Mozilla claims in a new 74-page research report that Microsoft "repeatedly uses harmful design" and "dark patterns" to push users toward Microsoft Edge and away from rival browsers like Mozilla's Firefox or Google's Chrome browser. PCMag: "Microsoft uses the harmful preselection, visual interference, trick wording, and disguised ads patterns to skew user choice," the report argues, adding that "Microsoft's harmful design practices mean users are unable to download, install, use, or set as default an alternative browser without interference." The researchers claim this harms consumers because they can experience "distortion of choice," lose trust in the broader tech industry, and even possibly experience "emotional distress" as a result of Microsoft's efforts.

For the study, user experiences were tested on Windows 10 Home and Windows 11 Pro as well as the Windows 11 Home Insider Preview Version. The UK-based testers did not attempt to use a VPN to change or hide their IP addresses during their investigation. While Microsoft recently said it will allow users in the European Union to uninstall Edge as part of its efforts to comply with the Digital Markets Act (DMA), it's unclear whether US, UK, or other users around the globe could ever get the same option. Some Windows 11 users can remove five other apps that come preinstalled, however.

Cybercriminals are selling ready-made "pig-butchering" scam kits on the dark web to conduct "DeFi savings" cryptocurrency fraud, according to Sophos. The kits expedite scamming worldwide. In these scams, criminals build online relationships then persuade victims to invest in fake crypto schemes, manipulating them to drain digital wallets. The bundled kits contain websites enabling wallet access via Ethereum blockchain plus chat support posing as technical staff. Victims open legitimate crypto apps but enter malicious sites letting criminals steal funds. The report details the mass distribution of these DIY crypto fraud kits.

YouTube has announced it has surpassed 100 million YouTube Music and YouTube Premium subscribers globally. Variety reports: The 100 million figure includes uses who are on free trials, according to YouTube. The company didn't break down how many are on YouTube Music versus YouTube Premium, the subscription service for ad-free viewing, background listening, offline video downloads and full access to YouTube Music. In November 2022, the company said YouTube Music and YouTube Premium topped 80 million paying subscribers combined.

The announcement comes after Alphabet, in reporting fourth-quarter 2023 earnings, boasted that YouTube and Google subscription services generated more than $15 billion in revenue last year. That includes YouTube Premium and YouTube Music, as well as YouTube TV and Google One cloud storage.

Russia is facing a widespread internet outage that's affected users across the country, with access to websites on the local .ru domain down. From a report: The issue was linked to a technical problem with the .ru domain's global Domain Name System Security Extensions, or DNSSEC, which is used to secure data exchanged in internet protocol networks, Russia's Digital Ministry said in a statement on Telegram Tuesday. Websites including the most popular local search engine Yandex.ru, ecommerce leaders Ozon.ru and Wildberries.ru, and apps of the country's biggest banks -- Sberbank PJSC and VTB Group -- were all affected, state-run Ria reported, citing Downradar, a traffic monitoring service.

Japan is aiming to phase out floppy disks and CD-ROMs, which until now were forms of physical media required for submitting some official documents to the government. Engadget reports: Back in 2022, Minister of Digital Affairs Taro Kono urged various branches of the government to stop requiring businesses to submit information on outdated forms of physical media. The Ministry of Economy, Trade and Industry (METI) is one of the first to make the switch. "Under the current law, there are many provisions stipulating the use of specific recording media such as floppy disks regarding application and notification methods," METI said last week, according to The Register. After this calendar year, METI will no longer require businesses to submit data on floppy disks under 34 ordinances. The same goes for CD-ROMs when it comes to an unspecified number of procedures. There's still quite some way to go before businesses can stop using either format entirely, however.

Kono's staff identified some 1,900 protocols across several government departments that still require the likes of floppy disks, CD-ROMs and even MiniDiscs. The physical media requirements even applied to key industries such as utility suppliers, mining operations and aircraft and weapons manufacturers. There are a couple of main reasons why there's a push to stop using floppy disks, as SoraNews24 points out. One major factor is that floppy disks can be hard to come by. Sony, the last major manufacturer, stopped selling them in 2011. Another is that some data types just won't fit on a floppy disk. A single photo can easily be larger than the format's 1.4MB storage capacity.

