The Cleveland Review of Books ponders a new 697-page hardcover collection of American poet/author Kevin Killian's.... reviews from Amazon. (Over 2,000 of 'em — written over the course of 16 years.)
In 2012, he wrote three substantial paragraphs about the culinary perfection that can be found in a German Potato Salad Can (15 oz., Pack of 12). Often, he'd open with something like "as an American boy growing up in rural France." Killian grew up on Long Island, New York. He didn't take himself (or much else) too seriously....

[Killian] was also a member of the New Narrative Movement... Writers acknowledge the subjectivity of, and the author's active presence in, the text... Amazon reviews are a near-perfect vehicle for New Narrative's tenets... Killian camouflaged his reviews in the cadence of the Amazon everyman. He embraced all the stylistic quirks, choppy sentence fragments and run-ons, either darting from point to point like a distracted squirrel or leaning heavily into declarative statements.... About the biographer of Elia Kazan, he tells us, "Schickel is in love with the sound of his voice, and somewhere in the shredded coleslaw of his prose, a decent book lies unavailable to us, about the real Elia Kazan...."

[T]he writing can move from very funny to strangely poignant. One of my favorites, his review of MacKenzie Smelling Salts, begins with a tragically tongue-in-cheek anecdote about his Irish grandfather:

"My Irish grandfather used to keep a bottle of MacKenzie's smelling salts next to his desk. He was the principal at Bushwick High School (in Brooklyn, NY) in the 1930s and 1940s, before it became a dangerous place to live in, and way before Bushwick regained its current state of desirable area for new gentrification. And he kept one at home as well, in case of a sudden shock. At school, he would press the saturated cotton under the nostrils of poor girls who realized they were pregnant in health class, before he expelled them."

He ends with his own reasons for using smelling salts, citing wildly diverging examples: his grief upon learning of the death of Paul Walker from the Fast & Furious film franchise abuts Killian's disappointment at not being selected for the 2014 Whitney Biennial. Apparently, both were deeply traumatic experiences for Kevin... ["it took my wife a minute or two to locate the MacKenzie's, but passing it under my nose, as though she were my grandfather ministering to the pregnant girls of yore..."]

No one wants to be forgotten. I do not think it's a coincidence Killian started writing the reviews after his heart attack. Why did he keep going? Most likely, it was because he enjoyed the writing and got something out of it — pleasure, practice, and a bit of notoriety. But mainly, I think the project grew out of habit and compulsion. In a similar way, the graffiti art of Keith Haring, Jean-Paul Basquiat, and Banksy began in subway tunnels, one tag and mural at a time, until it grew into bodies of work collected and coveted by museums worldwide. In Killian's case, the global commerce platform was his ugly brick wall, his subway platform, and his train car. Coming away, I like to imagine him gleefully typing, manipulating the Amazon review forums into something that had little to do with the consumerism they had been created to support: Killian tagging a digital wall to remind everyone KEVIN WAS HERE.
The book reviewer points out that the collection's final review, for the memoir Never Mind the Moon: My Time at the Royal Opera House, is dated a month before Killian died.

"Unfortunately, the editors of this volume did not preserve the Helpful/Not Helpful ratings, only the stars."

Putting it all in perspective, the book critic notes that "In 2023, Amazon reported that one hundred million customers submitted one or more product reviews to the site. The content of most is dross, median." Though the critic then also acknowledges that "I haven't read any of Killian's other work."

Nicholas Carr wrote The Shallows: What the Internet Is Doing to Our Brains. But his new book looks at how social media and digital communication technologies "are changing us individually and collectively," writes the Los Angeles Review of Books.

The book's title? Superbloom: How Technologies of Connection Tear Us Apart . But if these systems are indeed tearing us apart, the reasons are neither obvious nor simple. Carr suggests that this isn't really about the evil behavior of our tech overlords but about how we have "been telling ourselves lies about communication — and about ourselves.... Well before the net came along," says Carr, "[the] evidence was telling us that flooding the public square with more information from more sources was not going to open people's minds or engender more thoughtful discussions. It wasn't even going to make people better informed...."

