Why Hollywood Fudged the Relativity-Based Wormhole Scenes In Interstellar 133
KentuckyFC writes: When Christopher Nolan teamed up with physicist Kip Thorne of Caltech to discuss the science behind his movie Interstellar, the idea was that Thorne would bring some much-needed scientific gravitas to the all-important scenes involving travel through a wormhole. Indeed, Thorne used the equations of general relativity to calculate the various possible shapes of wormhole and how they would distort the view through it. A London-based special effects team then created footage of a far away galaxy as seen through such a wormhole. It showed the galaxy fantastically distorted as a result, just as relativity predicts. But when it came to travelling through a wormhole, Nolan was disappointed with the footage.
The problem was that the view of the other side when travelling through a wormhole turns out to be visually indistinguishable from a conventional camera zoom and utterly unlike the impression Nolan wanted to portray, which was the sense of travelling through a shortcut from one part of the universe to another. So for the final cut, special effects artists had to add various animations to convey that impression. "The end result was a sequence of shots that told a story comprehensible by a general audience while resembling the wormhole's interior," admit Thorne and colleagues in a paper they have published about wormhole science in the film. In other words, they had to fudge it. Nevertheless, Thorne is adamant that the visualisations should help to inspire a new generation of students of film-making and of relativity.
The problem was that the view of the other side when travelling through a wormhole turns out to be visually indistinguishable from a conventional camera zoom and utterly unlike the impression Nolan wanted to portray, which was the sense of travelling through a shortcut from one part of the universe to another. So for the final cut, special effects artists had to add various animations to convey that impression. "The end result was a sequence of shots that told a story comprehensible by a general audience while resembling the wormhole's interior," admit Thorne and colleagues in a paper they have published about wormhole science in the film. In other words, they had to fudge it. Nevertheless, Thorne is adamant that the visualisations should help to inspire a new generation of students of film-making and of relativity.
It was a movie--duh (Score:1)
It was a movie and Nolan was in it for the money and maybe the art.
Re:It was a movie--duh (Score:5, Insightful)
Re:It was a movie--duh (Score:5, Insightful)
And much the same reasoning goes to why NASA uses false color images for release: many of the colors out in space are pretty muted and there's a whole lot of brown and grey. There are some striking exceptions, but mostly, the universe looks pretty boring compared to the special effects laden adventure you'd expect from an sci-fi movie.
Re:It was a movie--duh (Score:5, Interesting)
True, but probably the biggest part of the reason why NASA false colors most images is because it's necessary when depicting wavelengths that would otherwise be invisible.
Re: (Score:2)
Not if you are a butterfly:
http://www.theatlantic.com/tec... [theatlantic.com]
Re:It was a movie--duh (Score:5, Interesting)
many of the colors out in space are pretty muted and there's a whole lot of brown and grey
My astrophotography friends would beg to differ. There's plenty of awesome color there without the need to falsify it.
examples please (Score:2)
Re:examples please (Score:4, Informative)
I've always wanted to know what some of these things would look like if I was simply looking at them through a window of a spacecraft.
Mostly bland and boring. Most of the spectacular astronomical photos are time-lapsed over hours. When people look through a telescope at real time stuff, they are often surprised how dim and colorless it is. The colors look washed out because our eyes evolved for the mixture of light reflecting off surfaces here on earth.
Re: (Score:2, Informative)
They look colorless because the objects are very distant and very dim and thus primarily engage the low-light 'rod' photoreceptor cells which cannot see in color, not our color-perceiving 'cones'. That's nothing to do with their actual color content, nor anything directly to do with 'mixtures of light reflecting off surfaces', whatever that means.
Re: (Score:2)
To give a more mundane example, I once watched the Northern Lights alongside a friend with a camera. I could see them in warmish gray, neutral gray, and coolish gray. When my friend got back to his laptop, he just amplified the light and there were beautiful colors.
Re: (Score:2)
Re: (Score:1)
Most people's eyes can actually see the colors fine, but you need to stay outside for several hours for the eyes to get that sensitive. That might be a bit cold in Alaska! 8-)
I have been out at sea, on watch with all lights out at night, and after a while I could see the stars twinkling in color... thought I was having hallucinations at first, but then other people said they could see it too.