"Companies that once serviced the boom in cryptocurrency mining are pivoting to take advantage of the latest data gold rush," reports the Guardian. Canadian company Hive Blockchain changed its name in July to Hive Digital Technologies and announced it was pivoting to AI. "Hive has been a pioneering force in the cryptocurrency mining sector since 2017. The adoption of a new name signals a significant strategic shift to harness the potential of GPU Cloud compute technology, a vital tool in the world of AI, machine learning and advanced data analysis, allowing us to expand our revenue channels with our Nvidia GPU fleet," the company said in its announcement at the time. The company's executive chairman, Frank Holmes, told Guardian Australia the transition required a lot of work. "Moving from mining Ethereum to hosting GPU cloud services involves buying powerful new servers for our GPUs, upgrading networking equipment and moving to higher tier data centres," he said.

"The only commonality is that GPUs are the workhorses in both cases. GPU cloud requires higher end supporting hardware and a more secure, faster data centre environment. There's a steep learning curve in the GPU cloud business, but our team is adapting well and learning fast."

For others, like Iris Energy, a datacentre company operating out of Canada and Texas, and co-founded by Australian Daniel Roberts, it has been the plan all along. Iris did not require any changes to the way the company operated when the AI boom came along, Roberts told Guardian Australia. "Our strategy really has been about bootstrapping the datacentre platform with bitcoin mining, and then just preserve optionality on the whole digital world. The distinction with us and crypto-miners is we're not really miners, we're datacentre people." The company still trumpets its bitcoin mining capability but in the most recent results Iris said it was well positioned for "power dense computing" with 100% renewable energy. Roberts said it wasn't an either-or situation between bitcoin mining and AI.

"I think when you look at bitcoin versus AI, the market will just reach equilibrium based on the market-based demands for each product," he said... Holmes said Hive also saw the two industries operating in parallel. "We love the bitcoin mining business, but its revenue is rather unpredictable. GPU cloud services should complement it well," he said.
Thanks to long-time Slashdot reader mspohr for sharing the article.

In a change that reflects AI's growing influence -- and potentially disruptive power -- in Hollywood, Netflix added generative AI to the list of potential risk factors on its annual report filed with the SEC. From a report: In Netflix's 10-K report filed Friday, it added this new section to the long section of risk factors (which are required under SEC rules) in the section about video competition: "[N]ew technological developments, including the development and use of generative artificial intelligence, are rapidly evolving. If our competitors gain an advantage by using such technologies, our ability to compete effectively and our results of operations could be adversely impacted."

Netflix also added this wording: "In addition, the use or adoption of new and emerging technologies may increase our exposure to intellectual property claims, and the availability of copyright and other intellectual property protection for AI-generated material is uncertain." Aside from those two sections, the risk factors on Netflix's 10-K for 2023 -- totaling some 10,000 words -- remained largely the same. To be sure, the changes here are very small, in the grand scheme of things. And keep in mind that these are all the potential risk factors that companies like Netflix must communicate to investors.

Apple faces strong action if changes to its App Store do not meet incoming European Union regulations, the bloc's industry chief said on Friday. Reuters: In a move designed to comply with the EU's incoming Digital Markets Act (DMA), the company will soon allow software developers to distribute their apps to Apple devices via alternative stores. From early March, developers will be able to offer alternative app stores on iPhones and opt out of using Apple's in-app payment system, which charges commissions of up to 30%.

However, critics have said the changes do not go far enough, arguing Apple's fee structure remains unfair, and that the changes may be in violation of the DMA. Asked about Apple's plans, EU industry chief Thierry Breton exclusively told Reuters: "The DMA will open the gates of the internet to competition so that digital markets are fair and open. Change is already happening. As from 7 March we will assess companies' proposals, with the feedback of third parties." He added: "If the proposed solutions are not good enough, we will not hesitate to take strong action."

In response to new EU regulations, Apple on Thursday outlined plans to allow iOS developers to distribute apps outside the App Store starting in March, though developers must still submit apps for Apple's review and pay commissions. Now critics say the changes don't go far enough and Apple retains too much control.

