Speaking of streaming services, an anonymous reader shares a story that looks into Apple's entertainment offering: Ever since its launch in 2019, Apple TV+ has been carving out an identity as the new home for prestige shows from some of Hollywood's biggest names -- the kind of shows that sound natural coming out of Jimmy Kimmel's mouth in monologue jokes at the Emmys. While the company never provides spending details, Apple is estimated to have spent at least $20 billion recruiting the likes of Reese Witherspoon, M. Night Shayamalan, and Harrison Ford to help cultivate its award-worthy sheen. For all the effort Apple has expended, and for all the cultural excitement around Ted Lasso during its three-season run, the streaming service has won nearly 500 Emmys ... while attracting just 0.2% of total TV viewing in the U.S.

No wonder the company reportedly began reining in its spending spree recently. (Apple did not reply to a request for comment.) "It seems like Apple TV wants to be seen as a platform that's numbers-agnostic," says Ashley Ray, comedian, TV writer, and host of the erstwhile podcast TV I Say. "They wanna be known for being about the creativity and the love of making TV shows, even if nobody's watching them."

The experience of enjoying a new Apple TV+ series can often be a lonely one. Adventurous subscribers might see an in-network ad about something like last summer's Sunny, the timely, genre-bending Rashida Jones series about murderous AI, and give it a shot -- only to find that nobody else is talking about it in their social media feeds or around the company Keurig machine. Sure, the same could be said for hundreds of other streaming series in the post-monoculture era, but most streaming companies aren't consistently landing as much marquee talent for such a limited library. (Apple currently has 259 TV shows and films compared to Netflix's nearly 16,000.)

How is it possible for a streaming service to have as much high-pedigree programming as Apple TV+ does and so relatively few viewers, despite an estimated 25 million paid subscribers? How can shows starring Natalie Portman, Idris Elba, and Colin Farrell launch and even get renewed without ever quite grazing the zeitgeist? How does a show set in the same Monsterverse as Godzilla vs. Kong, and starring Kurt Russell and his roguishly charming son, not become a monster-size hit?

For many perplexed observers, the blame falls squarely on Apple's marketing efforts, or seeming lack thereof.

A civil liberties group has filed a lawsuit in Virginia arguing that the widespread use of Flock's automated license plate readers violates the Fourth Amendment's protections against warrantless searches. 404 Media reports: "The City of Norfolk, Virginia, has installed a network of cameras that make it functionally impossible for people to drive anywhere without having their movements tracked, photographed, and stored in an AI-assisted database that enables the warrantless surveillance of their every move. This civil rights lawsuit seeks to end this dragnet surveillance program," the lawsuit notes (PDF). "In Norfolk, no one can escape the government's 172 unblinking eyes," it continues, referring to the 172 Flock cameras currently operational in Norfolk. The Fourth Amendment protects against unreasonable searches and seizures and has been ruled in many cases to protect against warrantless government surveillance, and the lawsuit specifically says Norfolk's installation violates that. [...]

The lawsuit in Norfolk is being filed by the Institute for Justice, a civil liberties organization that has filed a series of privacy and government overreach lawsuits over the last few years. Two Virginia residents, Lee Schmidt and Crystal Arrington, are listed as plaintiffs in the case. Schmidt is a Navy veteran who alleges in the lawsuit that the cops can easily infer where he is going based on Flock data. "Just outside his neighborhood, there are four Flock Cameras. Lee drives by these cameras (and others he sees around town) nearly every day, and the Norfolk Police Department [NPD] can use the information they record to build a picture of his daily habits and routines," the lawsuit reads. "If the Flock Cameras record Lee going straight through the intersection outside his neighborhood, for example, the NPD can infer that he is going to his daughter's school. If the cameras capture him turning right, the NPD can infer that he is going to the shooting range. If the cameras capture him turning left, the NPD can infer that he is going to the grocery store. The Flock Cameras capture the start of nearly every trip Lee makes in his car, so he effectively cannot leave his neighborhood without the NPD knowing about it." Arrington is a healthcare worker who makes home visits to clients in Norfolk. The lawsuit alleges that it would be trivial for the government to identify her clients. "Fourth Amendment case law overwhelmingly shows that license plate readers do not constitute a warrantless search because they take photos of cars in public and cannot continuously track the movements of any individual," a Flock spokesperson said. "Appellate and federal district courts in at least fourteen states have upheld the use of evidence from license plate readers as Constitutional without requiring a warrant, as well as the 9th and 11th circuits. Since the Bell case, four judges in Virginia have ruled the opposite way -- that ALPR evidence is admissible in court without a warrant."