At root, we're the problem. Our minds don't simply distill useful knowledge from a mass of raw data. They use shortcuts, rules of thumb, heuristic hacks — which is how we were able to think fast enough to survive on the savage savanna. We pay heed, for example, to what we experience most often. "Repetition is, in the human mind, a proxy for facticity," says Carr. "What's true is what comes out of the machine most often...." Reality can't compete with the internet's steady diet of novelty and shallow, ephemeral rewards. The ease of the user interface, congenial even to babies, creates no opportunity for what writer Antón Barba-Kay calls "disciplined acculturation."

Not only are these technologies designed to leverage our foibles, but we are also changed by them, as Carr points out: "We adapt to technology's contours as we adapt to the land's and the climate's." As a result, by designing technology, we redesign ourselves. "In engineering what we pay attention to, [social media] engineers [...] how we talk, how we see other people, how we experience the world," Carr writes. We become dislocated, abstracted: the self must itself be curated in memeable form. "Looking at screens made me think in screens," writes poet Annelyse Gelman. "Looking at pixels made me think in pixels...."

That's not to say that we can't have better laws and regulations, checks and balances. One suggestion is to restore friction into these systems. One might, for instance, make it harder to unreflectively spread lies by imposing small transactional costs, as has been proposed to ease the pathologies of automated market trading. An option Carr doesn't mention is to require companies to perform safety studies on their products, as we demand of pharmaceutical companies. Such measures have already been proposed for AI. But Carr doubts that increasing friction will make much difference. And placing more controls on social media platforms raises free speech concerns... We can't change or constrain the tech, says Carr, but we can change ourselves. We can choose to reject the hyperreal for the material. We can follow Samuel Johnson's refutation of immaterialism by "kicking the stone," reminding ourselves of what is real.

Bloomberg reports that Apple's long-promised overhaul for Siri "is facing engineering problems and software bugs, threatening to postpone or limit its release, according to people with knowledge of the matter...." Last June, Apple touted three major enhancements coming to Siri:

- the ability to tap into a customer's data to better answer queries and take actions.
- a new system that would let the assistant more precisely control apps.
- the capability to see what's currently on a device's screen and use that context to better serve users....

The goal is to ultimately offer a more versatile Siri that can seamlessly tap into customers' information and communication. For instance, users will be able to ask for a file or song that they discussed with a friend over text. Siri would then automatically retrieve that item. Apple also has demonstrated the ability for Siri to quickly locate someone's driver's license number by reviewing their photos... Inside Apple, many employees testing the new Siri have found that these features don't yet work consistently...

The control enhancements — an upgraded version of something called App Intents — are central to the operation of the company's upcoming smart home hub. That product, an AI device for controlling smart home appliances and FaceTime, is slated for release later this year.
And Amazon is also struggling with an AI upgrade for its digital assistant, reports the Washington Post: The "smarter and more conversational" version of Alexa will not be available until March 31 or later, the employee said, at least a year and a half after it was initially announced in response to competition from OpenAI's ChatGPT. Internal messages seen by The Post confirmed the launch was originally scheduled for this month but was subsequently moved to the end of March... According to internal documents seen by The Post, new features of the subscriber-only, AI-powered Alexa could include the ability to adopt a personality, recall conversations, order takeout or call a taxi. Some of the new Alexa features are similar to Alexa abilities that were previously available free through partnerships with companies like Grubhub and Uber...

The AI-enhanced version of Alexa in development has been repeatedly delayed due to problems with incorrect answers, the employee working on the launch told The Post. As a popular product that is a decade old, the Alexa brand is valuable, and the company is hesitant to risk customer trust by launching a product that is not reliable, the person said.

An anonymous reader shared this report from the Guardian: Thousands of artists are urging the auction house Christie's to cancel a sale of art created with artificial intelligence, claiming the technology behind the works is committing "mass theft". The Augmented Intelligence auction has been described by Christie's as the first AI-dedicated sale by a major auctioneer and features 20 lots with prices ranging from $10,000 to $250,000...

The British composer Ed Newton-Rex, a key figure in the campaign by creative professionals for protection of their work and a signatory to the letter, said at least nine of the works appearing in the auction appeared to have used models trained on artists' work. However, other pieces in the auction do not appear to have used such models.