Epic Games CEO Tim Sweeney: They are forcing developers to choose between App Store exclusivity and the store terms, which will be illegal under DMA (Digital Markets Act), or accept a new also-illegal anticompetitive scheme rife with new Junk Fees on downloads and new Apple taxes on payments they don't process. 37signals's David Heinemeier Hansson, who is also the creator of Ruby on Rails: Let's start with the extortion regime that'll befell any large developer who might be tempted to try hosting their app in one of these new alternative app stores that the EU forced Apple to allow. And let's take Meta as a good example. Their Instagram app alone is used by over 300 million people in Europe. Let's just say for easy math there's 250 million of those in the EU. In order to distribute Instagram on, say, a new Microsoft iOS App Store, Meta would have to pay Apple $11,277,174 PER MONTH(!!!) as a "Core Technology Fee." That's $135 MILLION DOLLARS per year. Just for the privilege of putting Instagram into a competing store. No fee if they stay in Apple's App Store exclusively.

Holy shakedown, batman! That might be the most blatant extortion attempt ever committed to public policy by any technology company ever. And Meta has many successful apps! WhatsApp is even more popular in Europe than Instagram, so that's another $135M+/year. Then they gotta pay for the Facebook app too. There's the Messenger app. You add a hundred million here and a hundred million there, and suddenly you're talking about real money! Even for a big corporation like Meta, it would be an insane expense to offer all their apps in these new alternative app stores.

Which, of course, is the entire point. Apple doesn't want Meta, or anyone, to actually use these alternative app stores. They want everything to stay exactly as it is, so they can continue with the rake undisturbed. This poison pill is therefore explicitly designed to ensure that no second-party app store ever takes off. Without any of the big apps, there will be no draw, and there'll be no stores. All of the EU's efforts to create competition in the digital markets will be for nothing. And Apple gets to send a clear signal: If you interrupt our tool-booth operation, we'll make you regret it, and we'll make you pay. Don't resist, just let it be. Let's hope the EU doesn't just let it be. Coalition of App Fairness, an industry body that represents over 70 firms including Tinder, Spotify, Proton, Tile, and News Media Europe: "Apple clearly has no intention to comply with the DMA. Apple is introducing new fees on direct downloads and payments they do nothing to process, which violates the law. This plan does not achieve the DMA's goal to increase competition and fairness in the digital market -- it is not fair, reasonable, nor non-discriminatory," said Rick VanMeter, Executive Director of the Coalition for App Fairness.

"Apple's proposal forces developers to choose between two anticompetitive and illegal options. Either stick with the terrible status quo or opt into a new convoluted set of terms that are bad for developers and consumers alike. This is yet another attempt to circumvent regulation, the likes of which we've seen in the United States, the Netherlands and South Korea. Apple's 'plan' is a shameless insult to the European Commission and the millions of European consumers they represent -- it must not stand and should be rejected by the Commission."

Starting today Apple is opening up its App Store to allow game streaming apps and services. From a report: This means that services like Xbox Cloud Streaming and GeForce Now, which previously were only accessible on iOS via a web browser, will be able to offer full-featured apps. "Developers can now submit a single app with the capability to stream all of the games offered in their catalog," Apple wrote in a blog post. These changes apply "worldwide," according to the company.

In 2020, Apple appeared to have carved out a space for these cloud gaming services in the App Store. But that turned out not to be the case, as all games available through each service had to be submitted and reviewed as a standalone app. So the shift to allow one app with a large catalog of games marks a major change. As part of today's announcement, Apple said that "each experience made available in an app on the App Store will be required to adhere to all App Store Review Guidelines and its host app will need to maintain an age rating of the highest age-rated content included in the app." Apple also says that developers will now "be able to provide enhanced discovery opportunities for streaming games, mini-apps, mini-games, chatbots, and plug-ins that are found within their apps," and that "mini-apps, mini-games, chatbots, and plug-ins will be able to incorporate Apple's In-App Purchase system to offer their users paid digital content or services for the first time, such as a subscription for an individual chatbot."