OpenAI and Microsoft will give grants of up to $10 million to bring more AI tools into the newsroom. The grants will go to Chicago Public Media, the Minnesota Star Tribune, Newsday (in Long Island, NY), The Philadelphia Inquirer and The Seattle Times. "Each of the publications will hire a two-year AI fellow to develop projects for implementing the technology and improving business sustainability," reports Engadget. "Three more outlets are expected to receive fellowship grants in a second round." From the report: OpenAI and Microsoft are each contributing $2.5 million in direct funding as well as $2.5 million in software and enterprise credits. The Lenfest Institute of Journalism is collaborating with OpenAI and Microsoft on the project, and announced the news today.

The UK parliament is considering clamping down on how young people use smartphones. A bill brought forward by a Labour member of parliament proposes both banning phones in schools and raising the age at which children can consent to social media companies using their data. Wired: Calls for smartphone bans have been growing in the UK, driven by fears that the devices are driving a decline in kids' mental health and ability to focus. Smartphone Free Childhood, a prominent pressure group inspired by Jonathan Haidt's book The Anxious Generation, calls for parents to delay getting smartphones for their children until they are at least 13. Florida has already passed a law that bans under-14s from holding social media accounts, and Australia is considering similar restrictions.

But academics warn that smartphone and social media bans are unlikely to be a catch-all solution to the problems facing young people. Experts on the impact of digital technologies argue that the legislation could end up shutting children out from the potential benefits of smartphones, and that more pressure should be put on social media companies to design better digital worlds for children. The latest proposed clampdown in the UK is thin on details, but the MP bringing the bill, Josh MacAllister, told the radio show Today that it would prevent social media companies making use of young peoples' data until they are 16. "We can protect children from lots of the addictive bad design features that come from social media," he said. The bill would also make a ban on phones in schools legally binding.

Session, a small but increasingly popular encrypted messaging app, is moving its operations outside of Australia after the country's federal law enforcement agency visited an employee's residence and asked them questions about the app and a particular user. 404 Media reports: Now Session will be maintained by an entity in Switzerland. The move signals the increasing pressure on maintainers of encrypted messaging apps, both when it comes to governments seeking more data on app users, as well as targeting messaging app companies themselves, like the arrest of Telegram's CEO in August. "Ultimately, we were given the choice between remaining in Australia or relocating to a more privacy-friendly jurisdiction, such as Switzerland. For the project to continue, it could not be centred in Australia," Alex Linton, president of the newly formed Session Technology Foundation (STF) which will publish the Session app, told 404 Media in a statement. The app will still function in Australia, Linton added. Linton said that last year the Australian Federal Police (AFP) visited a Session employee at their home in the country. "There was no warrant used or meeting organised, they just went into their apartment complex and knocked on their front door," Linton said.

The AFP asked about the Session app and company, and the employee's history on the project, Linton added. The officers also asked about an ongoing investigation related to a specific Session user, he added. Linton showed 404 Media an email sent by Session's legal representatives to the AFP which reflected that series of events. Part of Session's frustration around the incident came from the AFP deciding to "visit an employee at home rather than arranging a meeting through our proper (publicly available) channels," Linton said.

An anonymous reader quotes a report from Ars Technica: 37Signals is not a company that makes its policy or management decisions quietly. The productivity software company was an avowedly Mac-centric shop until Apple's move to kill home screen web apps (or Progressive Web Apps, or PWAs) led the firm and its very-public-facing co-founder, David Heinemeier Hansson, to declare a "Return to Windows," followed by a stew of Windows/Mac/Linux. The company waged a public battle with Apple over its App Store subscription policies, and the resulting outcry helped nudge Apple a bit. 37Signals has maintained an active blog for years, its co-founders and employees have written numerous business advice books, and its blog and social media posts regularly hit the front pages of Hacker News.

So when 37Signals decided to pull its seven cloud-based apps off Amazon Web Services in the fall of 2022, it didn't do so quietly or without details. Back then, Hansson described his firm as paying "an at times almost absurd premium" for defense against "wild swings or towering peaks in usage." In early 2023, Hansson wrote that 37Signals expected to save $7 million over five years by buying more than $600,000 worth of Dell server gear and hosting its own apps.