Re: (Score:2)
Well you can find out! Go look at an image of the Andromeda galaxy. Then go to a dark site and look at the summer Milky Way. Compare the two.
Re: (Score:2)
I disagree.
First, the dome [or sphere] of stars is majestic enough; if you are able to choose your position in space I am sure there are spectacular views. I mean we have them on Earth, just looking at the sky while in the desert for instance...
Secondly, the planets. And moons. Breakfast in orbit of a planet - bring it on..
Third - there are probably all kinds of interesting large scale phenomena [black holes eating something, that kind of stuff] where a lot is happening outside the visible part of the spect
Re: It was a movie--duh (Score:1)
You need to shut the fuck up.
Re:It was a movie--duh (Score:5, Funny)
Also, how nasa "fudged" the moon landing by filming it in a sound studio.
Yeah, but they had to build the studio on the moon to get the gravity right.
Re: (Score:2)
Re: (Score:2)
Re: (Score:2)
whaa??? the moon is real, dumbazz. i shine lasers at it all the time myself.
Re: (Score:2)
Re: (Score:2)
Because Moon is a giant disco ball covered in space dust. The mirrored surface shines through in some places.
Re: (Score:2)
Re: (Score:1)
Re: (Score:2)
Re: (Score:2)
Blame Dr. Who.
Re: (Score:2)
I thought it was a shitty rewrite of 2001. I was completely disappointed by the film. If they'd cut 30 minutes off of it, at least one could not have accused it of being overly long.
Re: (Score:2)
If they'd cut 30 minutes off of it, at least one could not have accused it of being overly long.
I'd like them to cut out the entire section of the movie with Matt Damon. He's given the worst, eye-rolling pop psychobabble dialog and doesn't really do anything than show why his planet was uninhabitable and break their space ship.
Re: (Score:2)
Re: (Score:2)
It's not a horrible movie, but top 25 all time as votes by IMDB users? That's a total joke
That's not unusual, the top 25 is often skewed by very recent releases. By default, it should probably edit out any film released in the last year; over time, the rankings get more accurate, while shortly after release it's skewed by fan boy votes.
Re: (Score:2)
> I thought it was a shitty rewrite of 2001.
Yeah, I wasn't impressed with him ripping off that video montage sequence either but I could understand why he did it.
Re: (Score:2)
I would have found Anne Hathaway's character's story more interesting than McConaughey's story. McConaughey's storyline is more like Frank Poole's, and about as interesting.
Re: (Score:2)
You're not only trolling, but you're factually wrong, too. Matthew McConaughey's character is the clear hero of the film. He gets some help from Anne Hathaway's character, who is the one woman in the team of 6(?) on the exploration team.
SPOILER ahead.
Maybe you're referring to his daughter, Murph, but she spends 3/4 of the film doing nothing but sulking, and in the end her "revelations" were all orchestrated by McConaughey anyway.
Re: (Score:1)
TARS is the real hero of the story as the robot who gathered the data that Cooper gave to Murphy. And yet Murphy is lionized as the greatest person who ever lived. The message is clear: women are supreme over men and robots.
Re: (Score:2)
Re: (Score:2)
Re: It was a movie--duh (Score:2)
Am I the only one who thought this movie was terrible? Mccon...the main character's accent was absolutely terrible, the daughters acting was even worse, and it seemed to be full of contrived melodrama.
Is "omg blackholes drag on space-time" really enough physics to make something so automatically accepted by "geeks"?
Everyone's a farmer despite automation that just arbitrarily dissapeared? He drives a truck that would be old in the PRESENT?
Hyperspace (presumably?) shown with a bunch of shelves because movies.
Re: (Score:1)
There are two people you cannot satisfy with film (Score:3, Insightful)
Bibliophiles and science-literates. The lesson is: stop trying.
Re: (Score:3, Interesting)
Re:There are two people you cannot satisfy with fi (Score:4, Informative)
The SFC Dune adaptation was really quite good, but I thought the '85 Lynch film, for all its deviations, did an excellent job of capturing the atmosphere of the milieu.
Re: (Score:1)
Did you write that while sipping tea with your pinky finger extended? lol.