The iPhone's app ecosystem is about to go through its biggest shake-up since the App Store launched in 2008. Today, Apple announced how it plans to change the rules for developers releasing iOS software in the European Union in response to the bloc's Digital Markets Act (DMA) coming into force in March. The big news is that third-party app stores will be allowed on iOS for the first time, breaking the Apple App Store's position as the sole distributor of iPhone apps. The changes will arrive with iOS 17.4 in March. From a report: Here's how the new "alternative app marketplaces," as Apple called them, will work. Users in the EU and on iOS 17.4 will be able to download a marketplace from that marketplace's website. In order to be used on an iPhone, those marketplaces have to go through Apple's approval process, and once you download one, you have to explicitly give it permission to download apps to your device. But once the marketplace is approved and on your device, you can download anything you want -- including apps that violate App Store guidelines. You can even set a non-App Store marketplace as the default on your device.

Developers, meanwhile, can choose whether to use Apple's payment services and in-app purchases or integrate a third-party system for payments without paying an additional fee to Apple. If the developer wants to stick with Apple's existing in-app payment system, there's an additional 3 percent processing fee. Apple still plans to keep a close eye on the app distribution process. All apps must be "notarized" by Apple, and distribution through third-party marketplaces is still managed by Apple's systems. Developers will only be allowed to distribute a single version of their app across different app stores, and they'll still have to abide by some basic platform requirements, like getting scanned for malware. Apple says that anyone looking to develop an alternative app marketplace will have to provide evidence that it can financially "guarantee support for developers and customers." Apple wants "a stand-by letter of credit from an A-rated (or equivalent by S&P, Fitch, or Moody's) financial Institution of 1 million Euro prior to receiving the entitlement. It will need to be auto-renewed on a yearly basis."

Illegal subscription services that steal films or TV shows bring in $2 billion a year in ads and subscriber fees (non-paywalled link). From a report: Ever since taking on Netflix at its own game, old Hollywood has struggled to turn a profit in streaming, with the likes of Disney+, Peacock and Paramount+ losing billions of dollars each year, sparking concerns on Wall Street that the services will never be as profitable as cable once was. But the age of streaming has been a boon for some unintended winners: pirates that use software to rip a film or television show in seconds from legitimate online video platforms and host the titles on their own, illegitimate services, which rake in about $2 billion annually from ads and subscriptions.

With no video production costs, illicit streaming sites such as myflixer and projectfreetv have achieved profit margins approaching 90%, according to the Motion Picture Association, a trade group representing Hollywood studios that's working to crack down on the thousands of illegal platforms that have cropped up in recent years. Initially the rise of legitimate online businesses such as Netflix actually helped curb digital piracy, which had largely been based on file uploads. But now piracy involving illegal streaming services as well as file-sharing costs the US economy about $30 billion in lost revenue a year and some 250,000 jobs, estimates the US Chamber of Commerce's Global Innovation Policy Center. The global impact is about $71 billion annually.

In the US, which counts almost 130 subscription piracy sites, the MPA estimates that the top three combined have about 2 million users paying $5 to $10 per month for films, TV shows and live sports. Analysts say the user number could soar as the cost of subscriptions from legitimate companies such as Walt Disney approach $20 per month as they seek to bolster the finances of their streaming platforms. "Some of these pirate websites have gotten more daily visits than some of the top 10 legitimate sites," says Karyn Temple, the MPA's general counsel. "That really shows how prolific they are."

To comply with the EU's Digital Markets Act, Meta is rolling out changes to give users in Europe the ability to unlink their Facebook, Messenger and Instagram accounts. Neowin reports: One key choice users will have is how information is shared between Facebook and Instagram. Instagram and Facebook users will be able to choose whether or not they want information shared between the apps. Those who currently have connected Instagram and Facebook accounts can opt to keep sharing data between the apps or separate their accounts. Furthermore, Messenger is getting a standalone option. Users can continue using Messenger with their Facebook account or create a new account completely independent of Facebook. This new Messenger account will still offer core features like messaging, chat, and voice/video calls, but without Facebook.

For Facebook Marketplace, the options will be a personalized marketplace experience that taps into Facebook profiles or an anonymized experience where buyers and sellers only communicate via email instead of Messenger. For gamers, Meta offers a similar choice to Facebook Gaming. Users can keep their Facebook info linked for access to features like multiplayer, in-game purchases, and personalized recommendations. Alternatively, they can opt for a Facebook-free gaming experience. Finally, an option introduced in November 2023 remains relevant -- European users can choose to pay a subscription to Facebook and Instagram ad-free. It ensures that their information is not used for targeted advertising.

