. You could walk into your house and save the AI on your streaming platform. âoeHey, I want a movie starring my photoreal avatar and Marilyn Monroe's photoreal avatar. I want it to be a rom-com because I've had a rough day," and it renders a very competent story with dialogue that mimics your voice. It mimics your voice, and suddenly now you have a rom-com starring you that's 90 minutes long. So you can curate your story specifically to you.

That's one thing that it can do, but it can also, on a communal level, populate the world of the game, have intelligence behind character choice, you know, the computer-run characters in the game that can make decisions learn your play style, make it a little harder for you, make it a little easier for you, curate the story. Say you want Fortnite to be more of a horror game, right? Then you could ask the AI to ramp up the horror elements of it. So again, you could curate your experience.I think that's where it's going. How quickly we get there, I don't know, but that's where it's going.

Redbox CEO Bill Rouhana told The Hollywood Reporter that he'd like to buy the business, saying: "I wish Netflix would sell me that business instead of shutting it down." From the report: Redbox is already the biggest DVD rental company in the U.S., with a network of some 32,000 red DVD kiosks across the country. Just this week, it announced plans to add another 1,500 kiosks at Dollar General stores (Rouhana says the Dollar General kiosks are some of the company's most profitable). While the DVD business kickstarted Netflix's meteoric rise, in recent years it has been on the decline. In 2022, it had $146 million in revenue, down $40 million from the year prior. Q1 had revenue of $32 million, suggesting a further decline this year.

And Rouhana says he has reached out to Netflix over the years expressing a desire to acquire the DVD business, to no avail. "I have tried like three or four times to reach out to the corporate development people about it but just got rebuffed each time," Rouhana says. "So when I saw it being closed, I thought, 'Well, maybe they'll do it now.'" A Netflix source tells THR that the company is winding down the business, and not selling it. (As for what happens to those warehouses full of DVDs that fueled Netflix's red envelope business, they seem to be in limbo for now.)

Even if that is the case, Rouhana says he believes Netflix's decision to shutter the service will benefit his company. "This could be a great boon to us because now there are a whole bunch of people who are going to look for a new place to get their DVDs, and we're close to 90 percent of them based on where our kiosks are located," he says. And, he notes, he does not expect the DVD business to go away anytime soon. "We believe in it, and we believe it's going to be around for a while. Like most legacy things, it's a lot harder to kill them than people say, I believe," he adds.

In fact, he believes the DVD business is in a position for growth over the next few years, thanks to a larger slate of movies hitting theaters and a desire from studios to reengage with windowing strategies. "We programmed our business plan for us to get back to about 30 percent of the 2019 level," Rouhana says. "I feel that's pretty conservative, I think we'll be better than that. But, you know, that's how we built the business plan that we've articulated. So people can decide for themselves whether they think that's overly optimistic or overly pessimistic."