I'm sorry, I see the word "milieu" and that's all I can picture. Some high society bore. :P
Re: (Score:2)
the '85 Lynch film... did an excellent job of capturing the atmosphere of the milieu.
So... it captured the atmosphere of middle but not the rest of it?
Re: (Score:2, Insightful)
Those who complain deserve the goat-se edition of the wormhole
Re: (Score:2)
Wormholes have never been observed in nature.
Therefore, there is no science behind them. There is only faith.
Re: (Score:2)
Neither have electrons.
Re: (Score:2, Funny)
Neither have electrons.
I think you misspelled "erection" and forgot that not everyone has a dick as tiny and impotent as your own.
They're real - ask your mommy.
Re: (Score:3)
One thing I like about "Big Bang Theory" is that it's the one television show I can see nowadays where science is mentioned and correct. Okay, I have minor nits, like the whiteboard in the apartment sometimes shows stuff Sheldon would just do in his head and expect everybody else (including Penny) to grasp easily.
Re: (Score:2)
Don't forget the episode where Leonard claimed his rocket fuel would make Wolowitz's model rocked more powerful than an F-1 engine (I believe that Leonard claimed 8 Meganewtons).
Re: (Score:2)
In other words (Score:1)
In other words, some "real" scientific theory is much too boring for Hollywood.
Re: (Score:2, Informative)
Kip Thorne was used for nothing more than propaganda - hey look we have a Physicist on staff. He's not the end all be all of Physics. A wormhole by Saturn - really Kip? Because that's a natural spot for one, unlike say, the center of the Galaxy! You know where a black holes might be found - where one might turn out be a worm hole!
Kip Thorne, like Carl Sagan need to stay away from movies.
Re: (Score:2, Troll)
Kip Thorne was used for nothing more than propaganda - hey look we have a Physicist on staff. He's not the end all be all of Physics. A wormhole by Saturn - really Kip? Because that's a natural spot for one, unlike say, the center of the Galaxy! You know where a black holes might be found - where one might turn out be a worm hole!
Did you watch the movie? If you did, it sounds like you missed the ending, where they figured out the wormhole was made by future-humans to create a time paradox that saves current Earth.
Re: (Score:2)
Re: (Score:2)
You're talking out of your ass... (Score:2)
Lynda Obst and Kip Thorne came up with the the movie, then gave it to Spielberg and Jonathan Nolan to work out a scenario.
http://articles.latimes.com/20... [latimes.com]
It's a project that has its genesis in the two-decades-long friendship between Obst, an astronomy enthusiast who produced "The Siege" and "The Fisher King," and Thorne, the Feynman professor of theoretical physics at Caltech. (When Obst was producing "Contact," adapted by screenwriters James V. Hart and Michael Goldenberg from Carl Sagan's novel, Thorne conceptualized a wormhole sequence for the film that also advanced the field of theoretical physics.)
Over the years, Thorne's work on gravitational-wave detectors, which calculate negative space in things like black holes and imploding galaxies, has been at the very front edge of Einsteinian astrophysics. At one point Obst and Thorne were brainstorming about, as Obst puts it, "the most exotic events in the universe suddenly becoming accessible to humans," and crafted a potential cinematic scenario that hooked Spielberg enough to consider directing.
And that version was...
Well, let's just say that Jar Jar Abrams and studio heads would have loved it.
There is sex in zero gravity and a Chinese expedition too. And the robot wears a baseball cap.
Well, if they wanted to make it more realistic... (Score:2)
Re: (Score:2)
Re: Well, if they wanted to make it more realistic (Score:2)
That all depends on whether negative mass/energy are real..
Re:Well, if they wanted to make it more realistic. (Score:4, Informative)
No they wouldn't. A supermassive black hole of the size mentioned in the movie has less gravitational tidal forces at the event horizon than what you have at the surface of the earth. You are being pulled apart right now more than you would be near that black hole. It's size makes the event horizon radius very large so the gravitational differences per length are small that far away from the point of the singularity.
Re: (Score:2)
Re: (Score:1)
Because the supermassive black hole is spinning, and when it spins the force it exerts isn't equal everywhere.
Oh and even in the giant tidal wave planet, the humans walked around okay without getting ripped apart.