Jamie Bartlett, a technology columnist, argues that social media platforms constantly pressure users to share opinions on events they may not fully understand, contributing to an atmosphere of performative outrage and conformity rather than thoughtful discussion. However, he also acknowledges the counterpoint that silence in the face of injustice can enable harm. From the column: One of the trickier aspects of digital life is the constant pressure to opine. To have a strong opinion on a subject, and to share it with the world. It's literally baked into the design of the most popular platforms. [...] If I am honest, I know very little about most bad things going on in the world. Certainly not enough that sharing my view will inform or educate or enlighten. Yet whenever I see a news report, an urgent need rises up: what shall I say about this? I have a feeling about it -- which must be shared! (And ideally in emotionally charged language, since that will receive more interactions).

What's wrong with calling out the bad stuff going on? Nothing per se. And certainly not on an individual level. The problem is when people feel a soft and gentle pressure to denounce, to praise, to comment on things they don't feel they fully understand. Things they don't feel comfortable speaking about. Things that are contentious and difficult to discuss on heartless, unforgiving platforms where the wrong phrase or tone might land you in hot water. What social media has done is to make silence an active -- rather than the default -- choice. To speak publicly is now so easy that not doing it kind-of-implies you don't know or don't care about what's going on in the world. Who wants to look ignorant or indifferent? And besides, who doesn't want to appear kind or wise, or morally upstanding in front of others?

But the result is an undirected anger from all sides: frenetic, purposeless, habitual and above all moralising. There's nothing wrong with occasionally saying what you think and sometimes it's very important.

"Bell Labs, the historic headwaters of so many inventions that now define our digital age, is closing in Murray Hill," writes journalism professor Jeff Jarvis (in an op-ed for New Jersey's Star-Ledger newspaper).

"The Labs should be preserved as a historic site and more." I propose that Bell Labs be opened to the public as a museum and school of the internet.

The internet would not be possible without the technologies forged at Bell Labs: the transistor, the laser, information theory, Unix, communications satellites, fiber optics, advances in chip design, cellular phones, compression, microphones, talkies, the first digital art, and artificial intelligence — not to mention, of course, many advances in networks and the telephone, including the precursor to the device we all carry and communicate with today: the Picturephone, displayed as a futuristic fantasy at the 1964 World's Fair.

There is no museum of the internet. Silicon Valley has its Computer History Museum. New York has museums for television and the moving image. Massachusetts boasts a charming Museum of Printing. Search Google for a museum of the internet and you'll find amusing digital artifacts, but nowhere to immerse oneself in and study this immensely impactful institution in society.

Where better to house a museum devoted to the internet than New Jersey, home not only of Bell Labs but also at one time the headquarters of the communications empire, AT&T, our Ma Bell...? The old Bell Labs could be more than a museum, preserving and explaining the advances that led to the internet. It could be a school... Imagine if Bell Labs were a place where scholars and students in many disciplines — technologies, yes, but also anthropology, sociology, psychology, history, ethics, economics, community studies, design — could gather to teach and learn, discuss and research.
The text of Jarvis's piece is behind subscription walls, but has apparently been re-published on X by innovation theorist John Nosta.

In one of the most interesting passages, Jarvis remembers visiting Bell Labs in 1995. "The halls were haunted with genius: lab after lab with benches and blackboards and history within. We must not lose that history."

"Would you pay $15 a month so Android doesn't track you and send all of that data back to Google?" asks Stuff South Africa: A new Swiss-based privacy company thinks $15 is a fair fee for that peace of mind. "A person's data is the original digital currency," argues Apostrophy, which has created its own operating system, called Apostrophy OS.

It's based on Android — don't panic — but the version that has already been stripped of Google's intrusiveness by another privacy project called GrapheneOS, which used to be known as CopperheadOS. Launched in 2014, it which was briefly known as the Android Hardening project, before being rebranded as GrapheneOS in 2019. Apostrophy OS is "focused on empowering our users, not leveraging them," it says and is "purposely Swiss-based, so we can be champions of data sovereignty".