Late last week, Hansson had an update: it's more like $10 million (and, he told the BBC, more like $800,000 in gear). By squeezing more hardware into existing racks and power allowances, estimating seven years' life for that hardware, and eventually transferring its 10 petabytes of S3 storage into a dual-DC Pure Storage flash array, 37Signals expects to save money, run faster, and have more storage available. "The motto of the 2010s and early 2020s -- all-cloud, everything, all the time -- seems to finally have peaked," Hansson writes. "And thank heavens for that!" He adds the caveat that companies with "enormous fluctuations in load," and those in early or uncertain stages, still have a place in the cloud.

TikTok's parent company, ByteDance, fired an intern for "maliciously interfering" with the training of one of its AI models. However, the firm "rejected claims about the extent of the damage caused by the unnamed individual, saying they 'contain some exaggerations and inaccuracies,'" reports the BBC. From the report: The Chinese technology giant's Doubao ChatGPT-like generative AI model is the country's most popular AI chatbot. "The individual was an intern with the [advertising] technology team and has no experience with the AI Lab," ByteDance said in a statement. "Their social media profile and some media reports contain inaccuracies." Its commercial online operations, including its large language AI models, were unaffected by the intern's actions, the company added.

ByteDance also denied reports that the incident caused more than $10 million of damage by disrupting an AI training system made up of thousands of powerful graphics processing units (GPU). As well as firing the person in August, ByteDance said it had informed the intern's university and industry bodies about the incident.

Disney has appointed former Morgan Stanley CEO James Gorman to replace Nike Executive Chairman Mark Parker as board chairman starting in January 2024, "as the media giant lays the groundwork to name a successor for CEO Bob Iger in early 2026," reports CNBC. Iger's contract has been extended until the end of 2026 to ensure the company finds the right fit. CNBC reports: Gorman joined Disney's board less than a year ago and was named the head of the succession planning committee in August. He will continue to lead that committee after he takes over as board chairman from Nike Executive Chairman Parker. "The Disney board has benefited tremendously from James Gorman's expertise and guidance, and we are lucky to have him as our next chairman -- particularly as the board continues to move forward with the succession process," Iger said in a statement. "I'm extremely grateful to Mark Parker for his many years of board service and leadership, which have been so valuable to this company and its shareholders, and to me as CEO." [...]

Disney had initially targeted 2025 to announce a successor, as CNBC reported last year. Pushing the date back to early 2026 will give the board more time to conduct due diligence on both internal and external candidates, according to people familiar with the matter, who asked not to be named because the discussions are private.

"Several of Europe's biggest carmakers unveiled low-cost electric vehicles at the Paris Motor Show this week," reports CNBC. The automakers are "seeking to jump-start a demand slump and recapture some of the market share now held by Chinese brands." "It feels like Europe is fighting back," Julia Poliscanova, senior director for vehicles and e-mobility supply chains at the Transport & Environment campaign group, told CNBC at the Paris Motor Show. "There are so many new models on show, and what is really great is that there are a lot of launches that are more affordable. So, Citroen, Peugeot [and] Renault, they are all showing some smaller affordable models," Poliscanova said. "This is exactly what we need for the mass market, for people to buy those vehicles more, and this is also where the competition from the Chinese is also the hardest," she added...

"The storytelling is that people have cooled off on EVs and there is no consumer demand, [but] this is really not true," Transport & Environment's Poliscanova said. "This year in Europe, we did not have affordable models, so people are not buying those overpriced premium vehicles. However, as soon as vehicles come in the right price range next year ... people will flock to buy them." Poliscanova said the launch of several low-cost EVs means electric car sales could account for up to a 24% market share next year, up from 14% this year. Chinese-made EVs typically cost less than half the prices seen in Europe and the U.S. last year, according to figures published by data firm JATO, underscoring the challenge for Western automakers to keep pace with Beijing...

Pere Brugal, president and managing director of GM Europe, said that the challenges facing Europe's auto industry should be seen as a transitional phase — and not evidence of a crisis. "The adoption of new technologies and new behaviors is never a linear growth story, but the end is full-electric [vehicles]," Brugal told CNBC at the Paris Motor Show.
Meanwhile, GM's CEO "says it will start making money on battery-powered models by the end of the year — becoming the only U.S. automaker aside from Tesla to achieve that feat," reports the New York Times (adding that sales are increasing "and the company just introduced a model that sells for less than $30,000 after a federal tax credit.")