A spokesperson for Christie's said that "in most cases" the AI used to create art in the auction had been trained on the artists' "own inputs".
More than 6,000 people have now signed the letter, which states point-blank that "Many of the artworks you plan to auction were created using AI models that are known to be trained on copyrighted work without a license." These models, and the companies behind them, exploit human artists, using their work without permission or payment to build commercial AI products that compete with them. Your support of these models, and the people who use them, rewards and further incentivizes AI companies' mass theft of human artists' work. We ask that, if you have any respect for human artists, you cancel the auction.
Last week ARTnews spoke to Nicole Sales Giles, Christie's vice-president and director of digital art sales (before the open letter was published). And Giles insisted one of the major themes of the auction is "that AI is not a replacement for human creativity." "You can see a lot of human agency in all of these works," Giles said. "In every single work, you're seeing a collaboration between an AI model, a robot, or however the artist has chosen to incorporate AI. It is showing how AI is enhancing creativity and not becoming a substitute for it."

One of the auction's headline lots is a 12-foot-tall robot made by Matr Labs that is guided by artist Alexander Reben's AI model. It will paint a new section of a canvas live during the sale every time the work receives a bid. Reben told ARTnews that he understands the frustrations of artists regarding the AI debate, but he sees "AI as an incredible tool... AI models which are trained on public data are done so under the idea of 'fair use,' just as search engines once faced scrutiny for organizing book data (which was ultimately found to fall under fair use)," he said.... "AI expands creative potential, offering new ways to explore, remix, and evolve artistic expression rather than replace it. The future of art isn't about AI versus artists — it's about how artists wield AI to push boundaries in ways we've never imagined before...."

Digital artist Jack Butcher has used the open letter to create a minted digital artwork called Undersigned Artists. On X he wrote that the work "takes a collective act of dissent — an appeal to halt an AI art auction — and turns it into the very thing it resists: a minted piece of digital art. The letter, originally a condemnation of AI-generated works trained on unlicensed human labor, now becomes part of the system it critiques."

Christie's will accept cryptocurrency payments for the majority of lots in the sale.

Western Digital plans to introduce its first heat-assisted magnetic recording (HAMR) drives in late 2026, with 36TB conventional magnetic recording (CMR) and 44TB shingled UltraSMR variants. Volume production won't begin until the first half of 2027, following qualification by cloud data center providers in late 2026.

The company projects that HAMR technology, combined with OptiNAND, increased platter count, and mechanical improvements, will enable drives reaching 80TB CMR and 100TB UltraSMR capacities around 2030 -- a departure from Western Digital's previous commitment to microwave-assisted magnetic recording (MAMR) in 2017, which evolved into the energy-assisted perpendicular magnetic recording (ePMR) technology used in current drives.

An anonymous reader shares a report: How many YouTube videos are there? What are they about? What languages do YouTubers speak? As of 14 February 2025, the platform's will have been running for 20 years. That is a lot of video. Yet we have no idea just how many there really are. Google knows the answers. It just won't tell you.

Experts say that's a problem. For all practical purposes, one of the most powerful communication systems ever created -- a tool that provides a third of the world's population with information and ideas -- is operating in the dark. In part that's because there's no easy way to get a random sampling of videos, according to Ethan Zuckerman, director of the Initiative for Digital Public Infrastructure at the University of Massachusetts at Amherst in the US. You can pick your videos manually or go with the algorithm's recommendations, but an unbiased selection that's worthy of real study is hard to come by.

A few years ago, however, Zuckerman and his team of researchers came up with a solution: they designed a computer program that pulls up YouTube videos at random, trying billions of URLs at a time. You might call the tool a bot, but that's probably over selling it, Zuckerman says. "A more technically accurate term would be 'scraper'," he says. The scraper's findings are giving us a first-time perspective on what's actually happening on YouTube.

[...] The first question was simple. How many videos have people uploaded to YouTube? [...] Zuckerman and his colleagues compared the number of videos they found to the number of guesses it took, and arrived an estimate: in 2022, they calculated that YouTube housed more than nine billion videos. By mid 2024, that number had grown to 14.8 billion videos, a 60% jump.