What it does, they say, is separate the apps from the underlying architecture of the operating system and therefore prevent apps from accessing miscellaneous personal data, especially the all-important location data so beloved of surveillance capitalism... Apostrophy OS has its own app store, but also cleverly allows users to access the Google Play Store. If you think that is defeating the point, Apostrophy argues that those apps can't get to the vitals of your digital life. Apostrophy OS has "partitioned segments prioritising application integrity and personal data privacy".
The service is free for one year with the purchase of the new MC02 phone from Swiss manufacturer Punkt, according to PC Magazine. "The phone costs $749 and is available for preorder now. It will ship at the end of January." Additional features include a built-in VPN called Digital Nomad based on the open-source Wireguard framework to secure your activity against outside snooping, which includes "exit addresses" in the US, Germany, and Japan with the base subscription.

An anonymous reader quotes a report from IEEE Spectrum: Researchers at Georgia Tech, in Atlanta, have developed what they are calling the world's first functioning graphene-based semiconductor. This breakthrough holds the promise to revolutionize the landscape of electronics, enabling faster traditional computers and offering a new material for future quantum computers. The research, published on January 3 in Nature and led by Walt de Heer, a professor of physics at Georgia Tech, focuses on leveraging epitaxial graphene, a crystal structure of carbon chemically bonded to silicon carbide (SiC). This novel semiconducting material, dubbed semiconducting epitaxial graphene (SEC) -- or alternatively, epigraphene -- boasts enhanced electron mobility compared with that of traditional silicon, allowing electrons to traverse with significantly less resistance. The outcome is transistors capable of operating at terahertz frequencies, offering speeds 10 times as fast as that of the silicon-based transistors used in current chips.

De Heer describes the method used as a modified version of an extremely simple technique that has been known for over 50 years. "When silicon carbide is heated to well over 1,000C, silicon evaporates from the surface, leaving a carbon-rich surface which then forms into graphene," says de Heer. This heating step is done with an argon quartz tube in which a stack of two SiC chips are placed in a graphite crucible, according to de Heer. Then a high-frequency current is run through a copper coil around the quartz tube, which heats the graphite crucible through induction. The process takes about an hour. De Heer added that the SEC produced this way is essentially charge neutral, and when exposed to air, it will spontaneously be doped by oxygen. This oxygen doping is easily removed by heating it at about 200C in vacuum. "The chips we use cost about [US] $10, the crucible about $1, and the quartz tube about $10," said de Heer. [...]

De Heer and his research team concede, however, that further exploration is needed to determine whether graphene-based semiconductors can surpass the current superconducting technology used in advanced quantum computers. The Georgia Tech team do not envision incorporating graphene-based semiconductors with standard silicon or compound semiconductor lines. Instead, they are aiming for a paradigm shift beyond silicon, utilizing silicon carbide. They are developing methods, such as coating SEC with boron nitride, to protect and enhance its compatibility with conventional semiconductor lines. Comparing their work with commercially available graphene field-effect transistors (GFETs), de Heer explains that there is a crucial difference: "Conventional GFETs do not use semiconducting graphene, making them unsuitable for digital electronics requiring a complete transistor shutdown." He says that the SEC developed by his team allows for a complete shutdown, meeting the stringent requirements of digital electronics. De Heer says that it will take time to develop this technology. "I compare this work to the Wright brothers' first 100-meter flight. It will mainly depend on how much work is done to develop it."

An anonymous reader shares a report: These cafes had all adopted similar aesthetics and offered similar menus, but they hadn't been forced to do so by a corporate parent, the way a chain like Starbucks replicated itself. Instead, despite their vast geographical separation and total independence from each other, the cafes had all drifted toward the same end point. The sheer expanse of sameness was too shocking and new to be boring. Of course, there have been examples of such cultural globalisation going back as far as recorded civilisation. But the 21st-century generic cafes were remarkable in the specificity of their matching details, as well as the sense that each had emerged organically from its location. They were proud local efforts that were often described as "authentic," an adjective that I was also guilty of overusing. When travelling, I always wanted to find somewhere "authentic" to have a drink or eat a meal.

If these places were all so similar, though, what were they authentic to, exactly? What I concluded was that they were all authentically connected to the new network of digital geography, wired together in real time by social networks. They were authentic to the internet, particularly the 2010s internet of algorithmic feeds. In 2016, I wrote an essay titled Welcome to AirSpace, describing my first impressions of this phenomenon of sameness. "AirSpace" was my coinage for the strangely frictionless geography created by digital platforms, in which you could move between places without straying beyond the boundaries of an app, or leaving the bubble of the generic aesthetic. The word was partly a riff on Airbnb, but it was also inspired by the sense of vaporousness and unreality that these places gave me. They seemed so disconnected from geography that they could float away and land anywhere else. When you were in one, you could be anywhere.