Re: (Score:1)
If it is a supermassive black hole with low tidal forces at the event horizon, how did it create mindbogglingly huge tidal waves on the first planet they visited?
The director explained they took some liberties. They used two different concepts to get their point across. For example, a supermassive black hole would not have caused the tidal wave on the first planet and the time dilation would not be as large as shown in the movie. The effects of the tidal wave on the first planet and huge time dilation is what you would expect from stellar black hole. Also, stellar black holes have huge tidal forces at the event horizon. Nolan admitted that the effects on the first p
Re: (Score:2)
Re: (Score:1)
In the supermassive black hole in this PDF [nasa.gov], the diameter of the event horizon is about 600 million kilometers, or roughly four AU, which is roughly the gap between the orbits of Jupiter and Saturn. It also has a mass 100 million times that of the Sun, which would basically suck the Solar System in real fast. A black hole the mass of the Sun (which would disrupt the Solar System considerably) would have tidal forces of about 50K Gs at the event horizon.
I'm way not convinced. (I'm also not impressed wit
Re: (Score:3)
Re: (Score:2)
Just release a special edition Bluray (Score:5, Insightful)
It's a movie. Most people don't care but for those sticklers, all they have to do is release a special edition that contains a "director's cut" of the film as well as a "science advisor's cut." They would eat it up and it would be a fun way to spark discussion.
Make it so, movie guys.
Re: (Score:2)
This.. this is... genius!! I would pay real currency for a theatrical cut, director's cut, and Kip Thorne's cut of Interstellar!
Re: (Score:2)
>It's a movie. Most people don't care but for those sticklers, all they have to do is release a special edition that contains a "director's cut" of the film as well as a "science advisor's cut."
There wouldn't be much left, then.
As much as Kip Thorne and NDT have touted the science of it, anyone with even a basic understanding of physics would develop a severe allergic reaction from watching the movie.
No, Nolan, disconnecting an object travelling with you doesn't magically boost you out of a gravity well.
Re: (Score:2)
Anybody notice that the first planet they visited was so close to the black hole that there was humungous time dilation, but the mothership stayed a little ways up where there was no dilation? It's not an on-off thing, guys, it's continuous....
Re: (Score:2)
It is pretty close to an on/off thing. Relativistic time dilation is highly non-linear. IIRC it was even in the dialogue that the ship would stay far enough away that the time dilation wasn't too bad, while the shuttle would go down to the planet, where it was severe.
Re: (Score:2)
Really? When I looked at Wikipedia [wikipedia.org], it gave the dilation formula as (H + h) / H, where h is the height and H is a constant. That looks to me to be a fairly smooth function. (I also don't completely understand what they mean by the dilation, which appears to increase with height.)
I may well be misunderstanding this, but that's what I was able to come up with.
Re: (Score:2)
The formula you've quoted is for a particular set of observers in flat spacetime (spacetime near a black hole isn't flat). The Wikipedia article is unclear about what H is, and the link to the Rindler coordinates article doesn't specify either. Also, you have to be careful with the Td(h) formula because it's not giving a simple, straightforwardly intuitive measure of time dilation.
If you look lower down at the "Outside a Non-Rotating Sphere" section, they give another formula:
t0 = tf * sqrt[1-(2GM)/(rc^2)
Re: (Score:2)
Thank you.
Re: (Score:2)
The ship clearly had the engines on when it ditched the shuttles. Disconnecting boosters or fuel tanks when they're expended is a rather well established technique for increasing delta v. They even showed shots of the fuel gauges and the shuttle engines cutting out.
If you mean the scene near the end where they skim the event horizon, you don't need much delta v at all to get out. You're in orbit. If you mean the bit where they stop on the high tau planet and then leave, that's not realistic and various
Re: (Score:2)
Detaching boosters does not provide boost.
They ran out of fuel, and then just barely escaped the falling into the black hole in the slingshot maneuver by disconnecting the dead weight, which magically accelerated backwards propelling the spacecraft it detached from magically into Mars orbit.
There's artistic license (like the drawing of the wormhole, which is whatever, it doesn't bother me), and then there's a landing shuttle which can magically boost in and out of a .99999C gravity well without ill effect o
Re: (Score:2)
Yeah because a movie where everybody dies with absolutely no drama is going to be very entertaining. Perhaps you should stick to the Hallmark channel; at least there you won't have any actual real-world experience or knowledge by which to judge the "realness" and you can then be entertained.
