Mathematicians Devise Typefaces Based On Problems of Computational Geometry 60
KentuckyFC writes: "Typeface design is something of an art. For many centuries, this art has been constrained by the materials available to typographers, mainly lead and wood. More recently, typographers have been freed from this constraint with the advent of digital typesetting and the number of typefaces has mushroomed. Verdana, for example, is designed specifically for computer screens. Now a father and son team of mathematicians have devised a number of typefaces based on problems they have studied in computational geometry. For example, one typeface is inspired by the folds and valleys generated by computational origami designs. Another is based on the open problem of 'whether every disjoint set of unit disks (gears or wheels) in the plane can be visited by a single taut non-self-intersecting conveyor belt.' Interestingly, several of the new typefaces also serve as puzzles in which messages are the solutions."
Re:missing the point? (Score:4, Funny)
Traditionally, typeface designers have considered legibility and aesthetics in their work (in addition to typesetting limitations). Apparently those factors are optional now as well.
Since context, meaning, grammar, and style all seem to be actively discouraged in modern communication, why not use an illegible font as well?
Re:only one version of the truth (Score:5, Funny)
digits have 0 physical value ever
Dunno about you, but my digits come in pretty handy.
At least ... (Score:3, Funny)
Well, at least now we know why typefaces are designed by artists and not mathematicians.
Next thing you know we're going to have software engineers designing user interfaces and wording menus ... oh wait.
Re:only one version of the truth (Score:5, Funny)
Considering your username, I think probably even handier than for most people . . .