Longtime Slashdot reader JoeRobe writes: Scientists associated with the Kilometer Cube Neutrino Telescope, or KM3NeT, have reported detection of an ultra-high energy neutrino deep in the Mediterranean sea. The neutrino reportedly had an energy of 120 million billion electron volts (1.2x10^17 eV, or 120 PeV). This is similar to the energy of ping-pong ball traveling ~5 m/s, but all that energy was packed into a single subatomic particle. According to the New York Times, "Here, squeezed into one of the tiniest flecks of matter in our universe, that energy amounted to tens of thousands of times more than what can be achieved by the world's premier particle accelerator, the Large Hadron Collider at CERN."

According to the authors of the Nature paper, the direction of the neutrino "is compatible with the extension of the galactic interstellar medium," but they did not find any catalogued source that would produce such a high energy neutrino, within the Milky Way or from about 40 other galaxies that could be candidates.

Phys.org describes the impressive scale of the KM3NeT detector array: "It is located at 3,450 m depth, about 80 km from the coast of Portopalo di Capo Passero, Sicily. Its 700 m high detection units (DUs) are anchored to the seabed and positioned about 100 m apart. Every DU is equipped with 18 Digital Optical Modules (DOM) each containing 31 photomultipliers (PMTs). In its final configuration, ARCA will comprise 230 DUs. The data collected are transmitted via a submarine cable to the shore station at the INFN Laboratori Nazionali del Sud. The KM3NeT/ORCA (Oscillation Research with Cosmics in the Abyss) detector is optimized to study the fundamental properties of the neutrino itself. It is located at a depth of 2,450 m, about 40 km from the coast of Toulon, France. It will comprise 115 DUs, each 200 m high and spaced by 20 m. The data collected by ORCA are sent to the shore station at La Seyne Sur Mer." "This ultra-high energy neutrino may originate directly from a powerful cosmic accelerator," surmises Phys.org. "Alternatively, it could be the first detection of a cosmogenic neutrino. However, based on this single neutrino it is difficult to conclude its origin."

Oracle co-founder and chairman Larry Ellison said governments should consolidate all national data for consumption by AI models, calling this step the "missing link" for them to take full advantage of the technology. From a report: Fragmented sets of data about a population's health, agriculture, infrastructure, procurement and borders should be unified into a single, secure database that can be accessed by AI models, Ellison said in an on-stage interview with former British Prime Minister Tony Blair at the World Government Summit in Dubai.

Countries with rich population data sets, such as the UK and United Arab Emirates, could cut costs and improve public services, particularly health care, with this approach, Ellison said. Upgrading government digital infrastructure could also help identify wastage and fraud, Ellison said. IT systems used by the US government are so primitive that it makes it difficult to identify "vast amounts of fraud," he added, pointing to efforts by Elon Musk's team at the Department of Government Efficiency to weed it out.

An anonymous reader quotes a report from Wired: Thomson Reuters has won the first major AI copyright case in the United States. In 2020, the media and technology conglomerate filed an unprecedentedAI copyright lawsuit against the legal AI startup Ross Intelligence. In the complaint, Thomson Reuters claimed the AI firm reproduced materials from its legal research firm Westlaw. Today, a judge ruled (PDF) in Thomson Reuters' favor, finding that the company's copyright was indeed infringed by Ross Intelligence's actions. "None of Ross's possible defenses holds water. I reject them all," wrote US District Court of Delaware judge Stephanos Bibas, in a summary judgement. [...] Notably, Judge Bibas ruled in Thomson Reuters' favor on the question of fair use.

The fair use doctrine is a key component of how AI companies are seeking to defend themselves against claims that they used copyrighted materials illegally. The idea underpinning fair use is that sometimes it's legally permissible to use copyrighted works without permission -- for example, to create parody works, or in noncommercial research or news production. When determining whether fair use applies, courts use a four-factor test, looking at the reason behind the work, the nature of the work (whether it's poetry, nonfiction, private letters, et cetera), the amount of copyrighted work used, and how the use impacts the market value of the original. Thomson Reuters prevailed on two of the four factors, but Bibas described the fourth as the most important, and ruled that Ross "meant to compete with Westlaw by developing a market substitute." "If this decision is followed elsewhere, it's really bad for the generative AI companies," says James Grimmelmann, Cornell University professor of digital and internet law.

Chris Mammen, a partner at Womble Bond Dickinson who focuses on intellectual property law, adds: "It puts a finger on the scale towards holding that fair use doesn't apply."

