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35,000-Year-Old Flute Is Oldest Music Instrument Ever Found 139

Posted by timothy
from the old-earth-theory dept.
Omomyid writes "The AFP is reporting the discovery of a 35,000 year-old flute, made from a vulture wing bone. The context described makes it sound like a musician's shop. There were also fragments of ivory-based flutes and flint tools. Being at least 35KYO this bone flute beats the previous oldest-known musical instrument by at least 5,000 years and puts it very close to the beginning of the Aurignacian culture."
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35,000-Year-Old Flute Is Oldest Music Instrument Ever Found

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  • Interesting! (Score:3, Insightful)

    by squiggly12 (1298191) on Wednesday June 24 2009, @02:43PM (#28456415) Journal
    It makes a person wonder just how long ago music was enjoyed (besides whistling or singing) or did we just grunt our way around?
  • Re:Interesting! (Score:5, Insightful)

    by causality (777677) on Wednesday June 24 2009, @02:46PM (#28456475)

    It makes a person wonder just how long ago music was enjoyed (besides whistling or singing) or did we just grunt our way around?

    The more I learn about the subject, the more convinced I am that the ancients were not the unsophisticated primitives that we often imagine them to be.

  • Re:This one time (Score:3, Insightful)

    by Albert Sandberg (315235) on Wednesday June 24 2009, @03:04PM (#28456735) Homepage

    ... no stairway. denied.

  • Re:Interesting! (Score:5, Insightful)

    by Anonymous Coward on Wednesday June 24 2009, @03:04PM (#28456741)

    Or that we are not the sophisticated advanced species we often imagine us to be?

  • RiAA... (Score:1, Insightful)

    by beodd (16440) on Wednesday June 24 2009, @03:07PM (#28456785) Homepage

    Has the RIAA claimed ownership rights over the music they made with it?

  • Re:Interesting! (Score:3, Insightful)

    by tcopeland (32225) <tom@infoet[ ].com ['her' in gap]> on Wednesday June 24 2009, @03:19PM (#28456937) Homepage

    > The more I learn about the subject, the more convinced I am that
    > the ancients were not the unsophisticated primitives that
    > we often imagine them to be.

    G. K. Chesterton's The Everlasting Man [amazon.com] has some thoughts along the same lines. From this page [wikilivres.info]:

    It may be that in certain savage tribes the chief is called the Old Man and nobody is allowed to touch his spear or sit on his seat. It may be that in those cases he is surrounded with superstitious and traditional terrors; and it may be that in those cases, for all I know, he is despotic and tyrannical. But there is not a grain of evidence that primitive government was despotic and tyrannical.

  • by dgatwood (11270) on Wednesday June 24 2009, @03:27PM (#28457087) Journal

    Mod parent up. Assuming that the linked article is correct, this recent find is at least 8,000 years newer than the oldest known flute, and possibly as much as 47,000 years newer. Of course, this may be the oldest definitively dated flute.

    What is fascinating about this is that it gives you just how far back primitive man was creating complex artistic works. I'm sure there are other instruments of similar vintage---drums and the like---though they may not have survived the years since. The funny part will be when scientists discover that they've underestimated the age of the xylophone family by the better part of a million years. :-) I mean really, if something requiring as much carving as a flute goes back 80,000 years, how absurd is it to believe that something as simple as a bunch of sticks cut to different lengths only goes back to 2,000 B.C.?

  • Re:Interesting! (Score:1, Insightful)

    by Anonymous Coward on Wednesday June 24 2009, @03:59PM (#28457573)

    I think you just proved AC's point.

  • Re:Interesting! (Score:5, Insightful)

    by NotBornYesterday (1093817) * on Wednesday June 24 2009, @04:44PM (#28458307) Journal
    I think you miss the point. The old flute sounds close to modern flutes. When you consider the broad range of instruments and musical scales (think "non-western") in the world, having prehistoric and modern instruments whose notes are "quite harmonic" falls somewhere between interesting and amazing.