And GM "is still committed to doing away with combustion engine cars in the United States by 2035."

An anonymous reader shared this report from ComicBook.com: On Saturday, 20th Century Studios announced that the latest entry in the Alien sci-fi horror franchise will get a limited-edition VHS release on December 3 — just in time for the holidays.

The VHS release of Alien: Romulus is the first such release from a major studio since 2006... a major win for fans of physical media. In recent months, there has been a great bit of conversation surrounding the so-called death of physical media with the rise of digital and streaming with some retailers even having previously announced that they have or will be stopping sales of physical media. But with streaming platforms removing content for various reasons, there's been a rise in appreciation for physical media which has, in turn, resulted in increased sales, particularly when it comes to limited edition items such as Steelbooks [collectible steel-case disc releases]... Given that the Alien: Romulus VHS release is part of an overall celebration of the franchise for its 45th anniversary year, leaning into that nostalgia for feels pretty spot on.
The release will present the movie "in a 4:3 aspect ratio," writes the Verge, "hopefully with well-done pan-and-scan..." (Their post includes a promotional picture showing the "slick, vintage-style" box-cover art.)

"The tape has only the film," notes Gizmodo, "and no special featurette attached at the end, like some used to back in the day."

Gizmodo also reminds readers of Hulu's 2025 series Alien: Earth and an upcoming videogame sequel to 2014's Alien: Isolation.

A post shared Saturday on social media acknowledges those admins and developers at the Internet Archive working "literally round the clock... They have taken no days off this past week. They are taking none this weekend... they are working with all of their energy and considerable talent."

It describes people "working so incredibly hard... putting their all in," with a top priority of "getting the site back secure and safe".

But there's new and continuing problems, reports The Verge's weekend editor: Early this morning, I received an email from "The Internet Archive Team," replying to a message I'd sent on October 9th. Except its author doesn't seem to have been the digital archivists' support team — it was apparently written by the hackers who breached the site earlier this month and who evidently maintain some level of access to its systems.

I'm not alone. Users on the Internet Archive subreddit are reporting getting the replies, as well. Here is the message I received:

It's dispiriting to see that even after being made aware of the breach 2 weeks ago, IA has still not done the due diligence of rotating many of the API keys that were exposed in their gitlab secrets.

As demonstrated by this message, this includes a Zendesk token with perms to access 800K+ support tickets sent to info@archive.org since 2018.

Whether you were trying to ask a general question, or requesting the removal of your site from the Wayback Machine — your data is now in the hands of some random guy. If not me, it'd be someone else.
The site BleepingComputer believes they know the larger context, starting with the fact that they've also "received numerous messages from people who received replies to their old Internet Archive removal requests... The email headers in these emails also pass all DKIM, DMARC, and SPF authentication checks, proving they were sent by an authorized Zendesk server."

BleepingComputer also writes that they'd "repeatedly tried to warn the Internet Archive that their source code was stolen through a GitLab authentication token that was exposed online for almost two years."

And that "the threat actor behind the actual data breach, who contacted BleepingComputer through an intermediary to claim credit for the attack," has been frustrated by misreporting. (Specifically, they insist there were two separate attacks last week — a DDoS attack and a separate data breach for a 6.4-gigabyte database which includes email addresses for the site's 33 million users.) The threat actor told BleepingComputer that the initial breach of Internet Archive started with them finding an exposed GitLab configuration file on one of the organization's development servers, services-hls.dev.archive.org. BleepingComputer was able to confirm that this token has been exposed since at least December 2022, with it rotating multiple times since then. The threat actor says this GitLab configuration file contained an authentication token allowing them to download the Internet Archive source code. The hacker say that this source code contained additional credentials and authentication tokens, including the credentials to Internet Archive's database management system. This allowed the threat actor to download the organization's user database, further source code, and modify the site.

The threat actor claimed to have stolen 7TB of data from the Internet Archive but would not share any samples as proof. However, now we know that the stolen data also included the API access tokens for Internet Archive's Zendesk support system. BleepingComputer attempted contact the Internet Archive numerous times, as recently as on Friday, offering to share what we knew about how the breach occurred and why it was done, but we never received a response.
"The Internet Archive was not breached for political or monetary reasons," they conclude, "but simply because the threat actor could...

"While no one has publicly claimed this breach, BleepingComputer was told it was done while the threat actor was in a group chat with others, with many receiving some of the stolen data. This database is now likely being traded amongst other people in the data breach community, and we will likely see it leaked for free in the future on hacking forums like Breached."