They publish 77 newspapers in 26 U.S. states, according to Wikipedia. But this week a "cybersecurity event" at the newspapers' parent company "disrupted systems and networks," according to an article at one of their news sites which quotes an email sent to employees by the publishing company's CEO. "We have notified law enforcement of the situation."

And the company "has not released print or e-editions in most markets this week," according to the Augusta Free Press, "originally telling subscribers the outage was due to a server issue," The CEO said the company is also working to identify "additional steps we can take to help prevent something like this from happening again." The computer server appears to have compromised [last] Monday morning. No timeline has been announced for when news operations will return to normal publication schedules. According to a report in The News Virginian and published on the websites of the affected papers nationwide, the company is now producing, printing and delivering back issues, indicating at least some progress on printing and layout front...

Unfortunately, the cybersecurity attack on its server wasn't the only bad news for Lee Enterprises this week... In addition to the estimated $16.7 million the enterprise reported it lost in the last quarter, it has also gutted the staff of its newspapers as it appears to shift its focus toward more successful digital operations.

After finalizing loan terms with the IMF, El Salvador's Legislative Assembly approved changes to the country's Bitcoin Law last week by a 55-2 vote, "effectively removing bitcoin's status as legal currency," reports Reason. Under the new rules, bitcoin is no longer considered "currency," though it remains "legal tender." Another change makes using bitcoin entirely voluntary. (Previously, the law mandated that businesses accept bitcoin for any goods or services they provided.) Additionally, bitcoin can no longer be used to pay taxes or settle government debts. The government is also stepping back from its involvement in Chivo Wallet, the state-backed digital wallet...

The reforms come as part of a broader financial agreement between Bukele and the International Monetary Fund (IMF). One of the conditions for a proposed $1.4 billion Extended Fund Facility loan was that El Salvador mitigate "potential risks of the Bitcoin project." The IMF has been critical of the country's crypto policies since Bukele made bitcoin legal tender in 2021. "There are large risks associated with using Bitcoin as legal tender, especially given the high volatility of its price. We don't recommend it," the organization said in 2022.

Despite these changes, the administration insists it remains committed to bitcoin. Milena Mayorga, El Salvador's ambassador to the United States, has said that El Salvador is still a "bitcoin country" and will maintain — and even expand — its bitcoin reserves. "You have to adapt to the current situation and this is the decision that was taken in the Assembly, but that does not mean that the country will stop having a bitcoin reserve," she explained.
Government data suggests El Salvador now holds 6,072 Bitcoin worth $586,888,000.

An anonymous reader shares a report: India's central bank is introducing an exclusive ".bank.in" domain for banks from April 2025 as part of efforts to combat rising digital payment frauds and bolster trust in online banking services.

[...] The central bank plans to roll out a separate 'fin.in' domain for non-bank financial institutions. "Increased instances of fraud in digital payments are a significant concern," said RBI Governor Sanjay Malhotra, adding that the new domain system aims to reduce cyber security threats and malicious activities like phishing.

NASA is planning to host a live Twitch stream next week from the International Space Station (ISS). "The stream, which takes place on February 12th at 11:45AM ET on NASA's Twitch channel, will feature Don Pettit, an astronaut currently on the ISS, and Matt Dominick, who returned to Earth from the ISS in October," reports The Verge. From the report: The astronauts will discuss "daily life aboard the space station and the research conducted in microgravity" and viewers will be able to ask them questions, according to a blog post.

"This Twitch event from space is the first of many," Brittany Brown, director of the Office of Communications Digital and Technology Division at NASA Headquarters in Washington, says in the post. "We spoke with digital creators at TwitchCon about their desire for streams designed with their communities in mind, and we listened. In addition to our spacewalks, launches, and landings, we'll host more Twitch-exclusive streams like this one."

The Senate Commerce Committee approved the Kids Off Social Media Act, banning children under 13 from social media and requiring federally funded schools to restrict access on networks and devices. Politico reports: The panel approved the Kids Off Social Media Act -- sponsored by the panel's chair, Texas Republican Ted Cruz, and a senior Democrat on the panel, Hawaii's Brian Schatz -- by voice vote, clearing the way for consideration by the full Senate. Only Ed Markey (D-Mass.) asked to be recorded as a no on the bill. "When you've got Ted Cruz and myself in agreement on something, you've pretty much captured the ideological spectrum of the whole Congress," Sen. Schatz told POLITICO's Gabby Miller.