Re: (Score:2)
You missed the fuel gauge showing the shuttles running out of fuel, detaching, and the main engine still having fuel. There are lots of things in movies to pick on without exercising your nerd rage on the things they got right.
I am outraged (Score:5, Funny)
Re: (Score:1)
You should move to the attic.
Real life is boring... (Score:1)
Re: (Score:1)
Re: (Score:1)
How will you get to work after your car explodes in your face?
Re: (Score:2)
I'm a stuntman, you insensitive clod!
Re: (Score:2)
By walking away from the explosion in slow-motion while the music swells, of course.
Why We Create Fiction (Score:2)
Reality is disappointing?
This is why we create fiction in the first place.
Re: (Score:2)
/Oblg.
Reality. Worst. Game. Ever [lolhappens.com]
This is normal (Score:5, Insightful)
In movies machine gun fire does not generally sound like machine gun fire.
Explosions are caricatures of the real thing largely done with diesel to create the big fiery plumes we love to see.
A stick of C4 going off does not create a giant fireball. It's just not good eye candy.
people expect it to look cool (Score:2)
just like we want our cars to sound badass
http://tech.slashdot.org/story... [slashdot.org]
i predict once we get laser weapons in space, we'll play cool FX to hear the sound they're not making.
Too sloppy for wormhole accuracy to matter (Score:2)
1) The blight "breathes nitrogen" and destroys all plants one crop species at a time.
2) A society which never got much further than we are today and whose technological civilization is falling apart is able to mount a crewed mission to wormhole near Saturn?
3) Several habitable worlds very close to a black hole. Why are there any? Where are the host star(s)?
4) The future utopia never went back to the black hole worlds but got along fine anyway. So what was the point?
With all the sloppy science, technology
Do you even movie bro? (Score:2)
1) It consumes nitrogen from the atmosphere, binding it in the form that humans can't breathe, while eating up ALL PLANT LIFE at the same time.
Humans just managed to create species of plants they need for food which managed to stand out longer.
They got dustbowls because there are no more plants to hold down the dirt. On the entire planet.
Corn is the last EDIBLE PLANT that they can grow. Possibly last plant at all. And that would include plankton.
It's Soylent Green all over again. It's not about the food - i
Re: (Score:2)
Sigh. The point of the blight is not that it happened in the movie, but that it's stupid, and I'm not too fond of your explanation. Fixing nitrogen so we can't breathe it? We don't breathe nitrogen, except in the sense that it comes in our lungs and goes out unchanged. Nor is there any sign that anybody's having problems breathing on Earth (except with the dust). The idea of a blight that methodically wipes out one crop after another need some serious explanations.
Did anybody mention a large war? I
Re: (Score:2)
Fixing nitrogen so we can't breathe it? We don't breathe nitrogen, except in the sense that it comes in our lungs and goes out unchanged.
Umm... Yes we DO breathe it, in a sense that its presence or absence in the air that we breathe are detrimental to our health.
Pump more of it in the atmosphere we breathe, changing pressure, we get drunk [wikipedia.org] on it.
Pump it out of the atmosphere, bind it into ground, and we poison ourselves with the remaining oxygen or CO and CO2 - as both the air pressure and concentration of gasses in the air now changes completely.
Nor is there any sign that anybody's having problems breathing on Earth (except with the dust).
You have issues with being able to movie too?
It is a future problem, which would eliminate mo
Another Problem (Score:2)
It's the way it's always been and always will be. (Score:2)
Meeting the audience's expectation, and conforming to the cultural standards of drama at the time, whatever it is, always trumps literal truth.
I remember watching a dumb old black-and-white movie with my brother when I was a kid. I was the one who "knew about science." Someone was using a metal detector with a search coil, and it was dramatically "right" for them to find something. My brother says "Tick. Tick. Tick. Tickticktickticktick." I say, "Oh, no. That's a Geiger counter. This is a metal detector, an
the science was bad and the movie was bad (Score:2)
Re: (Score:1)
or..."Kimmy ticks off Sony by re-editing the flick to actually make it funny"