"The Wayback Machine, Archive-It, scanning, and national library crawls have resumed," announced the Internet Archive Thursday, "as well as email, blog, helpdesk, and social media communications. Our team is working around the clock across time zones to bring other services back online."

Founder Brewster Kahle told The Washington Post it's the first time in its almost 30-year history that it's been down more than a few hours. But their article says the Archive is "fighting back." Kahle and his team see the mission of the Internet Archive as a noble one — to build a "library of everything" and ensure records are kept in an online environment where websites change and disappear by the day. "We're all dreamers," said Chris Freeland, the Internet Archive's director of library services. "We believe in the mission of the Internet Archive, and we believe in the promise of the internet." But the site has, at times, courted controversy. The Internet Archive faces lawsuits from book publishers and music labels brought in 2020 and 2023 for digitizing copyrighted books and music, which the organization has argued should be permissible for noncommercial, archival purposes. Kahle said the hundreds of millions of dollars in penalties from the lawsuits could sink the Internet Archive.

Those lawsuits are ongoing. Now, the Internet Archive has also had to turn its attention to fending off cyberattacks. In May, the Internet Archive was hit with a distributed denial-of-service (DDoS) attack, a fairly common type of internet warfare that involves flooding a target site with fake traffic. The archive experienced intermittent outages as a result. Kahle said it was the first time the site had been targeted in its history... [After another attack October 9th], Kahle and his team have spent the week since racing to identify and fix the vulnerabilities that left the Internet Archive open to attack. The organization has "industry standard" security systems, Kahle said, but he added that, until this year, the group had largely stayed out of the crosshairs of cybercriminals. Kahle said he'd opted not to prioritize additional investments in cybersecurity out of the Internet Archive's limited budget of around $20 million to $30 million a year...

[N]o one has reliably claimed the defacement and data breach that forced the Internet Archive to sequester itself, said [cybersecurity researcher] Scott Helmef. He added that the hackers' decision to alert the Internet Archive of their intrusion and send the stolen data to Have I Been Pwned, the monitoring service, could imply they didn't have further intentions with it.... Helme said the episode demonstrates the vulnerability of nonprofit services like the Internet Archive — and of the larger ecosystem of information online that depends on them. "Perhaps they'll find some more funding now that all of these headlines have happened," Helme said. "And people suddenly realize how bad it would be if they were gone."
"Our priority is ensuring the Internet Archive comes online stronger and more secure," the archive said in Thursday's statement. And they noted other recent-past instances of other libraries also being attacked online: As a library community, we are seeing other cyber attacks — for instance the British Library, Seattle Public Library, Toronto Public Library, and now Calgary Public Library. We hope these attacks are not indicative of a trend."

For the latest updates, please check this blog and our official social media accounts: X/Twitter, Bluesky and Mastodon.

Thank you for your patience and ongoing support.

404 Media journalist and Slashdot contributor samleecole shares a report: After an exodus of employees at Automattic who disagreed with CEO Matt Mullenweg's recently divisive legal battle with WP Engine, he's upped the ante with another buyout offer -- and a threat that employees speaking to the press should "exit gracefully, or be fired tomorrow with no severance." Earlier this month, Mullenweg posed an "Alignment Offer" to all of his employees: Stand with him through a messy legal drama that's still unfolding, or leave. "It became clear a good chunk of my Automattic colleagues disagreed with me and our actions," he wrote on his personal blog on Oct. 3, referring to the ongoing dispute between himself and website hosting platform WP Engine, which Mullenweg called a "cancer to WordPress" and accusing WP Engine of "strip-mining the WordPress ecosystem. In the last month, he and WP Engine have volleyed cease and desist letters, and WP Engine is now suing Automattic, accusing Mullenweg of extortion and abuse of power.

"I'm certain that Matt hasn't eliminated all dissenters, because I'm still there, but I expect that within the next six to twelve months, everyone who didn't leave but wasn't 'aligned' will have found a new job and left on their own terms," a current employee told 404 Media. "My personal morale has never been lower at this job, and I know that I'm not alone." Mullenweg himself, in internal screenshots viewed by 404 Media, acknowledged that his first "Alignment Offer" did not make everyone who disagreed with him leave the company. On Wednesday Mullenweg posted another ultimatum in Automattic's Slack: a new offer that would include nine months of compensation (up from the previous offer of six months). "We have technical means to identify the leaker as well, that I obviously can't disclose," he continued. "So this is their opportunity to exit gracefully, or be fired tomorrow with no severance and probably a big legal case for violating confidentiality agreement."

schwit1 writes: The Department of Defense wants technology so it can fabricate online personas that are indistinguishable from real people.