    When you say "... most people find pleasant...", you are right on the edge of a rather profound idea. The laws of physics haven't changed, but people certainly have. Does this mean that what they found pleasant and what we find pleasant are similar? Does that mean that musical perception is largely unchanged in the last 35 millenia?
  • Re:Interesting! (Score:5, Insightful)

    by apoc.famine (621563) <apoc.famine@gm[ ].com ['ail' in gap]> on Wednesday June 24 2009, @06:31PM (#28459873) Homepage Journal

    For awhile now I've been wondering about the connection between music and religion. For several thousand years, the most common place to hear a serious musical performance was at a religious ceremony. (Unless you were nobility)
     
    A pipe organ in a cathedral is a staggeringly amazing experience even for those of us able to find and listen to recordings ahead of time. Imagine the reaction of the poor common folk who had nothing but a reed flute and some singing in a grass hut to prepare them for it.
     
    As much as video killed the radio star, I wonder how much recorded music killed religion. (See the Taliban, who ban it, for instance.)

  • Re:Interesting! (Score:4, Insightful)

    by bcrowell (177657) on Wednesday June 24 2009, @06:56PM (#28460147) Homepage

    But what's really interesting about this flute is that the harmonics are very close to a modern-day flute - 35,000 years later! There is a sample of the recreated sound right now on the New York Times website

    Thanks for the cool link :-) You're misusing the terminology a little -- the original NYT article is more correct.

    Every sound can be broken down into a sum of sine waves. Usually, for basic physical reasons, those sine waves have frequencies that are all integer multiples (or nearly integer multiples) of the fundamental frequency. When they have this integer-multiple relationship, they're called "harmonics;" the more general term for the case where they're not integer multiples (anharmonic) is "partials." Any wind instrument that's made out of an air column is going to have integer-multiple harmonics, not anharmonic partials. So when you say that the harmonics are close to a modern flute, that's not really a useful statement; trivially, for physical reasons, any tone played on any wind instrument is going to have the same harmonics as the same note played on any other wind instrument. The only thing that will be different is the strengths of the harmonics.

    What the expert quoted in the NYT article says is "The tones are quite harmonic." This is a different statement. It means that if you had two flutes like this one, and you played combinations of notes, they would sound good together. This has to do with how the scale is constructed. He also doesn't say the scale is the same as any particular modern one, just that it's a scale that sounds good in relation to itself.

    The only cross-cultural universal we see today is that all cultures have what's called octave identification, meaning that, e.g., middle C and the C an octave above it are perceived as being similar, and able to play the same musical function. Most cultures don't have harmony at all -- that's mainly a function of Western music. Different cultures generally don't use the same scales. E.g., Beethoven, a Javanese gamelan orchestra, and a Delta blues musician use different scales in different ways. It wouldn't even make sense to interpret the expert's quote as saying that the scale is the same as today's scale, there's more than one scale used today.

    Unfortunately I couldn't get the sound widget to play in my browser.

  • by the phantom (107624) on Wednesday June 24 2009, @07:04PM (#28460255) Homepage
    Actually most studies have shown that hunter-gatherer societies have a lot more leisure time than industrial or agrarian societies. On average, they might spend 2-4 hours per day procuring food, compared to 12 or more hours per day in an agrarian society, or 6-10 in an industrial society. Instead, there are a couple things that one should consider. First, look at the line plotted by an exponential curve. It starts very flat, then rises very quickly. Assuming that "progress" (however you measure it) is an exponential phenomenon, it would make sense that things would appear to be progressing faster now than 100 years ago, and that things 100 years ago would be progressing faster than things 1000 years ago, and so on.

    Secondly, consider the size of group sustainable by hunting and gathering. You simply cannot sustain the same population density hunting and gathering that you can with agriculture. Generally speaking, hunter-gatherers are quite mobile. Here, in the Great Basin, there might have been as few as 10 people per 100 square miles. In other parts of the world, where resources are more plentiful, densities might have been higher, but still not to the level of an agrarian society. Without high population densities, you are going to have less communication, and fewer people to collaborate on large projects.

    Furthermore, and here is the kicker, everyone in a hunter-gatherer level society needs to be a generalist. All of the men hunt. All of the women gather. The children help where they can. Each person is basically the same as another. Once horticulture and agriculture begin to develop, people are able to settle down more (thus, food stores can be laid in more easily), higher population densities can be maintained, and individuals can start working on something other pure subsistance activities. It is craft specialization that allows technology to progress.

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