[...] "KOSMA comes from very good intentions of lawmakers, and establishing national screen time standards for schools is sensible. However, the bill's in-effect requirements on access to protected information jeopardize all Americans' digital privacy and endanger free speech online," said Amy Bos, NetChoice director of state and federal affairs. The trade association represents big tech firms including Meta and Google. Netchoice has been aggressive in combating social media legislation by arguing that these laws illegally restrict -- and in some cases compel -- speech. [...] A Commerce Committee aide told POLITICO that because social media platforms already voluntarily require users to be at least 13 years old, the bill does not restrict speech currently available to kids.

Warner Bros. Discovery has quietly begun releasing dozens of its older films for free on YouTube, marking an unexpected shift in how the major studio handles its back catalog. Over the past month, the company has uploaded more than 30 full-length movies across five YouTube channels, without digital rights management or regional restrictions.

The collection includes both critically acclaimed films like "Waiting for Guffman" and "Michael Collins," as well as commercial disappointments like the 2002 Eddie Murphy film "The Adventures of Pluto Nash." Some releases have significant historical value, such as "Oh, God!" - a 1977 George Burns comedy that earned $51 million at release (equivalent to $265 million in 2024). This move represents a departure from traditional studio practices of protecting content through strict digital rights management and paid streaming services. Warner Bros. owns multiple distribution channels, including the Max streaming service and Turner Classic Movies, which makes the decision to release these films freely on YouTube particularly notable.

Disney+ lost 700,000 subscribers in the last quarter of 2024, largely due to price hikes and expiring promotions. Despite the decline, Disney's overall streaming business remained profitable, boosted by strong box office results from Moana 2 and Hulu's 1.6 million added subscribers. IndieWire reports: Not counting Disney+ Hotstar, the cheap Disney+ service in India, Disney+ now has 124.6 million subs. ESPN+ also lost 700,000 subs in the period. Hulu was the streaming highlight, adding 1.6 million subscribers; it now has 53.6 million. All told, the company's streaming business was profitable for its third-straight quarter. So it wasn't all bad -- or unexpected. "Our results this quarter demonstrate Disney's creative and financial strength as we advanced the strategic initiatives set in motion over the past two years," said Disney CEO Bob Iger. "In fiscal Q1 we saw outstanding box office performance from our studios, which had the top three movies of 2024; we further improved the profitability of our Entertainment DTC streaming businesses; we took an important step to advance ESPN's digital strategy by adding an ESPN tile on Disney+; and our Experiences segment demonstrated its enduring appeal as we continue investing strategically across the globe. Overall, this quarter proved to be a strong start to the fiscal year, and we remain confident in our strategy for continued growth."

Scientists have demonstrated control over a newly theorized type of magnetism, known as altermagnetism, by manipulating nanoscale magnetic whirlpools in an ultra-thin wafer of manganese telluride. "Our experimental work has provided a bridge between theoretical concepts and real-life realization, which hopefully illuminates a path to developing altermagnetic materials for practical applications," says University of Nottingham physicist Oliver Amin, who led the research with PhD student Alfred Dal Din. From the report: Using a device that accelerates electrons to blinding speeds, a team led by researchers from the University of Nottingham showered an ultra-thin wafer of manganese telluride with X-rays of different polarizations, revealing changes on a nanometer scale reflecting magnetic activity unlike anything seen before. [...] More recently, a third configuration of particles in ferromagnetic materials was theorized.

In what's referred to as altermagnetism, particles are arranged in a canceling fashion like antiferromagnetism, yet rotated just enough to allow for confined forces on a nanoscale -- not enough to pin a grocery list to your freezer, but with discrete properties that engineers are keen to manipulate into storing data or channeling energy. "Altermagnets consist of magnetic moments that point antiparallel to their neighbors," explains University of Nottingham physicist Peter Wadley. "However, each part of the crystal hosting these tiny moments is rotated with respect to its neighbors. This is like antiferromagnetism with a twist! But this subtle difference has huge ramifications."