My theory was that all the physical places interconnected by apps had a way of resembling one another. In the case of the cafes, the growth of Instagram gave international cafe owners and baristas a way to follow one another in real time and gradually, via algorithmic recommendations, begin consuming the same kinds of content. One cafe owner's personal taste would drift toward what the rest of them liked, too, eventually coalescing. On the customer side, Yelp, Foursquare and Google Maps drove people like me -- who could also follow the popular coffee aesthetics on Instagram -- toward cafes that conformed with what they wanted to see by putting them at the top of searches or highlighting them on a map. To court the large demographic of customers moulded by the internet, more cafes adopted the aesthetics that already dominated on the platforms. Adapting to the norm wasn't just following trends but making a business decision, one that the consumers rewarded. When a cafe was visually pleasing enough, customers felt encouraged to post it on their own Instagram in turn as a lifestyle brag, which provided free social media advertising and attracted new customers. Thus the cycle of aesthetic optimisation and homogenisation continued.

A resident in Virginia has urged the Federal Communications Commission to reconsider canceling $886 million in federal funding for SpaceX's Starlink system. But rival satellite company Viasat has gone out of its way to oppose the citizen-led petition.ÂPCMag: On Jan. 1, the FCC received a petition from the Virginia resident Greg Weisiger asking the commission to reconsider denying the $886 million to SpaceX. "Petitioner is at an absolute loss to understand the Commission's logic with these denials," wrote Weisiger, who lives in Midlothian, Virginia. "It is abundantly clear that Starlink has a robust, reliable, affordable service for rural and insular locations in all states and territories."

The petition arrived a few weeks after the FCC denied SpaceX's appeal to receive $886 million from the commission's Rural Digital Opportunity Fund, which is designed to subsidize 100Mbps to gigabit broadband across the US. SpaceX wanted to use the funds to expand Starlink access in rural areas. But the FCC ruled that "Starlink is not reasonably capable of offering the required high-speed, low latency service throughout the areas where it won auction support." Weisiger disagrees. In his petition, he writes that the FCC's decision will deprive him of federal support to bring high-speed internet to his home. "Thousands of other Virginia locations were similarly denied support," he added.

An anonymous reader quotes a report from Ars Technica: On Thursday, UK's Government Communications Headquarters (GCHQ) announced the release of previously unseen images and documents related to Colossus, one of the first digital computers. The release marks the 80th anniversary of the code-breaking machines that significantly aided the Allied forces during World War II. While some in the public knew of the computers earlier (PDF), the UK did not formally acknowledge the project's existence until the 2000s.

Colossus was not one computer but a series of computers developed by British scientists between 1943 and 1945. These 2-meter-tall electronic beasts played an instrumental role in breaking the Lorenz cipher, a code used for communications between high-ranking German officials in occupied Europe. The computers were said to have allowed allies to "read Hitler's mind," according to The Sydney Morning Herald. The technology behind Colossus was highly innovative for its time. Tommy Flowers, the engineer behind its construction, used over 2,500 vacuum tubes to create logic gates, a precursor to the semiconductor-based electronic circuits found in modern computers. While 1945's ENIAC was long considered the clear front-runner in digital computing, the revelation of Colossus' earlier existence repositioned it in computing history. (However, it's important to note that ENIAC was a general-purpose computer, and Colossus was not.)

GCHQ's public sharing of archival documents includes several photos of the computer at different periods and a letter discussing Tommy Flowers' groundbreaking work that references the interception of "rather alarming German instructions." Following the war, the UK government issued orders for the destruction of most Colossus machines, and Flowers was required to turn over all related documentation. The GCHQ claims that the Colossus tech "was so effective, its functionality was still in use by us until the early 1960s." In the GCHQ press release, Director Anne Keast-Butler paid tribute to Colossus' place in the UK's lineage of technological innovation: "The creativity, ingenuity and dedication shown by Tommy Flowers and his team to keep the country safe were as crucial to GCHQ then as today."