The United States' secretive Special Operations Command is looking for companies to help create deepfake internet users so convincing that neither humans nor computers will be able to detect they are fake, according to a procurement document reviewed by The Intercept.

The plan, mentioned in a new 76-page wish list by the Department of Defense's Joint Special Operations Command, or JSOC, outlines advanced technologies desired for country's most elite, clandestine military efforts. "Special Operations Forces (SOF) are interested in technologies that can generate convincing online personas for use on social media platforms, social networking sites, and other online content," the entry reads.

An anonymous reader shares a report: Impact, an app that describes itself as "AI-powered infrastructure for shaping and managing narratives in the modern world," is testing a way to organize and activate supporters on social media in order to promote certain political messages. The app aims to summon groups of supporters who will flood social media with AI-written talking points designed to game social media algorithms. In video demos and an overview document provided to people interested in using a prototype of the app that have been viewed by 404 Media, Impact shows how it can send push notifications to groups of supporters directing them at a specific social media post and provide them with AI-generated text they can copy and paste in order to flood the replies with counter arguments.

An anonymous reader quotes a report from 404 Media: The code that runs Redbox DVD rental machines has been dumped online, and, in the wake of the company's bankruptcy, a community of tinkerers and reverse engineers are probing the operating system to learn how it works. Naturally, one of the first things people did was make one of the machines run Doom. As has been detailed in several great articles elsewhere, the end of Redbox has been a clusterfuck, with pharmacies, grocery stores, and other retailers stuck with very large, heavy, abandoned DVD rental kiosks. To many people's surprise, many of the kiosks remain operational even with the bankruptcy of Redbox's parent company, which has led some people to "liberate" DVDs from the abandoned kiosks. Reddit is full of posts by people who say they have taken dozens of DVDs from kiosks all over the country. Free DVDs is one thing. But in recent days, people have realized that they can, in some cases, get free Redbox kiosks. In an August filing, Walgreens told the bankruptcy court that it has 5,400 abandoned kiosks at its stores, and that it is spending $184,000 a month keeping them powered. "Walgreens should not be required to continue to 'store' and power Redbox kiosks across the country without any form of payment," the company wrote. And so tinkerers and reverse engineers have begun asking stores whether they can take the devices off their hands. There are also posts on Reddit by contractors who are selling them, and I was able to find various Redbox DVD kiosks being advertised for sale on Facebook Marketplace. (There are far more listings on Facebook Marketplace from people who have obtained hundreds or thousands of Redbox DVDs and are now selling them.)

Recently the operating system for Redbox kiosks was dumped online, and this community is now probing it to see how it works. In a thread on Mastodon, reverse engineer Foone Turing has been posting some of her findings, which include the fact that Redbox machines contain a file that has "a complete list of titles ever rented, and the email addresses of the people who rented them, and where and when." She also found that the first six and last four digits of credit card information was logged. She said that the records on the particular unit that she was looking at contained 2,471 different transactions and had records on it dating back to 2015. Other reverse engineers have found that Redbox kiosks contained information about the physical locations of every other kiosk. The server that they communicated with is currently offline (because the company is bankrupt). But people have also been putting together information about what different error codes in the software mean (for example, the error code "0020BDT" would happen when an obstruction was detected in the machine). They have also found and dumped service manuals for different parts of the device and have found a few login passwords (one password is "US#1Choice4movierentals"). [...] There has also been discussion about how the machines could be modified to talk to a new server, or whether the operating system could be put on a DIY Redbox device. Another person installed Minecraft on their Redbox. It is still very early days, but, with the bankruptcy of Redbox's parent company, ironically these devices are being given new life.

Apple's $3,499 Vision Pro is struggling to attract major software-makers to develop apps for the device, a challenge that threatens to slow the progress of the company's biggest new product in a decade. WSJ: New apps released on the Vision Pro every month have slowed since its launch in January. Some of the most successful virtual-reality software developers have so far opted not to build apps for the headset. Without enough killer apps, certain users have found the device less useful and are opting to sell it. "It's a chicken-or-egg problem," said Bertrand Nepveu, who previously worked on the Vision Pro at Apple and is now an investor in this area at Triptyq Capital.