Experiments have since confirmed the existence of this in-between 'alter' magnetism. However, none had directly demonstrated it was possible to manipulate its tiny magnetic vortices in ways that might prove useful. Wadley and his colleagues demonstrated that a sheet of manganese telluride just a few nanometers thick could be distorted in ways that intentionally created distinct magnetic whirlpools on the wafer's surface. "Our experimental work has provided a bridge between theoretical concepts and real-life realization, which hopefully illuminates a path to developing altermagnetic materials for practical applications," says University of Nottingham physicist Oliver Amin. This research was published in the journal Nature.

An anonymous reader writes: Low quality books that appear to be AI generated are making their way into public libraries via their digital catalogs, forcing librarians who are already understaffed to either sort through a functionally infinite number of books to determine what is written by humans and what is generated by AI, or to spend taxpayer dollars to provide patrons with information they don't realize is AI-generated.

Public libraries primarily use two companies to manage and lend ebooks: Hoopla and OverDrive, the latter of which people may know from its borrowing app, Libby. Both companies have a variety of payment options for libraries, but generally libraries get access to the companies' catalog of books and pay for customers to be able to borrow that book, with different books having different licenses and prices. A key difference is that with OverDrive, librarians can pick and choose which books in OverDrive's catalog they want to give their customers the option of borrowing. With Hoopla, librarians have to opt into Hoopla's entire catalog, then pay for whatever their customers choose to borrow from that catalog. The only way librarians can limit what Hoopla books their customers can borrow is by setting a limit on the price of books. For example, a library can use Hoopla but make it so their customers can only borrow books that cost the library $5 per use.

On one hand, Hoopla's gigantic catalog, which includes ebooks, audio books, and movies, is a selling point because it gives librarians access to more for cheaper price. On the other hand, making librarians buy into the entire catalog means that a customer looking for a book about how to diet for a healthier liver might end up borrowing Fatty Liver Diet Cookbook: 2000 Days of Simple and Flavorful Recipes for a Revitalized Liver. The book was authored by Magda Tangy, who has no online footprint, and who has an AI-generated profile picture on Amazon, where her books are also for sale. Note the earring that is only on one ear and seems slightly deformed. A spokesperson for deepfake detection company Reality Defender said that according to their platform, the headshot is 85 percent likely to be AI-generated. [...] It is impossible to say exactly how many AI-generated books are included in Hoopla's catalog, but books that appeared to be AI-generated were not hard to find for most of the search terms I tried on the platform. "This type of low quality, AI generated content, is what we at 404 Media and others have come to call AI slop," writes Emanuel Maiberg. "Librarians, whose job it is in part to curate what books their community can access, have been dealing with similar problems in the publishing industry for years, and have a different name for it: vendor slurry."

"None of the librarians I talked to suggested the AI-generated content needed to be banned from Hoopla and libraries only because it is AI-generated. It might have its place, but it needs to be clearly labeled, and more importantly, provide borrowers with quality information."

Sarah Lamdan, deputy director of the American Library Association, told 404 Media: "Platforms like Hoopla should offer libraries the option to select or omit materials, including AI materials, in their collections. AI books should be well-identified in library catalogs, so it is clear to readers that the books were not written by human authors. If library visitors choose to read AI eBooks, they should do so with the knowledge that the books are AI-generated."

Cloudflare, a major web infrastructure company, will now track and verify the authenticity of images across its network through Content Credentials, a digital signature system that documents an image's origin and editing history. The technology, developed by Adobe's Content Authenticity Initiative, embeds metadata showing who created an image, when it was taken, and any subsequent modifications - including those made by AI tools.

Major news organizations including the BBC, Wall Street Journal and New York Times have already adopted the system. The feature is available immediately through a single toggle in Cloudflare Images settings. Users can verify an image's authenticity through Adobe's web tool or Chrome extension.

U.S. Representative Zoe Lofgren has introduced a bill that would allow courts to block access to foreign websites primarily engaged in copyright infringement. The Foreign Anti-Digital Piracy Act would enable rightsholders to obtain injunctions requiring large Internet service providers and DNS resolvers to block access to pirate sites.

The bill marks a shift from previous site-blocking proposals, notably including DNS providers like Google and Cloudflare with annual revenues above $100 million. Motion Picture Association CEO Charles Rivkin backed the measure, while consumer group Public Knowledge criticized it as "censorious." The legislation requires court review and due process before any blocking orders can be issued. Sites would have 30 days to contest preliminary orders.