Nepveu and app developers think Apple should fund app makers to give them an incentive to port over their existing apps from other headsets or to develop fresh content. This practice has become common in the industry, with headset leader Meta Platforms funding many developers and even buying several app makers. The social-media company is a formidable competitor to Apple, with a market share of all headsets reaching 74% in the second quarter this year, according to Counterpoint Research.

New research challenges assumptions about decision-making, revealing people tend to believe they have sufficient information regardless of actual data at hand. A study by Gehlbach, Robinson, and Fletcher, published earlier this month, found participants consistently overestimated their knowledge when given partial information on a hypothetical school merger scenario.

Nearly 90% favored merger when presented pro-merger facts, while only 25% did when given opposing data. However, opinions shifted when full information was provided, suggesting malleability of views despite initial overconfidence. Researchers caution this bias could be exploited in today's fractured media landscape, where partial or misleading information often circulates unchecked.

An anonymous reader quotes a report from Ars Technica: This fall, thousands of fake albums were added to Spotify, with some appearing on real artist pages, where they're positioned to lure unsuspecting listeners into streaming by posing as new releases from favorite bands. An Ars reader flagged the issue after finding a fake album on the Spotify page of an UK psych rock band called Gong. The Gong fan knew that the band had begun touring again after a surprise new release last year, but the "latest release" listed by Spotify wasn't that album. Instead, at the top of Gong's page was a fake self-titled album supposedly released in 2024.

The real fan detected the fake instantly, and not just because the generic electronic music sounded nothing like Gong's experimental sounds. The album's cover also gave the scheme away, using a generic font and neon stock image that invoked none of the trippy imagery that characterized Gong's typical album covers. Ars confirmed with Gong member Dave Sturt that the self-titled item was an obvious fake on Monday. At that time, Sturt said the band was working to get the junk album removed from its page, but as of Tuesday morning, that album remained online, along with hundreds of other albums uploaded by a fake label that former Spotify data "alchemist" Glenn McDonald flagged in a social media post that Spotify seemingly ignored.

On his site, McDonald gathered the junk album data by label, noting that Beat Street Music, which has no web presence but released the fake Gong album, uploaded 240 junk albums on Friday alone. Similarly, Ancient Lake Records uploaded 471 albums on Friday. And Gupta Music added 483 just a few days prior, along with 600 junk albums from Future Jazz Records uploaded between September 30 and October 8. These junk albums don't appear to be specifically targeting popular artists, McDonald told Ars. Rather, generic music is uploaded under a wide range of one-word artist names. However, by using that tactic, some of these fake albums appeared on real artist pages, such as Gong, experimental rock band Swans, and English rock bands Asia and Yes. And that oversight is on Spotify, McDonald suggested. "We are aware of the issue, have relocated the content in question, and are considering our further options against the providing licensor," a Spotify spokesperson said. "When we identify or are alerted to attempts by bad actors to game the system, we take action that may include removing stream counts and withholding royalties. Spotify invests heavily in automated and manual reviews to prevent, detect, and mitigate the impact of bad actors attempting to collect unearned royalties."

An anonymous reader shares a report: In June, the U.S. National Archives and Records Administration (NARA) gave employees a presentation and tech demo called "AI-mazing Tech-venture" in which Google's Gemini AI was presented as a tool archives employees could use to "enhance productivity." During a demo, the AI was queried with questions about the John F. Kennedy assassination, according to a copy of the presentation obtained by 404 Media using a public records request.

In December, NARA plans to launch a public-facing AI-powered chatbot called "Archie AI," 404 Media has learned. "The National Archives has big plans for AI," a NARA spokesperson told 404 Media. "It's going to be essential to how we conduct our work, how we scale our services for Americans who want to be able to access our records from anywhere, anytime, and how we ensure that we are ready to care for the records being created today and in the future."

Employee chat logs given during the presentation show that National Archives employees are concerned about the idea that AI tools will be used in archiving, a practice that is inherently concerned with accurately recording history. One worker who attended the presentation told 404 Media "I suspect they're going to introduce it to the workplace. I'm just a person who works there and hates AI bullshit." The presentation was given about a month after the National Archives banned employees from using ChatGPT because it said it posted an "unacceptable risk to NARA data security," and cautioned employees that they should "not rely on LLMs for factual information."